Meet Our New Intern: Ana Mourant

Ana Mourant, a young woman, with blonde hair and light skin, wearing an explorer's hat, a short-sleeve shirt, shorts, and sandals, walking on a rope bridge high up in a forest

Growing up in rural Alaska, my family lived a largely subsistence lifestyle, which is the term we use when a family obtains most of its food from the wild rather than a store. We foraged for berries, fished for salmon, and hunted moose. We didn’t have a TV when I was young, nor computers, mobile phones, or even running water. Books, however, we did have. My family’s village had a small library, with many more books than people. Only about thirty people lived in the village year-round (yes, thirty, not thirty thousand), and our small library had around ten thousand books. With this book-to-people ratio, it’s no wonder that I became an introverted bibliophile.

People began to attract my attention as a teenager when I became interested in languages and met several foreign exchange students after we moved to the city. I use the word “city” loosely, since Juneau is a small town from most of the world’s point of view. But for us, Juneau was considered the “big city,” with its population of thirty thousand (yes, thirty thousand, instead of just thirty). I took linguistics, French, and Latin in school, and learned a bit of various other languages, including Greek, Italian, Mandarin, and Cantonese. My family decided to host an exchange student, after which I launched myself off on my own series of exchange programs to Greece, France, and Czechia, and spent my junior year of high school abroad in Germany (adding fluent German to my list).

In college, I knew I wanted work with literature, and initially thought I would become a writer. From my extensive language background (at that point I could speak five languages, to varying degrees), I knew I wanted to procure a thorough education not just in English literature, but the English language as well, from a linguistic point of view. I found the program I wanted which offered a major in English Language and Literature, with a minor in Professional Writing. I completed my BA and was also awarded membership to Sigma Tau Delta International English Honor Society.

College life was fun, mine especially so since I had the pleasure of studying English and global literature written from the beginning of the Old English language up to the present. Still, my heart has to get off the pages and into the woods sometimes. No matter what country I’m in or how many buildings I’m temporarily surrounded by, I always make time to return to the forest, the mountains, or whatever form of nature I can get to. I also make time to listen to Indigenous storytellers whenever the opportunity arises. Growing up in Alaska, I was immersed in both Indigenous as well as Euro-American culture. When I wasn’t out playing in the forest or reading, I was often listening to others tell their stories. In Alaska, we’re lucky that live storytelling is popular, both in casual settings as well as large ticketed events in cities. During the latter half of my college years, I began to realize that my true passion lies not in writing my own creations, but in helping others to tell their stories.

When I discovered editing, I knew that this was the path for me: helping others tell their stories. My mind is analytical, my background is strong in language, and my heart is with storytellers who have braved the wilds of life and have enthralling experiences to share. I found that I enjoy helping others more than writing my own pieces from scratch. I love the process of analysis. I love seeing the forest through the trees and helping the story shine. I love getting a rough manuscript and working as a team with the author to form it, see it grow, and watch it bloom.

After I finished my undergraduate program, I pursued this passion and went to grad school at the University of Washington to obtain my editing certificate. I graduated in June 2025, not only with my editing certificate, but also with a certificate in storytelling and content strategy. I am now equipped to help authors find their voice and bring stories to the world.

During my time at the University of Washington, and since then, I’ve edited books, news articles, and websites. I’ve worked with well-known authors, first-time authors, international journalists, and businesses around the world. I enjoy editing a wide variety of material, my favorites being nature writing and anything by or about Indigenous Peoples. As of this writing, besides my editorial internship with Sundress Publications, I’m the copyeditor for journalist Marcie Sillman, and I continue to freelance edit for a wide variety of publishing houses, authors, and businesses. My three favorite authors are Robert Macfarlane and Tristan Gooley, both nature writers, and Wes Henry, whose wonderful prose makes me smile every time I work on his humorous teaching memoir manuscript (in the substantive editing phase as of this writing).

Stay tuned for my Sundress Reads book reviews coming up in the next couple months, as well as my Sundress TikToks. I’m so excited to work with Sundress Publications and happy to be a part of this team!


Ana Mourant is an editorial intern for Sundress Publications and a recent graduate of the University of Washington’s editing program. She holds a Certificate in Editing as well as a Certificate in Storytelling and Content Strategy, and a BA in English Language and Literature, with a minor in Professional Writing. Ana conducts manuscript evaluations, developmental edits, structural edits, line edits, copyedits, proofreads, and beta reads, as well as authenticity and sensitivity readings for Indigenous Peoples content. Ana loves nature writing and Indigenous cultures, and, when she’s not working, is often out in the wilderness tracking animals, Nordic skiing, or just enjoying nature.

Project Bookshelf: Ana Mourant, Nature Writing & Indigenous Peoples

A medium-sized wooden bookshelf with books neatly upright between two owl and petrified wood bookends, and sunflowers decoratively arranged on top of the books. The books are a combination of nature writing and Indigenous Peoples books. In the background is a window with trees.

When someone asks where I’m from, sometimes I say “the mountains,” both because it’s true and because it’s fun to see people’s reactions. After all, why should we identify with a political state rather than an environment? Many times I’ve felt that I have more in common with someone who also grew up in wild places, whether in Alaska (like me) or in Africa, rather than someone who grew up in an urban setting. The natural environment we’re raised in, or the lack of one, affects us more than changing politics and monetary systems.

I’m sharing some book recommendations on nature writing and Indigenous Peoples today, for those of you that desire to immerse yourself in nature, even for just an hour. Take a mental break from urban life and pick up one of these unique reads. I’m presenting this bookshelf in three sections: nature writing, Indigenous Peoples, and nature-themed poetry. I’ve also selected one book to be the special feature of this collection. Feel free to skip to your section of interest, or dare to be tempted to read them all. Each book listed here is selected for its distinct content. Some are famous in their genre, and some are obscure treasures. For an immersive experience, read these outside in nature, at a local park, or even just by your window. I will give some immersive reading location ideas for each book below, tips on whether the physical book or e-book is recommended, and a suggested tea pairing for each. Enjoy.

Nature Writing Book Recommendations
A medium-sized stack of nature writing-themed books, with sunflower blossoms resting on top.

From top to bottom:

The book How to Read Water lying open to a page showing some text and some glossy photographs of water.

