The Wardrobe’s Best Dressed: Self-Talk by Esinam Bediako


This selection, chosen by Guest Editor Romy Ewing, is from Self-Talk by Esinam Bediako (Porkbelly Press 2025).

Content Warning: racism or racialized violence

Body/Mind Braid

One night,  I couldn’t get close enough to  the earth.  Spinning,
I left my bed and pressed the length of my body to the rug,
the shell of my ear to the ground.


The   cat   roused   from  her  own  bed  and  sauntered   in   my
direction, only stopping when she stood so close that her fuzzy
black paws were all that I could see.


I had a sense I’d never had before, a sense I’ve never had since.
Vibration  is  one  way  to  say it, flutter is another, but now I’m
just  throwing  words  at something  for which I have no words.
In  my  ear I heard a thrumming that I could feel  in  my bones,
my body a conduit for some unnamed thing.


The next morning, I woke from the living room  floor,  bursting
with  knowledge. “I’m  pregnant,” I  told  my husband,  and  his
eyes  crinkled  the  way  they  do  when  he  doesn’t  believe  me,
when he thinks I’m being unreasonable but doesn’t want to say
it.  He  asked  how I  knew,  but  I  didn’t  have  the  language.  I
sputtered  something  about the middle  of the night, dizziness,
a  strange  feeling. “Even  the  cat  could tell,”  I  said,  “and  you
know  animals  have  a  sixth  sense.”  As  if  I’m  not  an  animal
myself, as if I shouldn’t trust my own instincts.


Esinam Bediako (she/her) is a Ghanaian American writer from Detroit. She is the author of the Ann Petry Award-winning novel, Blood on the Brain (Red Hen Press, 2024), as well as the essay/poetry chapbook, Self-Talk (Porkbelly Press, 2025). You can find some of her recent work in Porter House Review, Cathexis Northwest Press, Great River Review, North American Review, and Southern Humanities Review. Esi lives in Claremont, CA with her family.

Romy Rhoads Ewing (she/her) writes from Sacramento, CA, where she was born and raised.  Her work has appeared in HAD, Oyez Review, Rejection Letters, Bullshit Lit, Major 7th Magazine, and more. Her poetry chapbook please stay was published in 2024 by Bottlecap Press. Her hybrid zine, someday [everybody but] us will laugh about all of this, was briefly physically distributed at the 3rd Annual Hallow-Zine Fest and is available digitally. She also edits poetry and nonfiction for JAKE and runs the archival site SACRAMENTO DIRTBAG ARCHIVES. She can be found at romyrhoadsewing.xyz


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