The Wardrobe’s Best Dressed: an identity polyptych by Tameca L. Coleman


This selection, chosen by guest editor JJ Rowan, is from an identity polyptych by Tameca L. Coleman (The Elephants 2021).

content warning for domestic violence

                                Mom told me once that he was jealous I was coming
                                and jealous                        when

Black and white photo of a woman in striped pants leaning against a car and holding a baby in a white dress who looks like it may be squirming or crying

I was there


                and he had even punched her

                              in the pregnant belly.

I must have bounced around.
The wonder and magic

and safety of the womb.


Meca’Ayo (Tameca L Coleman) is a queer poetry-centric multi-genre writer, singer and artist who currently lives in Denver Colorado. Their writing and photography have been featured in literary magazines, art exhibits, journals, anthologies, and other venues and publications. Their first book, an identity polyptych, a multi-part, multi-genre work that explores familial estrangement, identity as a mixed-race Black person, and movement towards reconciliation, debuted from The Elephants on the Salish Sea Fall 2021.

JJ Rowan is a queer nonbinary poet and dancer whose writing and movement practices have developed largely out of collaborative approaches and the pursuit of deep connection. They are looking for the places where the written line and the lines of the moving body intersect, where genre blurs and remixes and reboots, and where style and role reach maximum fluidity and deeper capacity. Their chapbook, a simple verb, is available from Bloof Books. You can follow their handwriting and movement projects on Instagram.


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