Tristan Gooley, a.k.a. The Natural Navigator, is one of my top three favorite authors. This book is exactly what the title says: It literally teaches you how to read water. Learn what different types of waves mean, how to forecast weather, and how even the reflection of light can reveal what’s beneath. From humble puddles to rivers to the big, open ocean, everything is discussed here in lovely prose. This book works well in both print and digital editions. Note that the hardcover edition pictured here does have a few glossy pictures inside. His other books are wonderful as well and can be found on The Natural Navigator website.

Best Places to Read: On the ocean, by a lake, or near a river. Imagine you’re out in the Atlantic, sailing from the UK to Iceland.

Recommended Tea Pairing: Beach Reads by Chapters Tea

A package of Beach Reads tea, which has a picture of beach chairs on a beach with palm trees
The book Mountains of the Mind, propped open facing down, so that the book looks reminiscent of a mountain

Few authors have the ability to draw huge in-person crowds like Robert Macfarlane. Now practically a celebrity in the nature writing genre, he got his start with this book: Mountains of the Mind. Just as I like to say I’m “from the mountains,” Macfarlane writes about his own “forays into wild, high landscapes,” and combines those with a fascinating history of mountains’ impact on the human psyche. This book works well in the e-book edition so it can be easily transported and read outside, if you’re not married to paper versions in general. It has some black and white photographs that view fine in the e-book as well. All his books are treasures, and I detail two more of them below. Note that Macfarlane doesn’t have his own website, but a quick google will bring up all his books, which have been published by a variety of different publishers.

Best Places to Read: On or near mountains, or with mountains in your distant view. Imagine you’re in the Cascades of America’s Pacific Northwest.

Recommended Tea Pairing: Spice Chai Mélange by Chapters Tea

A package of Spice Chai Mélange tea, which has a picture of mountains on the package
A black and white drawing of a holloway: a tunnel made of trees

If you’re in the mood for something mysterious with perhaps a bit of Gothic vibe, Robert Macfarlane will take you through the deep holloways (a “hollow-way” is a tunnel formed by trees and erosion) of England, formed over centuries and millennia, some dating as far back as the Iron Age. This is a quick read that includes some shadowy poetry and swarthy black-and-white pictures, which look just as spooky in the e-book as the hardcover.

Best places to read: The forest, the subway, or a cemetery. Imagine you’re deep among unknown, small roads in some backwoods of England.

Recommended Tea Pairing: Ancient Forest Tea by Mountain Rose

A tin of Ancient Forest Tea
The hardcover book Is a River Alive? without the book jacket, showing the shiny illustration of a river on the cover that is reminiscent of a blood vein

I have a signed copy of this one—Robert Macfarlane’s latest release—that I scored after getting to meet him at his packed book release event in Seattle last month. There must have been several hundred people there. It seemed like half of Seattle poured in to get their signed copy and meet one of our planet’s most-revered nature writers. Macfarlane was just awarded the 2025 Thoreau Prize for Literary Excellence in Nature Writing last month as well. Starting with an introduction titled “Anima,” Macfarlane takes the reader on a journey of both philosophy and travel, profiling rivers in Ecuador, India, and Canada, and exploring their souls and fates. Although I’m proud to own this special signed hardcover edition, the e-book of this is also just fine. Stay tuned for future titles by Robert Macfarlane as well. I’m convinced anything he writes will be outstanding.

Best Places to Read: By or on a river, or with a river in view. Imagine you’re floating along the Mississippi river, streaming through time as well as space.

Recommended Tea Pairing: In the Flow Tea by Fresh Pickins

A package of In the Flow Tea, which has a label in blue stripes

Imagine setting off on an epic backpacking trip, bringing artists’ supplies, and stopping at whim to paint interesting tiny things you see along the way … That’s exactly what author Rosalie Haizlett did, and the result is this lovely book. She strikes an amazing balance of creating a book that has bright appeal to both adults and children, comprised of research, personal trip notes, and charming watercolor illustrations. This is one book you really want the hardcover edition of, and currently it’s only sold as such.

Best Places to Read: Somewhere out in nature near an ecosystem boundary, where there are mountains as well as lowlands nearby. Imagine you’re in the Appalachians of West Virginia, in the middle of nowhere.

Recommended Tea Pairing: Appalachian Sunrise by Red Rooster

A tin of Appalachian Sunrise tea
A photo of Helen Thayer, dressed in clothing for extreme polar weather, with her dog Charlie, on skis, hauling a sled across the ice and snow of the arctic

Quite simply, I think Helen Thayer is one of the greatest women explorers of our time. She has walked across the Sahara, Gobi, and Death Valley deserts, kayaked the entire length of the Amazon river, lived with wolves, climbed some of the world’s highest mountains, and, in this book, skis to the magnetic north pole alone, with only her dog to help alert her for polar bears. This official National Geographic Explorer writes of her journey to the magnetic north pole (and back!) in this real-life explorer thriller. She survives polar bear stalkings and forms a close bond with her brave dog Charlie in this harsh tale of the reality of doing things no one else has ever done before. This book has some compelling black and white photos that show well in the e-book as well the paperback.

Best Places to Read: Somewhere cold, with a blanket. Turn up the AC and imagine you’re in the arctic.

Recommended Tea Pairing: Polar Bear Dreams by Kobuk

A package of Polar Bear Dreams tea, featuring polar bears and the aurora borealis on the label

Indigenous Peoples Book Recommendations
A stack of Indigenous Peoples-themed books, with sunflower blossoms resting on top

From top to bottom:

The book Two Old Women, open to the title page, showing a sketch of the two old women hauling sleds

This book is famous throughout Alaska, and you’d be hard-pressed to find an Alaskan who hasn’t heard of it, and most have read it. “An Alaskan Legend of Betrayal, Courage, and Survival,” this story by Velma Wallis is a retelling of an Athabascan Alaska Native legend, telling how two old women who were abandoned by their tribe not only survived, but … (I don’t want to spoil the story!) This is a must-read if you’re interested in Indigenous or arctic culture, and is a wonderful lesson about the value of elders as well. This is one book that would be excellent as an audiobook. The original legend was passed down orally.

Best Places to Read/Listen: Somewhere you can see elderly people, perhaps a retirement community or local garden. Imagine you’re out in the wild somewhere that is foreign to you, and the elders might have knowledge to pass on.

