
This selection, chosen by guest editor Amber Alexander, is from The Girl Who Talked to Paintings by Shannon K. Winston, released by Glass Lyre Press in 2021.
Birdcage and Shadows
Imogen Cunningham, photograph
Imagine your loneliness is a room with shadows of leaves projected onto whitewashed walls. It’s easier for you to picture your feelings cinematically, to project them outside of yourself and watch them reel by. As if they never belonged to you, as if someone else has trouble finding her footing in the world. My hands are cold, you replied, when a man said he loved you. Or, I’m not sure I understand the question, when a friend asked what you desired most. Project, from proicere, to expel or abandon. In this room, there’s an empty birdcage with bent bars. Did the bird, like you, try to hurl itself out of this domestic scene in search of something else to care for? Look, in the foreground, there’s an outline of a boy. If you had been more maternal, you might have loved him—his rounded cheeks, his soft nose. Yes, that might have been enough.

Shannon K. Winston’s book, The Girl Who Talked to Paintings (Glass Lyre Press), was published in 2021. Her individual poems have appeared in Bracken, Cider Press Review, On the Seawall, RHINO Poetry, and elsewhere. She holds an MFA from the Warren Wilson Program for Writers and lives in Bloomington, IN.

Amber Alexander, who publishes creative work as e. holloway, is a poet based in Ohio. They currently work in higher education and as an Assistant Editor for Best Of The Net within Sundress Publications. Alexander is a former Editorial Intern for Sundress Publications, former Editorial Board Member for Cornfield Review, and was a Sundress Academy for The Arts Writing Resident in 2023. Their work has been published by Cornfield Review and earned multiple awards during undergrad at The Ohio State University.
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