The Wardrobe’s Best Dressed: Auguries & Divinations by Heather Treseler


This selection, chosen by guest editor Joey Gould, is from Auguries & Divinations by Heather Treseler (Bauhan Publishing 2024).

Purpura

When the poet wrote I lost my mother’s watch,
we knew she meant more than a timepiece.

To watch over the soft-skulled expulsive being
that is baby is a genre of love that must break

its own clock. In my first years, I slept little.
When I slept, I left my eyes’ garage doors open.

Poor mother thought baby awake, mother awake.
For months: staring contests in the half-dark,

calling each other’s bluff, falling in love as any
pair must—with desire and jealousy. Jostling

furniture in the psyche, heady hormonal rush.
When I lost my mother’s watch, I was thirteen.

The day, unaccountably bright. Fields of flora
bloomed under her skin as if she were a lavender

hat in Seurat’s famed painting. An ambulance
rolled its orange glass eye at her strange beauty.

For weeks, we waited for her body to lose its
artistic ambition. (Toxic drugs, confusion.)

Doctors asked: Who is President? What year is it?
Can you name your children?
Purpura, the broken

blood vessels in her skin’s pointillist painting.
Some code or augury to read and remember.

I watched, thinking of Phoenicians finding
the world’s costliest color in the crushed bodies

of murex: vats of pulverized mollusks to trim
the general’s cloak, dye an emperor’s robe purple.

What a tyrant or daughter claims as her right,
calling it nature. The first empire is mother.

Heather Treseler is the author of Auguries & Divinations (April 2024), which received the May Sarton Prize, and Parturition, which received the Munster Literature Centre’s international chapbook prize. Her poems appear in Kenyon Review, Harvard Review, The Iowa Review, and The American Scholar, and have received Narrative magazine’s annual poetry prize and the W. B. Yeats Prize. She is a resident scholar at the Brandeis Women’s Studies Research Center and a professor of English at Worcester State University.


“joey moon photo” alt text: A long-haired, bearded person wearing fingerless black gloves, black tights, black shoes with silver lion buckles, and a sleeveless blue dress is speaking into a cordless microphone on a wooden stage. The dress has white stars all over it and depictions of the phases of the moon vertically down its front. Behind them are two blue lights and a stage curtain illuminated in bisexual lighting.

Joey Gould, who is Sundress Academy for the Arts Spring 2024 Writer in Residence, wrote The Acute Avian Heart (2019, Lily Poetry Review) & Penitent>Arbiter (2022, Lily Poetry Review), while their recent work has appeared or is forthcoming in Meow Meow Pow PowMiniskirt Magazine, & Persephone’s Fruit. They also serve as Poetry Editor for Drunk Monkeys.

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