Recommended Tea Pairing: Hawthorn & Hibiscus Tea by Traditional Medicinals

A colorful box of Hawthorn & Hibiscus tea

An old black-and-white photo of Ada Blackjack, wearing a long parka with the fur hood up

This book has wonderful epigraphs and structure, as well as authentic content. There are other arctic survival-type books, but none of them quite capture the reality of a tough expedition combined with real research, news articles, and journal entries. This is the story of a young Iñupiaq woman just trying to make some money by signing on as a seamstress for an expedition, who ends up being the sole survivor. This is a bit heavier, but very engrossing, read. There are photos that are best viewed in one of the physical editions. I haven’t seen the hardcover in person, but the paperback contains photos on special, glossy photo paper.

Best Places to Read: Somewhere you can be alone and totally absorbed in the book. Imagine you’re in a remote cabin somewhere, and no one knows where you are.

Recommended Tea Pairing: Wild Blueberry by Republic of Tea

A tin of Wild Blueberry tea, which has a pretty, blue illustration on it of water with blueberries floating in it
A picture of the partial cover of the book Myths and Legends of the Pacific Northwest, zoomed in on the photo of Mount Rainier. The cover is green, brown, and blue to reflect the colors of nature in the Pacific Northwest


A collection of classic Indigenous lore, mostly from Washington and Oregon, including creation stories, animal stories, and stories that pass on values. There are many different editions of this book, but the e-book is clear with good pictures. This would also be a wonderful audiobook, but is not currently available as such as of this writing.

Best Places to Read: In or around an Indigenous community center or museum, such as Daybreak Star in Seattle, or the University of British Columbia Museum of Anthropology in Vancouver. Imagine you’re sitting in a quiet corner, and an elder sees the book you’re reading, stops, and tells you a story.

Recommended Tea Pairing: Crater Lake by Oregon Tea Traders

A tin of Crater Lake tea
A map showing where the Noatak River is. The Noatak River is located in northwestern Alaska, originating in the Gates of the Arctic National Park and ending in the Bering Sea.

This is an older book—pictured above is my signed first edition hardcover from 1966—that details daily life of the Inupiat people of Alaska in the early half of the twentieth century, when many more Inupiat traditions than today were still practiced. It gives a glimpse into Indigenous Alaskan customs from a kind outsider’s point of view. The author, Claire Fejes, lived in villages there for a couple years and wrote about the people and customs. Some of the details strike home for me, like reading about how she would play pinochle with the villagers, which was also the most common card game I played with my family growing up. This book is only available in physical editions, and I recommend getting an older, used edition for the charm.

Best Places to Read: This is a good book to read casually on the sofa with family around. Bring this one home for holiday reading and discuss various tidbits with others in the room.

Recommended Tea Pairing: Inukshuk Tea by Culinary Teas

A tin of Inukshuk Tea, which features an inukshuk on it (large stones stacked to resemble a person)
A black-and-white photograph of two male Yupik dancers, wearing traditional clothing and masks. This is the same photograph that is on the cover of the book Agayuliyararput.



Read about the fascinating uses of masks by my people, the Yupik of Alaska. This book draws on the remembrances of elders born in the early 1900s and is a treasure trove of traditions and values.

Best Places to Read: This read invites reflection and is best read alone somewhere quiet. Somewhere in your home that has artwork helps to prompt thoughts.

Recommended Tea Pairing: Meditation Moment by Buddha Teas

A box of Meditation Moment tea
The book The Birchbark House, open to the "Summer" subtitle page, which features a sketch of a birchbark house. The opposite side of the book is curled under to resemble birch bark.



This Indigenous classic is on almost every Indigenous reading list. It won several awards, and although it’s in the young adult category, it’s a fun read for older adults as well. It reminds me a bit of an Indigenous version of the Little House on the Prairie series, which personally I still enjoy.

Best Places to Read: This is an easy read that can be enjoyed just about anywhere. Bring it on your commute, on vacation, or home for the holidays.

Recommended Tea Pairing: Original Maple Tea by The Metropolitan Tea Company

A wooden box of Original Maple tea, featuring quaint artwork on it
A colorful Navajo sandpainting of two people


This is the definitive, and enjoyable, reference guide to learn about Navajo (Diné) sandpaintings. Another part of my cultural heritage, I appreciate that Diné traditions are still strong throughout much of the Southwest. This is a slim book with many photos and works well as a coffee table book and a craft guide. It’s only available in paperback, which works well since this is one you really want to be able to look at the pictures in a physical edition.

Best Places to Read: At your project table at home, where you can start making your own sandpainting after reading it.

Recommended Tea Pairing: Cota Wild Tea by New Mexico Tea Co

A box of Cota Wild Tea, which has a photo of the American Southwest on it
An Inuit artwork, possibly a mask, resembling a creature half-human and half-walrus perhaps, with ivory tusks and side whiskers

This is a large, museum-type book that deserves a hardcover. Full of color photos of Inuit and Inupiat carvings, this book discusses the traditional legends of the Inuit and Inupiat people, and the meanings behind various carvings. It makes an intriguing coffee table book, and is best read piece by piece, to enjoy and contemplate the discussion of the artworks.

Best Places to Read: Your coffee table, when you need an art-viewing break, or perhaps a cabin if you want to sit, do some serious study of it, and maybe do some carving of your own.

Recommended Tea Pairing: Stone Root Tea by Tea Haven

A package of Stone Root Tea
Nature Poetry Book Recommendations
The book Haiku Illustrated, open to a random page in the middle, showing some beautiful Japanese artwork on one page and a well-designed haiku poem on the other

This magnificent work of art is a collector’s item. With a sewn binding and elegant Japanese artwork with each poem, this haiku collection is a beauty just to gaze at. Add in the poetry, and you’ll find yourself reading this every day. This book is rightly only available as a hardcover.

Best Places to Read: This high-quality book shouldn’t be damaged by transporting it around. This is best read at home, with clean hands (no snacking with this one) and natural light to appreciate the artwork.

Recommended Tea Pairing: First Spring Blend Matcha by Naoki

A round container of First Spring Blend Matcha
A page from the National Geographic Book of Nature Poetry showing a nature poem with a photo of autumn leaves


A collection of poems from around the world on full-page National Geographic color photographs, this beauty can be enjoyed by the whole family, kids and adults alike. I often open it up to a random page, read a few poems at a time, and gaze at the photos. With all the high-color photographs, it’s only available as a hardcover.

Best Places to Read: This is a larger, heavier book, so is best read at home. It’s pleasant both alone or with family and friends. Try leaving it open to a favorite poem when you’re expecting a visitor.

