The Wardrobe’s Best Dressed: Love as Invasive Species by Ellen Kombiyil


This selection, chosen by guest editor Merrick Sloane, is from Love as Invasive Species by Ellen Kombiyil (Cornerstone Press, 2024).

No Money for Boots

Love as Uprooted Flora

Side A

Ma wanted birthday lilies
so you stomped through snow
to the florist’s beige counter, tiled floor.
Tiger lilies. No dull

white for her, no pink tongue center
yanked fresh from a mountain path.
It was six years since Daddy
plucked the spark plugs and left.

Lilies you
nearly crushed
getting back,
bare legs bright red

like knuckles, simultaneously
snow-wet and bled. And stars in snowdrifts
glittered. Not stars but tiny crystals
moved as you moved down the block, a wave of stars

followed you home
and the stems
gone bent
and you not broken


Love as Invasive Species

Side B

The day the tarantula escaped, my uncle
joked, “The cage is empty.” He said it over cornflakes—
the rock fallen off, the mesh lid mysteriously askew.

He smiled and slurped and chewed.
We searched behind the couch cushions, among
piano hammers’ knotted strings, in the broom closet

with its scary duster. (How many days had he let it out
for a walk—crossing the afghan’s colored squares
draped across the backrest?) At night I dreamt it crept

across the headboard as I slept, scuttled clacks,
each foot a seed-hard talon, spilled tacks.
Gramma finally found it when shaking the sheets out:

black and lacy it sailed through the air,
then scampered under the bookshelf where it hid
then disappeared beneath baseboards.

The walls breathe with it now,
acrid, not unlike the air outside the zoo’s tropical house,
toucans dripping guano black as the berries they ate.

I coax it with felled moths, pheromones
exuding from their bungled heads
after all night blinging the bulb’s sexless filament.

Or I stun lightning bugs with a mosquito-zapping racquet,
sweep twitching bodies near the crevice, where I expect
long fingers to sense their way out, scoop the offering

into its mouth. Or I want it gone,
to know it’s no longer fingering up the walls,
its carcass a dropped glove I’ll bury in the yard

beside a house quietly erupting,
cupboards sagging with china plates,
identity papers locked inside a fireproof safe,

the last will and testament edited, crossed out,
signed in a wavering, unrecognizable hand
(the tarantula’s carapace slipping off,

mushrooms growing
where its abdomen once was), the bookshelves
collapsing, centipedes and their nymphs

thriving amid musty spines,
the loved and unread occupying the same space
inside their dead wood frames.

The cage is empty—I bring home a mate
and watch it sleep under the heat lamp,
tap at the glass, hoping

I’ll find a way to live again
grateful, tame
among the rocks.


Editor’s Note from Love as Invasive Species:

The book these poems appear in was originally imagined as, and is printed as, a têtebêche or “double book.” The poems in Side A and Side B mirror and respond to each other. Some companion poems share exact titles, while others share shadow titles, which appear in grayscale on the poem page.


Ellen Kombiyil (she/her) is a visual artist, poet, and educator from the Bronx. Her latest poetry collection, Love as Invasive Species (Cornerstone 2024) is a tête-bêche exploring matrilineal inheritances. She is a 2022 and 2025 recipient of a BRIO Award (Bronx Recognizes Its Own) from the Bronx Council on the Arts, and a 2025 winner of the Geri Digiorno Multi-Genre Prize. She is currently at work on a project of “erasing war” and creating original erasures, collages, and visual art from war ephemera in the Western canon. A graduate of the University of Chicago and Hunter’s MFA program, Ellen is an adjunct assistant professor at Hunter College. Find her at www.ellenkombiyil.com.

Merrick Sloane (they/them) is a neuro-Queer 90’s kid and nonbinary poet, editor, and researcher from Oklahoma who’s a sucker for expletives and second languages. They hold an MFA in creative writing from the University of Tennessee, Knoxville and are Associate Poetry Editor of Doubleback Review. Merrick’s work has appeared in The Central Dissent: A Journal of Gender and SexualityStories for the Road: Trauma and Internal Communication, BLEACH!citizen trans* {project}, Arcana Poetry, and is forthcoming in Puerto del Sol and ANMLY. Merrick’s poetry was recently selected as a winner of the Garden Party Collective’s contest on Neurodivergence / Intersectionality and as a winner for AWP’s 2025 Intro Journal Awards. Their work has received support from the DreamYard Rad(ical) Poetry Consortium, Poets House, and Sundress Publications. When they are not writing or editing, Merrick loves to serve as a pillow for their cat, Kitten, while getting lost in new worlds written by other dreamers. Merrick is deeply committed to helping create a world that liberates us all.

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