Cover design: Lindsey Cleworth Cover art: “What I have learned (Bipolar Neuron)” by Chanika Svetvilas
This selection, chosen by guest editor Sarah Clark, is fromPSYCH MURDERS by Stephanie Heit (Wayne State University Press 2022).
Tell yourself this is ok. You are Whitecoat messiah do-gooding into oblivion. Read the stats and only believe the success figures. Erase the possibility of harm from your conscience with evidence-based congratulatory devices. Anesthetize doubt. Make a propaganda video with reassuring clips from patients and family. Forget the gowned bodies are human. Taste power. Don’tthinkabout how you have no idea how this works. Strengthen your faith in electricity. The brain as abandoned city that just needs some light.
Image credit: Tamara Wade
Stephanie Heit (she/her) is a queer disabled poet, dancer, teacher, and codirector of Turtle Disco, a somatic writing space on Anishinaabe territory in Ypsilanti, Michigan. Her creative disciplines are fluid and inform each other in inquiries that delve into somatic experiences of how the body inhabits the page, words inhabit the body, and how the environment we place our bodyminds in stimulate new awareness. She is bipolar, a shock/psych system survivor, a mad activist, and a member of the Olimpias, an international disability performance collective. Her poetry collections are the book of hybrid memoir poems PSYCH MURDERS (Wayne State University Press, 2022) and The Color She Gave Gravity (Operating System, 2017).
Sarah Clark is a mad crip genderfuck two-spirit enrolled Nanticoke editor, writer, and cultural consultant. They are Editor-in-Chief of beestung, Editor-in-Chief and Poetry Editor at ANMLY, Editor-in-Chief at ALOCASIA: a journal of queer plant-based writing, Co-Editor of the Bettering American Poetry series, and a current Board member and Assistant Editor at Sundress Publications. They have edited folios for publications including the GLITTERBRAIN folio and a folio on Indigenous & Decolonial Futures & Futurisms at ANMLY. Sarah freelances, and has worked with a number of literary and arts publications and organizations, including the Best of the Net anthology, contemptorary, Curious Specimens, #PoetsResist at Glass Poetry, Apogee Journal, Blackbird, the Paris Review, and elsewhere.