Recommended Tea Paring: Explorer’s Blend by Fortnum & Mason

A fancy tin of Explorer's Blend tea

Featured Book: Native Plant Stories by Joseph Bruchac
A photo of the cover of Native Plant Stories, with sunflower blossoms around it
The book Nature Plant Stories open to a page showing a sketch of a story with a native design in the corner, and text on the opposing page. The book is held open and upright by two owl bookends.


From the origin of cedar baskets to why evergreens stay green, this set of stories from eight different Native American tribes explain plants’ connection to humans and our mythology. It’s easy to read one story at a time, or read the whole book in one sitting on a quite afternoon. Illustrated with light sketches on many pages, it’s a read for the curious mind.

Best Places to Read: At the edge of a forest, by a meadow or lake. Imagine you’ve gone back in time and need to learn to use the plants in your environment not only survive, but make a comfortable life for yourself.

Recommended Tea Pairing: Roasted Dandelion Root Tea by Traditional Medicinals

A box of Roasted Dandelion Tea, featuring an illustration of dandelion blossoms on it


A photograph of the author, Ana Mourant, wearing a traditional Alaskan parka and Sorel-brand boots, standing on a bridge made of ice. It's dark outside and the bridge and some items in the background are lit up with colored lights.

Ana Mourant (she/her) is an editorial intern for Sundress Publications and a recent graduate of the University of Washington’s editing program. She holds a Certificate in Editing as well as a Certificate in Storytelling and Content Strategy, and a BA in English Language and Literature, with a minor in Professional Writing. Ana conducts manuscript evaluations, developmental edits, structural edits, line edits, copyedits, proofreads, and beta reads, as well as authenticity and sensitivity readings for Indigenous Peoples content. Ana loves nature writing and Indigenous cultures, and, when she’s not working, is often out in the wilderness tracking animals, Nordic skiing, or just enjoying nature.


Meet Our New Intern: Noor Chang

On my sixth, Barney the Dinosaur-themed birthday party in our small, but festive, house in Damascus, a close friend of mine named Sarah gifted me my first ever English book— every six-year-old’s dream. A fairytale book for every day of the year that her mom had probably picked out, it had a light pink hardcover filled with knights, princesses, dragons, and castles. As a little girl who just wanted some Barbie’s and Build-A-Bears, I was a little disappointed by such an underwhelming, educational present. But now, almost 16 years later, that gift is the only one I remember and the one I am most grateful for.

An Asian woman with shoulder-length, black hair playing the piano. She is smiling and is wearing a paisley-patterned button-down shirt.

My traditional Korean father was always busy when we lived in Syria: he constantly had to travel to Asia for his fabric business, so he would usually be gone for three to four weeks at a time. Yet he never missed any of my birthdays, and my sixth was no exception. We spent, without a doubt and without any excuses, every day from my sixth to seventh birthday reading a fairytale out of Sarah’s book. Even though each story was relatively short and simple (almost half a page), it took me hours to read because my English vocabulary had not yet been developed. With the help of my father, I learnt a lot of big words in 2008 like “immediately”, “specifically,” and “nonetheless,” just to name a few. From that year onward, I picked up English much more easily than my Syrian peers.

Because of Bashar Al-Assad’s dictatorship and the war in 2011, my family and I were forced to relocate to Cairo for two years before moving again to Jeddah in 2014. In Jeddah, Saudi Arabia, as a confused and angsty teenager, my love for books really grew and I was able to find what I gravitated toward as a reader and writer. I loved read anything and everything. Even more than that, I loved talking and arguing about anything and everything. I would spend lunch time in my social studies teacher’s room (thanks Mr. Daniel) with my three best friends talking to him about the world, books, the school system, and anything that came to mind. My inquisitive and curious quality that was fostered in that classroom has been a core part of me as an adult. I was devastated to have to say goodbye to him in 2017.

In high school, my father advised me to begin reading Camus, Sartre, Dostoevsky, and Kierkegaard, sparking my love for literature and philosophy. These authors inspired me to write more, and I began exploring my creative and artistic side, joining art classes, choir, and even picking up where I left off with playing piano. I was able to truly discover my two passions, literature and music, and chose to pursue them at the University of Tennessee in Knoxville. I am grateful for the opportunity to do what I love at Sundress Publications, and I am excited about what life has to offer me.


Noor Chang is a writer and aspiring editor with a rich, multicultural background. Half-Syrian and half-Korean, she spent most of her life in the Middle East, specifically Syria, Egypt, and the United Arab Emirates before moving to Knoxville, Tennessee, to pursue higher education. She is a student at the University of Tennessee, double majoring in English Literature and Jazz Studies. Noor’s diverse upbringing has shaped her perspective and fueled her passion for storytelling, leading her to explore a variety of creative avenues, including writing, music, and cultural exploration. An avid pianist, Noor enjoys playing music with friends and immersing herself in different genres. Her love for travel allows her to experience new cultures and she hopes to continue traveling for the rest of her life. In her free time, Noor is often found with a good book, making music, or working out to stay active and grounded.

Project Bookshelf: Rachel Mekdeci

My bookshelf is as eclectic as a thrift store quilt, with books and anthologies from every age and every style. It’s almost as if I learned my love of literature through trial and error, but I promise that is not the case. Truth be told, I am a harsh god to my bookshelf and am quick to throw out or gift away any book that does not intrigue me in the way I hoped. Here lie the survivors, the chosen few I continuously return to due to their lasting impacts on me as an academic, a woman, and a human.

Pride and Prejudice – Jane Austen

In what world could I, this hopeless romantic, not include my leatherbound copy of Pride and Prejudice? The very first enemies-to-lovers left me hungry as a pre-teen watching Jennifer Ehle and Colin Firth. After taking an Austen class and rereading the novel with a more analytical eye, I opened more to its charms and quirks. I don’t care how much the movies remove from your personality, Darcy. You’re still my number one book crush.

The Prophet – Khalil Gibran

A book of 26 different poetic fables written by Lebanese-American Khalil Gibran. I am a woman of Lebanese descent who grew up in the Caribbean and immigrated to the US. Gibran’s poetry spoke so many impossible truths to this patchwork woman. The themes surrounding religion, life, and the human condition roused something pure in me that I thought I had once lost. Everyone deserves to read this book. Everyone.

