This selection, chosen by managing editor Krista Cox, is from The Familiar by Sarah Kain Gutowski (Texas A&M University Press 2024).
Time to Clean
She wasn’t extraordinary, my extraordinary self, for the measure of her accomplishments. Rather, her visions were operatic, symphonic, and robust.
It was her effort’s tenor, its deep vibrating notes that made those plans appear unique. And yet so much broken glass, so much mess in endeavor.
So many busted enamel shards, rusted cables, antique lamps collecting dust. The unused spools of twine, boxes of glue, parts for builds abandoned.
Piles of books, face-down and dog-eared, then forgotten. So much everything and so much nothing—enthusiasm multiplied
and left to molder in humid air: A warehouse for unrealized dreams. Simply put, it was time to clean. But it was difficult for her to let go:
We were crows chasing each other from the trees— clarion in our anger. All around our home, broken spider silk drifted in the breeze.
Sarah Kain Gutowski (she/her) is the author of two books, The Familiar, an Eric Hoffer Book Award finalist, and Fabulous Beast, runner-up for the 2018 X.J. Kennedy Prize, a 2019 Foreword INDIES Finalist, and winner of the 14th annual National Indies Excellence Award for Poetry. With interdisciplinary artist Meredith Starr, she is co-creator of Every Second Feels Like Theft, a conversation in cyanotypes and poetry, and It’s All Too Much, a limited edition audio project. Her poems have appeared in The Threepenny Review, Painted Bride Quarterly, and The Southern Review, and her essays in Write or Die magazine and The Revisionist. A member of the National Book Critics Circle, her criticism has been published by Colorado Review and Calyx: A Journal of Art and Literature by Women.
Krista Cox is the Managing Editor of Sundress Publications, The Wardrobe, and Doubleback Review. She’s a poet and editor and currently pursuing her master’s in clinical mental health counseling. Mostly, like everyone, she’s just trying to stay hydrated while she fights the system.