
This selection, chosen by guest editor Samantha Duncan, is from As She Appears by Shelley Wong, released by YesYes Books in 2022.
Invitation with Dirty Hands
as Frida Kahlo
In the blue house, my table examines her hands & sets them on the floor. Do the trees remember falling, their branches snapping one by one with their attendant flowers? I hear fruit teething in wooden bowls. The grave men walk with knives up their sleeves. But I don’t blame them. I said yes. Stems refuse & we break them. Happy skeleton, dance with me: any part you want to play, I will welcome you. I take care of arranging fruit. My small beginnings— do they lie buried like stones— Blood in the dirt smears my gleaming hands. Worms ribbon into bodies below. Paradise must have so many leaves waving us forward in white sun. Please arrive. Lie with me among the weeds. I’m queen for good. The marigolds are latching into my bloodline. Their soft throats crowd closer.

Shelley Wong is the author of As She Appears (YesYes Books, May 2022), winner of the 2019 Pamet River Prize. Her poems have appeared in American Poetry Review, Best American Poetry, Kenyon Review, and New England Review. She is the recipient of a Pushcart Prize and fellowships from Kundiman, MacDowell, and Vermont Studio Center. She is an affiliate artist at Headlands Center for the Arts and lives in San Francisco.

Samantha Duncan is the author of four poetry chapbooks, including Playing One on TV (Hyacinth Girl Press, 2018) and The Birth Creatures (Agape Editions, 2016), and her work has appeared in BOAAT, SWWIM, Meridian, and The Pinch. She lives in Houston.
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