Affrilachia – Frank X. Walker

The very same man who coined the term ‘Affrilachia’ in order to remove the stereotypical view of Appalachia wrote a poetry collection 9 years later. This collection was handed to me in an Appalachian Literature class, fresh off of reading some gory McCarthy, and I dove right in. This anthology is a testament to Black creatives in the region and their true lived experience. As a non-Black reader, most poems were clearly not meant for me but still left lasting impacts. I cannot recommend Affrilachia enough.

Voices of Cherokee Women – Edited by Carolyn Ross Johnston

Something that still strikes me as odd today is the difference between the treatment of Natives in America versus my home country. In Guyana, the Native population is revered and cared for. There are still a great many remote tribes living in the thick of the Amazon and they do so happily. Imagine my shock as I moved here and saw the polar opposite. This compilation of true Cherokee voices aided my understanding of the treatment of Native peoples, especially as I read it in my apartment on stolen Cherokee land.

Roots, Branches, and Spirits: The Folkways and Witchery of Appalachia – H. Byron Ballard

This book is a little out of left field, I know, but it is a core tenet of my bookshelf. As an immigrant, I had to leave a large part of my witchcraft behind in my hometown and learn the practice anew in an unfamiliar place. Ballard’s knowledge combines with Southern charm to teach both the history and modern practices of witchcraft in Appalachia.

Under the Skin – Linda Villarosa

If there is any book you pick up from my bookshelf, let it be this. Villarosa explores the connections between race, gender, and medicine through a non-medical lens that any reader can digest. As heartbreaking of a read as this may be, trust Villarosa to back up any and all claims with necessary evidence and historical context. Despite being painfully aware of the yawning maw of systemic racism in this country, Under the Skin introduces yet another way to be angry.


Rachel Mekdeci (she/her) is a foul-mouthed, mixed-race, Caribbean-immigrant Taurus with a bleeding heart passionate for the arts. As an undergraduate Literature student at the University of Tennessee, she takes every opportunity to write about queer literature and intersectional feminism. Her number one mission in life is to further the reach of the arts and maybe own a house?

Project Bookshelf: Noor Chang

When I first moved to the United States four years ago, I took a carry-on bag filled with books I was desperately worried about creasing and breaking. Out of all of my Korean, Arabic, and English books, these were the chosen ones—the books my mother and father were willing to give up from their long-inherited lineage of novels, comics, and short stories. In addition to the select books that were lugged across the Atlantic Ocean, my current bookshelf is an accumulation of classic literature and music books that I have collected during my time at the University of Tennessee pursuing my English and Jazz majors.

Every major classic literature book pertaining to my literature degree is present: the Complete Jane Austen Novels for my 1800s British Lit class, Tolstoy’s War and Peace and Anna Karenina for my Russian Lit class, a collection of Shakespeare’s plays for my 1600s Lit class, and finally a collection of Hemingway, Steinbeck, and Baldwin for the best class I have ever taken, Modern American Novel with Dr. Jennings. Additionally, on my bedside table (not pictured), there is a collection of Edgar Allan Poe’s short stories and poems that I read before bed. Equally as enthralling as my classic literature collection, I have a decent-sized amount of philosophy books, specifically Camus, Sartre, Kierkegaard, and Dostoevsky.

I feel strangely sentimental toward my books, but I wouldn’t say I’m attached to them. I feel as though, much like the people in my life who have come and gone, the books in my life have never been continuously present—I don’t remember the oldest book I own or the first book I was ever given. I have never been able to have a collection as revered as my parents’ bookshelf back at home and I can’t imagine I ever will. Half of my collection tends to be sitting in different tote bags, backpacks, luggage, or even the back seats of my car.

As organized and neat as I am, I tend to scribble on pages of my books: annotations, markings, stickers, notes, coffee stains, bleeding pens, pressed flowers and foliage—anything you can think of is probably in a book somewhere on my small shelf. Every book I own is heavily used but always bought new in the hopes of making it feel like my own. I hold each book I was ever gifted really close to my heart, making sure to never lose it.


Having a rich cultural background with roots in Syria and South Korea, Noor Chang has lived in Damascus, Cairo, Jeddah, Dubai, and Knoxville, making her a citizen of the world. Chang’s unique perspective growing up as a foreigner under Bashar Al-Assad’s dictatorship in the midst of the Arab Spring grants her a nuanced political and cultural understanding of the Middle East that fuels her passion for journalism, traveling, and creativity. Chang is completing her final year at the University of Tennessee as a jazz pianist and an English Literature major. Her experience includes scholarly research, teaching, freelance writing, and performing. 

Meet Our New Intern: Jahmayla Pointer

Woman sitting on a bed of rocks the  forest. Introspectively looking out over a cloud of fog with clasped hands.
Processed with VSCO with p5 preset

Language and storytelling. Analyzing it, creating it, and sharing it with others. I truly believe it is the reason we are all here. To experience, perceive, imagine, and record. Those are my bread, butter, oats, and OJ. I am the individual toaster that seals everything into place. A hearty Literary Breakfast to carry along wherever I go and remind me that life isn’t always so scary, and when it is, I just have to write about it or read a good book.

To say that my passion for storytelling began with just one book or just one author would be an overstatement. on January 27th, 2001, I was born to two beautiful people with big dreams. Their dreams were so large that they had to take a backseat for their baby girl. My mother had her sights on journalism. This is something I truly admire: her desire to know and share vital information, and shed light on the news of the world that maybe the next journalist wouldn’t.

My father, however, taught me the beauty of writing, and storytelling through his music. My dad wanted to make it as a music engineer and lyricist. He taught me all about the structure of a story within a song and letting your heart and soul craft a melody. For that reason, for me, the processes of creating music, creating literature, and even analyzing it go hand-in-hand. 

The first time I was unable to break myself away from a book, I knew I wanted everything to do with them. I was seven years old, and it was a biographical title on the Titanic. It was the only book in the house, and I was determined to read it cover-to-cover. The next time I got that feeling, I was nose-deep inside a Barbie book. I forget the name of it, but Barbie and friends go to summer camp and hilarity ensues. It was a glossy hardback with about sixty pages. At least it felt like sixty back then. 

