The Wardrobe’s Best Dressed: Beautiful Machine Woman Language by Catherine Chen


This selection, chosen by guest editor H.V. Cramond, is from Beautiful Machine Woman Language by Catherine Chen (Noemi Press 2023).

A Convention Guide for Cyborg [ —— ]

Even when I can’t smell I’m experiencing the world’s vicarious
senses. The nose tingles. Ochre walks.


The sun is a tambourine. A sum of color.


I am covered in hives on this beautiful May morning.

Naturally, I dreamt I was working a hospitality gig on a cruise ship
taken hostage by pirates being workers we are left to die I look out
to the ocean wondering if I could swim to shore before drowning
or before being shot conducting this reasoning is quite tiring so I’m
resigned to dying on the ship where at least I can gather my nerves.


Naturally in another dream I await the gallows I allow the noose to
be snug I step I await the gallows I allow the noose to be snug I
step I await the gallows.


My dreams tell me I am likely to die in a maritime way.

My horoscope tells me I am deferring the consequences of my
actions.


I lick my right inner forearm knowing I’ve made a breakthrough.


We have different theories of fear namely derived from its
presumed shape. She says fear is triangular I say fear is cylindrical.


Every poem contains my desire.


Every poem contains my anger.

Every poem contains my revolt.


Over the years, the doors close. A trigger like a girl ate me up. A
dry swallow. I held my direct gaze at the machine I was servicing.
I wanted her so badly. I wanted her to know our struggles were
adjacent. Increasingly it became difficult to speak in her dialect.
My attention span had shrunk. Yes, it’s true. I was subsisting on
leftover Halloween candy. Am I making myself understood? The
question: one out/of translation. Conclusion A: I am neither
equipped nor inoculated to handle nuance.


Conclusion B: A sense of free form gesture or everyday
calligraphy requires repetition. I feel it when I pen my signature for
petty documents. I felt it when I wrote a thank you card to my aunt
who I hadn’t seen in 20 years.


You could mistake it for a blessing.


I always wanted to transform a painting, e.g. vandalize it. Every
technology reflects the desires of its creator. Fuck the creator. I am
its drone. I’ve told this story so many times, I might have a
complex. Listen: or don’t. I am beginning to distinguish my
subjectivity from hers. It’s entrancing.


Catherine Chen is a multidisciplinary poet and performer. They have received fellowships from the Watermill Center, Theater Mitu, Lower Manhattan Cultural Council (Arts Center Residency 2021), Lambda Literary, Poets House, and Franconia Sculpture Park. Their poems appear in The Rumpus, Hyperallergic, Apogee, Nat. Brut, among others. Chen is the author of the chapbook Manifesto, or: Hysteria (Big Lucks, 2019). They live in Brooklyn.

H.V. Cramond holds an MFA from the School of the Art Institute of Chicago and was the founding Poetry Editor of Requited Journal for 10 years. In 2018, she helped pass the Survivor’s Bill of Rights in Illinois as an organizer for Rise. Read more of her writing on her website.

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