Disclaimer: if at any point this post starts sounding a little too much like it was written by a pretentious middle-aged man, you have permission to steal everything I own. All 106 records, 70 cassettes, 22 VHS tapes, 109 CDs, and 79 DVDs—I mostly collect from various vintage and secondhand stores and, of course, the few local record stores around Knoxville. Just the other day, my 12 year old sister came up to me and asked if I could bring her somewhere to get a record for her friend’s birthday party. She (the friend) had just gotten a record player, and I’m pretty much the only person my sister knows who collects that sort of thing. Of course I took her to Lost and Found and it was a fun trip, but we had limited info on what kind of music her friend listens to and didn’t end up getting anything. Never fear—I made her friend a little zine on how to take care of her records instead, which was an overall much cheaper option and one that allowed my sister to pick out something else for her friend instead.
Still, it made me think about my own philosophy (if you will) about collecting physical media and enjoying art. I excluded books in the little list above because I genuinely have too many to reasonably count, but I promise they are relevant here as well. But back to my records and tapes: yes, I like them because I can hold them in my hands. Yes, I like them for their tangibility (sleeve out of the jacket, record out of the sleeve, record onto the platter). Yes, I like knowing that I truly own these pieces of art and no corporation can censor them or remove my access to them at will.

More than that, though, I love that I can’t skip a song without going through a lot of trouble. If I want to skip ahead while playing a record, I have to lift the needle, move it, and drop it into the precise groove where the next song starts. If I want to skip ahead on a cassette or VHS, I have to push a button and let the tape wind itself up and hope I stop it at just the right moment (which almost never happens). Everything takes effort and none of the effort will every produce perfection.
On one hand, this system has allowed me to develop the tiniest percent more patience, which is always a helpful thing. On the other hand, not being able to skip around on the “highlights” of an album has encouraged me to look at albums in their entirety with a much greater level of respect. Of course, I still listen to music digitally when I want to make a playlist or listen to a specific song—not every album is perfect or anywhere near it, and I don’t have the space or money to own half as many albums as I’d actually listen to. But since I started collecting media that forces me to slow down, I have slowed down.
If an artist puts ten songs on an album in a specific order, that order is intentional. The important part is that intentionality does not equal perfection. In my own writing habits, I try to apply this value to all drafts, but especially earlier ones. And with generative AI as a threat in lots of circles, prioritizing being intentional over being perfect feels like a step in the right direction both creatively and generally. While I’m hoping my sister’s friend gets as much fun out of her new hobby as she possibly can, I’m also hoping that through it, she might value art more intentionally.

Joan Alft (she/any) is an undergraduate student at the University of Tennessee studying publishing and creative writing. Her short story “Pilgrim” is forthcoming in the Phoenix Literary Arts Magazine where she works as an Assistant Prose/Fiction Editor. Gothic themes and relationships, the dichotomy between the familiar and unfamiliar, and confusingly intense devotion in places where it shouldn’t be are a few things she enjoys seeing in others’ art and tries integrating in her own projects. In her free time, Joan collects physical media (records, cassettes, DVDs, CDs, and VHS tapes, oh my!), hangs out at local coffeeshops, and sews on occasion.




