The two titles that have most influenced my tastes today and my writing overall have been Edgar Allen Poe’s “The Tell-Tale Heart” and Roald Dahl’s “Lamb to the Slaughter.” Being introduced to those masterpieces in the eighth grade, I thought, “Yes… this is where I want to live,” so I moved in and I never left. Sure, I thought that giving praise to these titles made me edgy and that somehow made me feel better, but I know there was something more than my teen angst powering that feeling. 

I see my journeys with writing and reading as markers for where I am in life. For example, when I first began writing as a preteen I wrote from pain, and as a form of escapism. Now I write because I have such beautiful visions in my head, and I want to make them real. Now I write and read because I may have something important to say or to learn.

My perspective changed when I was about seventeen, during a shift at my barista job. I was finishing Frankl’s A Man’s Search for Meaning during a lull period, and the next person who came up to buy something got an earful of analysis and praise for the book that he didn’t ask for as I frothed his latte. I expected him to engage but he didn’t… rightfully so. I probably seemed like a crazy person. He simply took his coffee, gave me a “You have a good day now,” and left. 

I could only laugh at myself at that moment and forgive myself for being so moved by something that I would talk to a stranger like I’d known him for decades. Everything has been kind of light and airy since then, more or less, and I find something ethereal to fuel me in everything I read, and I try and put a strong message in everything I write.


Jahmayla Pointer is a three-time National Goofing Around Award winner and specializes in consuming gothic literature and horror films. Jahmayla’s playful and observant nature, and deep love of horror, magic, and literary thrills led her to pursue an English and Creative writing degree four years ago. She began taking creative writing workshops in her senior year of high school and fell in love with working with others on various projects. During her sophomore and Junior years at Southern New Hampshire University, she’s also done Men-tee and beta reading work for authors local to Cincinnati, most notably Victor Velez, author of A Triduum of All Hallows. Jahmayla was an ACES member briefly through which she received several beneficial developmental opportunities including courses through the Poynter Institute. During her downtime, she likes to spend time with friends and family, dance, write short stories, and read in copious amounts. Something that means a lot to Jahmayla is grassroots work and helping people directly through mutual aid and acts of service, she puts this passion into action by working with a group of good friends to develop education tools and encourage high literacy in her local neighborhoods.

Meet Our New Intern: Rachel Mekdeci

Author of this blog, Rachel, wearing a pink mask and a purple bandana with one raised fist and the other hand painted red while carrying a banner. Behind her, there is a sign that says 'Free Palestine.'

The first time I was ever a spiteful feminist was at the ripe age of 6, rushing to the water fountain after a taxing round of tag. Like all school girls are wont to do, we had been screaming with delight. A teacher rounded the corner and stuck up her nose at me. She pointed a finger at my eyes and said “Young ladies must be seen and not heard.” Reader, I have no explanation for what left my mouth next. I do not know how that little girl knew just what to say in that moment. All I know is that I said the next thing that came to my head: “Thank God I’m not a lady.”

It’s a funny story, one that I love to tell to unwilling houseguests. When a new friend finally asks “Rachel, what radicalized you?”, I tell them it was a game of tag. That isn’t true. What radicalized me was a history class. It was learning about dowries. It was watching movies. It was that black hole that opened in my stomach in 2015 when the newspaper headlines said there was oil miles off of the beach in front of my home. The tag story is a sweeter pill to swallow.

It was my very own radicalization that led to my hunger for knowledge. Once I could connect the dots, that star of capitalism and the constellation of its damage, I had to know more. I turned to the greats, hooks and Lorde and Butler and Spillers, and prayed over their words. After discovering my own queerness in my childhood, these essays soothed aching wounds yet ripped open some new. I knew I wanted to fix this ugly system, but I didn’t know how. It took many years of soul-searching and wrong choices to discover the best way for me to heal this world. I landed on a simple philosophy. I must learn in order to share.

Knowledge is power, yes, but because you then have the power to disseminate it. I must pour over these words, fiction and fact, so I can carry it forward. This is how I have ended up where I am now: determined senior in English Lit fighting tooth and nail to get accepted to a grad school where I can study queer literature (with an intersectional lens!) to my heart’s content. I dream of ‘Dr.’ attached to my last name, a comfortable office, and classrooms full of minds that need some learning. That is the legacy I want to leave.

I know this is not the usual thing one discusses when asked to introduce themselves, but I could not find a way around it. This, all of this, is who I am. I am a thinker before I am anything else, and I cannot help but to think of the state of the world. If I did nothing, I don’t think I could survive. This is how I do something, as little or huge of a change it might leave.

You’ve now met one of the new interns, but not really. I have written a great deal about one singular facet of my life. I am pleased to report that I am, in fact, a well-rounded individual with many hobbies, favorite foods, and a great deal of dislikes. That is not important. One thing about me is that I view every single moment as an opportunity to learn something new. I wanted this post to help somebody learn. I hope that you have learned one thing above all else:

Don’t do nothing. Please do something.


Rachel Mekdeci (she/her) is a foul-mouthed, mixed-race, Caribbean-immigrant Taurus with a bleeding heart passionate for the arts. As an undergraduate Literature student at the University of Tennessee, she takes every opportunity to write about queer literature and intersectional feminism. Her number one mission in life is to further the reach of the arts and maybe own a house?  

Project Bookshelf: SINDUS Kim

AKA: I Have No Bookshelf And I Must Post

My bookshelf back at the University of North Texas was an IKEA Baggebo held together by duct tape and pure determination. My childhood bookshelf, way back in one of my three hometowns, was made out of polished oak & covered an entire wall from floor to ceiling. Now, in the heart of my motherland, I lack a consistent bookshelf to call home for the first time in my life.

I know. It’s just as devastating as it sounds. I’m really not sure how I’ll recover from this either. In the meantime, though, here are the ten books I’ve hauled to every corner of South Korea during my trip this summer. 

1) Nausea by Jean-Paul Sartre — TO READ

I haven’t started properly, but here’s a beautiful quote summarizing the difference between Sartre & Camus. From the introduction by Dr. James Wood: “Camus asked us to fight that imprisonment, if necessary wearily and repetitively; Sartre hoped that we could simply explode the prison.”

2) Translating Myself and Others by Jhumpa Lahiri — TO READ

I haven’t started this one either, but I did buy myself the Korean translation of the text, just to see how a book about translation can be translated. Meta-translation, if you will. Isn’t it lovely?

3) The Stranger by Albert Camus — FINISHED

“For everything to be consummated, for me to feel less alone, I had only to wish that there be a large crowd of spectators the day of my execution and that they greet me with cries of hate.” 10/10 — enough said.

