The Wardrobe's Best Dressed: It Was Over There By That Place by Diane Glancy

Gourd Dance

It is memory over there by that place. Memory that
remembers before remembering. The family of my father
dislodged. The memory of my mother’s parents displaced
over them as marbles moving on a board of Chinese
checkers.
Or wind moving in the shocks of corn. A gourd dance
found there. Before the farm. Or trails of dust behind stars
traveling. Variants of headlights on the old dirt road to
follow.

And the gauze curtains through which the form of
remembering came. Through which it must pass for the
memory of the remembering to come. A shifting to
another to say what was not said. Of them was running
more than going. A gourd dance. A blowgun on its mark.

This selection comes from the chapbook, It Was Over There By That Place, available from The Atlas Review.  Purchase your copy here! Our curator for this selection is Sarah Clark .

Diane Glancy is professor emerita at Macalester College. Her latest books are Fort Marion Prisoners and the Trauma of Native Education (creative nonfiction), University of Nebraska Press, 2014, and Report to the Department of the Interior (poetry), University of New Mexico Press. 2015. in 2016-17 Wipf & Stock has published several books including Mary Queen of Bees (novella), The Servitude of Love (short stories) and The Collector of Bodies, Concern for Syria and the Middle East (poems).
 
Sarah Clark is a disabled non-binary Nanticoke editor, writer, and cultural consultant. They are Editor-in-Chief and Poetry Editor at Anomaly (www.anmly.org), Co-Editor of the Bettering American Poetry series (www.betteringamericanpoetry.com) and The Queer Movement Anthology (Seagull Books, 2021), a reader at The Atlas Review and Doubleback Books, and an Editorial Board member at Sundress Press. She curated Anomaly‘s GLITTERBRAIN folio (http://anmly.org/ap25-glitterbrain/) and a folio on Indigenous & Decolonial Futures & Futurisms (http://anmly.org/ap-27-indigenous-futures/), edited Drunken Boat’s folios on Sound Art, “Desire & Interaction,” and a collection of global indigenous art and literature, “First Peoples, Plural.” They were co-editor of Apogee Journal‘s #NoDAPL #Still Here folio, and co-edited Apogee Journal‘s series “WE OUTLAST EMPIRE,” of work against imperialism, and “Place[meant]“, on place and meaning, and is a former Executive Board member at VIDA. Sarah freelances, and has worked with a number of literary and arts publications and organizations. www.twitter.com/petitobjetb

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