This selection, chosen by guest editor Alexis Ivy, is from Reacquaint by Allison Thung (kith books 2024).
Swimming as Allegory for Living
When I say I don’t know how to swim, I mean I never learned to do it properly. That they tried to teach me, but gave up when I couldn’t figure how to turn my head just enough to breathe, yet not sink. I mean I can do some half-assed version of the front crawl in which my face stays submerged for as long as I can hold my breath, while my arms slice through water in unintended tandem, and my feet paddle relentlessly like a runner duck’s, propelling my body forward in small bursts, until it feels like my lungs will explode if I don’t allow my head to break through the surface that very instant to take in as much air as I possibly can, even if the lost momentum causes me to sink like a stone. When I say I don’t know how to swim, I mean I never learned to do it painlessly.
Allison Thung is a Singaporean poet. She is the author of Reacquaint (kith books, 2024) and Molar (kith books, 2024). Her poetry has been published in ANMLY, Sixth Finch, Cease, Cows, Gone Lawn, and elsewhere, and nominated for the Pushcart Prize, Best of the Net, Best Microfiction, and Best Small Fictions. Allison is an Assistant Poetry Editor at ANMLY. 
Alexis Ivy is a 2018 recipient of the Massachusetts Cultural Council Fellowship in Poetry. She is the author of Romance with Small-Time Crooks (BlazeVOX [books], 2013), and Taking the Homeless Census (Saturnalia Books, 2020) which won the 2018 Saturnalia Editors Prize. She is co-editor of Essential Voices: A COVID-19 Anthology (West Virginia University Press, 2023). A recent resident of the Sundress Academy for the Arts, she lives in her hometown Boston, working as an advocate for the homeless, and teaching in the PoemWorks community.
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