4) Existentialism is a Humanism by Jean-Paul Sartre — TO READ

To be paired with Simone de Beauvoir’s The Ethics of Ambiguity & a loving acknowledgment to Sartre’s strange view on women.

(BTW: their story is fascinating. A whirling, open love life between the feminist & existentialist of a century. Beauvoir signing her letters off with Your charming Beaver to a guy who once said he finds ugly women offensive. Sartre’s other love triangle with Albert Camus & Wonda Kosakiewicz. Look it up!)

5) The Three-Body Problem by Cixin Liu, Korean translation — FINISHED

“잘 쓴 과학소설이란 제일 변화무쌍하고 제일 정신 나간 상상을 뉴스 보도처럼 진실하게 쓴 것이라고 나는 늘 생각했다. 과거의 기억은 언제나 진실하다. 나는 역사학자가 과거를 진실하게 기록하는 것처럼 소설을 쓰고 싶다. 할 수 있을지는 별개의 문제지만. / I’ve always believed a well-written Sci-Fi novel should depict a most creative and insane imagination with the honesty of a news report. Memories of the past are always truthful. I want to write novels the way a historian truthfully records the past. Whether I can, however, is another question.” 

6) Hi, Queer! Issue 6, 중꺽맘 — TO READ

A literary magazine by HYQE – 하이퀴어, the queer club of Hanyang University. The title is an abbreviation of “중요한것은 꺾이지않는 ( )한마음,” which roughly translates to “What Matters Is Your Never-Changing Conviction To ( )”. 

Obtained at the 2024 Seoul Queer Culture Festival.

7) QUEER, FLY Issue 35, 사이 — TO READ

A literary magazine by QIS, Queer In Seoul National University. The title can be translated to distance, relationship, or between.I got this because they told me it contained the Judah/Jesus fanfic, and I was not disappointed. 

Obtained at the 2024 Seoul Queer Culture Festival.

8) Personal Writings by Albert Camus — FINISHED

I despise this book for being the single greatest collection of essays I have ever read. Camus clearly wasn’t trying to pioneer my CNF writing style forever, but he did anyway.

9) 여자들의 섹스북 by 한채윤 — FINISHED

Translation: Women’s Sex-Book by Han Chae-Yun. A book about queer sex for women written by queer, sexual women. I purchased this because I am, frankly, fascinated by the language of sex. What better way to study the topic than to read for myself?

Obtained at the 2024 Seoul Queer Culture Festival.

10) On Freedom by Maggie Nelson — READING

One of two essay collections that brilliantly weaves together the critical, personal, and academic. Beautiful ideas expressed in gorgeous prose, and undeniably within my top five recommendations of all time.

“Nothing stays avant-garde forever; you have to keep moving.” 

& two more that I literally bring around everywhere I go, AKA my current reads…  

11) Bluets by Maggie Nelson — READING

The following quotes are indeed from the same book.

“What I know: when I met you, a blue rush began. I want you to know: I no longer hold you responsible.”

“For my part I have no interest in catching a glimpse of or offering you an unblemished ass or an airbrushed cunt. I am interested in having three orifices stuffed full of thick, veiny cock in the most unforgiving of poses and light.”

12) Sister Outsider by Audre Lorde — READING

If On Freedom demonstrates that the critical, personal, and academic can be intertwined, Sister Outsider speaks to why they must be.

“And there is, for me, no difference between writing a good poem and moving into the sunlight against the body of a woman I love.”

Last but not least, my CD collection. At the beginning of this trip, my dad gave me his old Sony Walkman from the 90s—as soon as I got it operational, I went to an indie record shop and blew a century on these beau’s. My recent additions to all my future bookshelves include: 

  1. The Land Is Inhospitable and So Are We by Mitski
  2. THIRSTY by The Black Skirts
  3. Melodrama by Lorde
  4. Punisher by Phoebe Bridgers
  5. Evangelion, Finally 
  6. Cherry Bomb by Tyler, The Creator
  7. TEAM BABY by The Black Skirts
  8. 201: special edition by The Black Skirts

I post stories about my current readings & more over on Instagram under @sinducated. Feel free to ask me any questions!


SINDUS Kim (any/all) is a writer & fan of the odd, off-putting, and preternatural. Though they have a penchant for fiction and CNF/essays, their Word document dedicated to bad poems about their ex-girlfriend well-exceeds fifty pages. You can find him at his completely empty Instagram and Twitter @sinducated, or her website, where she’s open to all kinds of small talk and inquiries.

Sundress Reads: Review of String

Sundress Reads black-and-white logo with a sheep sitting on a stool next to the words "Sundress Reads." The sheep is wearing glasses and holding a cup filled with a hot drink in one hoof and holding an open book in the other.
The word "string" is in the center of the image. Thin strands of red string are tangled and spread out in the image. The background is a light tan color. The author's name "Matthew Thorburn" is in smaller font near the bottom.

In String (LSU Press, 2023), Matthew Thorburn chronicles a teenage boy’s journey through an unnamed war. Thorburn brings a breathless quality to the entire volume, with almost no punctuation in any poem. Lines break randomly in the middle of sentences and phrases. Concrete poems seemingly resemble nothing while still floating strangely on the page. Disorientation and urgency ring all throughout Thorburn’s poetry collection,.

String is divided into four parts, each one roughly corresponding to the narrator’s experience of this war. Part 1 depicts the happy life before the war alongside the anxiety as war looms and Part 2 describes the devastation of living in a war zone. After beginning with rich, nostalgic narratives, Thorburn plunges unexpectedly into violence in, mirroring the way that conflict envelops civilian homes. In “They,” Thorburn creates the idea of a generic, violent “them” consisting of soldiers who “liked to throw things” such as “a woman down a well” (11). After establishing a serene, happy setting, Thorburn destroys any sense of security the characters possess and depicts the awful descent into chaos that occurs for the victims of conflict.

Thorburn’s outright refusal to name who or what is happening forces us into the lived experiences of conflict. We never learn what war or what part of the war String occurs in. We have no semblance of timeline or how long these characters suffer, nor how long the conflict itself endures. We aren’t allowed to think about politics or death tolls; the ideologies of any single side blends into a single wave of violence that falls upon the narrators’ home. Thorburn focuses us entirely on a single life and the devastation that war inflicts on that life. String is a deeply emotional, personal book in a place that seeks to rob its inhabitants of any sentimentality.

