The Wardrobe’s Best Dressed: The Spring by Megan Weiler


This selection, chosen by guest editor Joey Gould, is from The Spring by Megan Weiler (JackLeg Press 2022).

II: Two Years Later
33

(excerpt)

“This is where Costanzo used to park the car when we came to look for mushrooms.” I express surprise that a car can go up this road at all, steep and rocky as it is. “Oh yes,” she says, “he used to drive up here or even further, sometimes into the woods as far as the cabin. He knew this road so well, maybe even better than the road to Vigliano. He often waited in the car for me while I went looking for mushrooms.”

I can tell that she is happier as soon as we’ve entered the woods. “Vigliano is good for convenience,” she says. “But this place is good per la persona.”

It quickly becomes clear that her casual remark about finding “a mushroom or two” was the greatest understatement. We’re not in the woods for five minutes, still far from reaching the cabin, when she suddenly climbs up an embankment and starts poking around in the leaves with the tip of her umbrella. Almost immediately – “Look at these gallinelle!” The word for chanterelles is “little hens.” I didn’t think she could be so happy about anything: she laughs with pure joy, encouraging me to pick the tiny yellow mushrooms as well. “There’s another patch. You get those.”

The first ones always come out under chestnut trees, she tells me. Only later do they come out under oak trees as well. “Who knows why?” But not just under any chestnut tree, only under certain ones. She speaks of mushrooms as “being born.” “Who knows why they are born in one spot and not another?”


Megan Weiler was born in Philadelphia and grew up in Konstanz, Germany. She returned to America after high school and studied English literature at Bryn Mawr College and Yale. She has held many different jobs while writing, from serving beer to the yodeling club in Altnau, Switzerland, to helping foreign nationals in Philadelphia with immigration procedures and applications for political asylum. Her first novel, The Night Bell, was published in 2001 by Picador UK. Her stories and excerpts have appeared in Mississippi Review, Nimrod, and Common Knowledge. She lives with her husband in Nashville.


“joey moon photo” alt text: A long-haired, bearded person wearing fingerless black gloves, black tights, black shoes with silver lion buckles, and a sleeveless blue dress is speaking into a cordless microphone on a wooden stage. The dress has white stars all over it and depictions of the phases of the moon vertically down its front. Behind them are two blue lights and a stage curtain illuminated in bisexual lighting.

Joey Gould, who is Sundress Academy for the Arts Spring 2024 Writer in Residence, wrote The Acute Avian Heart (2019, Lily Poetry Review) & Penitent>Arbiter (2022, Lily Poetry Review), while their recent work has appeared or is forthcoming in Meow Meow Pow PowMiniskirt Magazine, & Persephone’s Fruit. They also serve as Poetry Editor for Drunk Monkeys.

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