This selection, chosen by guest editor Shira Haus, is from The Velvet Book by Rae Gouirand (Cornerstone Press, 2024).
The Velvet Book
Is it bright ahead? Enthusiastic? Yes and dark.
From Old Provençal via vulgar Latin diminutive of shaggy cloth, nap of cloth, tuft
of hair, vellus, fleece, suffixed form of *wel to tear, to pull, see svelte which evokes
lengthened, pulled, plucked. A certain kind of night. I’ve read a little of velvet transparent,
breath held for air liased through it. Devoré, burned out. Embossed, hammered,
mirror velvet, nacré like shot silk its iridescence bolts in two directions at once,
pile on pile, Utrecht, voided, and wedding ring, a chiffon type fine enough
to be drawn through that blinking. All catalogued, like that shade of just-past violet
as night snaps. Velvet is back the announcement. Arguing the pile,
the plush, the tongue upon the back. Some suggestion of a likening,
the loops of the warp thread left exposed. The soft, deciduous covering
of a growing antler copper umber and lawn. Sixteen I was night.
When I reached back I felt my path advance. Thought of what always meant.
That fruition. Lucre. Gravy. Beetles’ shades flying. Everything raised
the only question towards what. Again and again short fibers between sense
and sensing. Where does out start. What is velvet but:
before the limit something begins.
Rae Gouirand is also the author of two collections of poetry, Glass is Glass Water is Water (2018) and Open Winter (winner of the Bellday Prize, 2011), the chapbooks Rough Sequence (winner of the Keystone Chapbook Award, 2023), Little Hour (winner of the Swan Scythe Chapbook Contest, 2022), Jinx (winner of the Summer Kitchen Competition, 2019), and Must Apple (winner of the Oro Fino Competition, 2018), and a short work of nonfiction, The History of Art (winner of The Atlas Review’s Open Reading Competition, 2019). Her work has appeared in American Poetry Review, Bateau, Beloit Poetry Journal, Bennington Review, Boston Review, Conjunctions, Crazyhorse, Foglifter, The Iowa Review, jubilat, The Kenyon Review, the Lambda Literary Poetry Spotlight, Michigan Quarterly Review, [PANK], Quarterly West, The Rumpus, Spinning Jenny, Under a Warm Green Linden, VOLT, ZYZZYVA, two volumes of the Best New Poets series, Please Excuse This Poem: 100 New Poems for the Next Generation, Queer Nature: A Poetry Anthology, and many other journals and anthologies nationwide. She leads several longrunning independent workshops in northern California and online, including the cross-genre workshop Scribe Lab, and lectures in the Department of English at the University of California-Davis.
Shira Leah Haus (she/her) is a queer, antizionist Jewish writer from Michigan. Her work appears or is forthcoming in Poetry Magazine, Passages North, Poetry Northwest, and wildness, among others. She has received support from the Napa Valley Writers’ Conference and placed third in the 2024 Pinch Literary Awards for poetry.