Part 3 guides the reader through the narrator’s choice to leave his home. Consisting of a single extended poem, this section investigates the string which ties the narrator not only to the people who love him, but to the past and present. Over the course of the poem, his string takes the form of a fuse, soldiers’ razor wire, a cursive line, and even an umbilical cord (Thorburn 43-54). This string represents the hold that the narrator holds on his world over the course of this conflict, as well as the sense of self that he maintains during his displacement. As he notes, “this string / I follow / and follow and / know I can / never stop” (Thorburn 52). This moors him to the present and past, but also tugs him relentlessly into an uncertain future; to end the collection, Part 4 investigates what it means to come back to one’s home after war.

String is not only about the disorientation that inhabitants of a warzone (and refugees) feel, but also about the way that comfort morphs in a war-stricken environment. Pianos, for example, are a symbol of comfort early in the book through depictions of the narrator’s family and friends playing together, and he revisits pianos in later poems as a way to show how comfort can rupture in times of war. After a bomb strikes, the narrator recalls how:

“bits of paper swirled behind my eyes

some with treble clefs with quarter

or half notes Uncle Albert penciled

years ago.” (Thorburn 34)

When the narrator’s physical home is obliterated, his mental comfort is as well. Perhaps no poem encapsulates this as well as “Shatterings,” which in part catalogs Uncle Albert (who was previously skilled on the piano)’s stroke. After the stroke, a gorgeous flow of notes becomes “a stutter of / knots nots notes nights / and days” (Thorburn 33). Much like war, the stroke turns order into disorder, blowing to pieces what made so much sense before.

Thorburn’s narrator can never really escape in spite of scattered efforts to either lighten the mood or escape reality entirely. Even as the narrator’s family friend tells him that “those wishing to sing / will always find a song,” the narrator recognizes that “only he spoke” (Thorburn 13). The narrator’s mother remains terrified in that scene as onlookers are completely unmoved by this man’s display of security. In another scene, the diversion of a magic show is repeatedly interrupted by war-related details like “the splintered tree out back,” bringing readers back to the painful reality of conflict (Thorburn 17). Reflecting on an old photograph of the narrator’s father, Thorburn remarks:

“Time stops the camera

says let me show you

how time hurtles on leaves

only this creased piece

of cardboard little square.” (6)

String as a whole is the narrator’s “cardboard little square,” the fleck of memory and hope he intends to pass on to the next generation.

All through his book, Thorburn is painfully aware of the frailty of nostalgia, the weaknesses present in any recollection. In language rich with horror and hope, Thorburn truthfully renders the human costs of war through the eyes of a single teenager.

String is available from Louisiana State University Press


Scott Sorensen is a junior at Dartmouth College studying English while performing standup, writing for the Dartmouth Jack-O-Lantern satire magazine, and helping edit the Stonefence Review. Scott dreams of becoming the first Latvian man to win an MMA championship, which is pretty unlikely given the fact that he is not Latvian and has no idea how to fight.

Meet Our New Intern: SINDUS Kim

A Korean person stands, head turned to the right, so that their face is mostly covered by shoulder-length black hair. They wear a shoulder bag, white pants, and a black shirt that reads MARRIAGE FOR ALL in red punk font. There are trees, grass, and other greenery in the background.

My first work of presentable quality was written in 10th grade, fresh after a devastating breakup with my Discord girlfriend of six months, and published on a well-known fanfiction website in a fever dream of heartache. 

I had explicitly tagged my piece as “Breakup Self-Insert,” because I recognized halfway through the draft that this was a thinly veiled projection of my own angst. A personalized hell of Hurt/No Comfort. Pieces taken from the still-burning house fire that was our mutually blocked DMs, then slapped onto an innocent Google Doc—fourteen thousand words written & proofread in the span of three days. This piece was the final nail in the coffin, my own special closure, and writing it was perhaps the most painful experience in my life: second-place only to admitting on my “Meet Our New Intern” post that I actively wrote fanfiction. 

Be it dissociation or healing, soon after I published the fic, I got over the girl. But I’ll never forget: I woke up the morning after that first chapter and saw that my notifications had exploded overnight. Comments sung praise after praise about a “fresh take on the character” and “a beautiful interpretation.” Every few hours, I’d receive some variation of “I don’t know how you wrote him so correctly!,” and think to myself: thanks, I just pretended he was my ex-girlfriend. I remember being confused, that nobody recognized the deception. Then, one day, the obvious hit me. 

If you squint hard enough, real characters look just like real people. 

Like characters, a real person exists within an ambiguous mishmash of ideals, morality, and history, to fluctuating yet paradoxically static degrees of importance, that influence their decision in any number of ways. These facets layer and collide to form the loose concept we call “self,” whether anthropocentric or otherwise. Similarly, like people, a real character is malleable—so we like to observe this self as it experiences a “thing.” Authors put an extraordinary amount of care into ensuring this happens. Consider everything the self is at this present moment, and why it is that way. Now, here’s a thing. Will the self change? Will it stay the same? Should it? Why, or why not? Or, my favorite—doggone with the character. Will you, the self reading this thing, change as a result of having read it? At the center of literature, there is a push-pull of human reaction; the process of evoking these reactions is what I call art. 

Between real things, the line dividing them is only a matter of semantics. The pravus opus of my career blended a teen lesbian situationship, an adult gay situationship, & every real thing’s real history together until I had something fresh. In the wake of a four-way projection, all of us imposed onto each other, I was left with a sadomasochistic mess of a story—in which every breathtaking reaction was brand spankin’ new. My readers were so compelled by my characters working out their abandonment issues over Spotify playlist descriptions that they could, graciously, overlook the fact that I clearly didn’t know what a semicolon was. 

All this to say: since then, I’ve loved real characters & people everywhere, and I’m elated to continue doing so as an editorial intern for Sundress Publications. I hope this was obvious from the piece, but I got back together with the girl. Please don’t go looking for my fic—I might have to quit my internship if you find it.


SINDUS Kim (any/all) is a writer & fan of the odd, off-putting, and preternatural. Though they have a penchant for fiction and CNF/essays, their Word document dedicated to bad poems about their ex-girlfriend well-exceeds fifty pages. You can find him at his completely empty Instagram and Twitter @sinducated, or her website, where she’s open to all kinds of small talk and inquiries.