Summer Flash Showdown: “Get Your Jersey On” Winners!

Photo Courtesy of http://www.baseballpics.tk/?p=531
Photo Courtesy of http://www.baseballpics.tk/?p=531

Once again, Sundress Publications welcomes you to the winners’ circle! This week’s MVP’s knocked the prompt out of the park and into April Michelle Bratten’s heart. Let’s tune in to her decision.

Congratulations to Penny Pennell for her first prize story, “The Climbing Pine.”

Here are April’s highlights from the piece:

“The Climbing Pine,” skillfully written with a wicked sense of humor, is a story of
unexpected characterizations. In this story’s cleverly designed atmosphere, I found
myself drawn toward the purity and tradition of a summer baseball game. What I
found instead was an endearing twist–characters traditionally deemed innocent were
teetering on the edge of darkness. The climbing tree, tall and foreboding, loomed over
the scene as a warning: things are not quite as they seem.

-April Michelle Bratten

Penny is the winner of her very own Outspoken Tank!

We also congratulate Barbara Harroun as our runner-up for round two, with her powerful story entitled, “Empty.”

Both authors will go on to compete in the final grand prize round, where one writer will walk away with five Sundress titles of their choosing and their story immortalized on the blog!  Get cracking on this week’s contest here!

Now for some great reads.

The Climbing Pine

by Penny Pennell

The first time you heard a priest swear was at your younger brother’s t-ball game. Early evening, mosquitoes biting, you were far more captivated by the rainbow snowcone in hand than the call that wasn’t just bullshit, but fucking bullshit. That side eye did little to mask your surprise, but Father Joe ticked up a notch that day. “Yeah,” your nine-year-old self concurred.

The game ended, as they often do, before the twilight hour, teams high-fiving in a post-game ode to sportsmanship. Defeat or victory didn’t loom long because once little league finished, the big game took center stage. Lights snapped and echoed on, a low hum began the orchestra, luring insects 50 feet skyward to a dizzying mosh pit. Kiwanis vs Noonan’s Hardware. Kiwanis Number 25 in left field, pale blue stripes on his chest, socks uneven. Slurping a wad of Big League Chew, he pulled his hat down too far over thick eyebrows and jogged deep – the worst player in the league.

You met the neighborhood boys on Brown Mountain to play king of the hill, re-enact lightsaber battles, and race matchbox cars in a pile of dirt used to feed the pitcher’s mound. No need to worry about heading home when the streetlights buzzed on, the diamond lights gave a furlough. They also illuminated the climbing pine.

The park was home to many trees suitable for play: the maple with a branch low enough to hang from upside down, the oak shedding acorns to collect and throw, the fuller pines that offered invisibility in dusk games of hide-and-seek. But the climbing pine bore advantageous war wounds that offered up its internal ladder. Stripped bare on one side, likely damaged when the lights were installed, the sap-seeping branches let you climb beyond heights you dared to go on the stadium lights. Sheltered with fronds, you and another could find branches and call out to Number 25. Heckling like Statler and Waldorf because distractions or no, Number 25 was never going to catch that pop-up fly.

Seventh inning and the barbs repeated or waned, leaving Number 25 frustrated with promises of post-game recrimination. By the eighth, a cicada shell deftly crumbled between sticky fingers among thoughts of heading home. The crack of a Kiwanis bat in the ninth began the descent. Halfway down, you leapt for the dusty landing of Brown Mountain. No risking the wrath of a humiliated outfielder.  You and the neighborhood boys scattered like June bugs when the lights go out.

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Penny Pennell received an M.A. in English in 2003 from The University of Illinois at Springfield. Her short fiction has previously appeared in Eureka Literary Magazine (ELM), The Journal of Microliterature, River Poets Journal, Foliate Oak, Underground Voices, Barnstorm and The Illinois Times.

Empty

by Barbara Harroun

You’ve started your pathetic yellow Pinto when you realize you left the keys for the pet shop in the belly of locker 117. Your legs are gelatinous from holding the last wall sit for an extra ten seconds and nosing in first on each and every suicide rep. You’re trying too hard, but you think if Mr. Stiffer (you just don’t respect him enough to call him “Coach”) pays any attention at all, he’ll start you at center next game, like you did all of Junior Varsity. Not Katie. She’s as tall as you, but graceful–not muscled like some beef cake mechanic, which is how you see yourself, honestly, standing naked in front of your mirror after your shower. God, a hot shower! You still have to shovel shit and clean cages at the pet shop, trying not to make eye contact with the puppies piled on one another in their tiny jails. Katie is probably going home and doing whatever a doctor’s daughter does, like eat something delicious and homemade by her mother, the doctor’s wife, and then off to do homework. That’s probably her job—get good grades. Not like you, who has to go clean the shitty pet shop your almost-divorced parents are barely holding on to.

You have a Spanish test tomorrow, so you as you sprint back to the gym you conjugate verbs and wonder for the millionth time how Mr. Stiffer can be married to Senora Stiffer. She’s the gentlest person you’ve ever met. She’s plain, but inside she’s gloriously beautiful. She’s showing now, her belly as perfect and round as a basketball, and today, in class, you caught her, standing by the window, hands on her belly, a private smile on her face, so joyful you wished she were your mother.

You enter quietly because you don’t want to talk to Mr. Stiffer, you just want to get your keys. He is with Katie, under the net, grappling the same ball, trying to gain control of it. A game. A joke sporting event. The ball drops, hits the floor and bounces until it’s still. That’s the saddest sound in the world, besides the cacophony of crying pets waiting for you. Now they’re kissing. Really kissing. The rack of basketballs is right there. A familiar rage bares its sharp ferret teeth and blinks its pink eyes. A ball is in your hand, familiar and known as your own skin. You rapid fire, throwing as hard as you fucking can, hoping to raise welts, break noses, going for their faces when they are still together—one target–and then alternating when they have separated, until the rack is empty and you are too.

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Barbara Harroun is an Assistant Professor at Western Illinois University. Her most recent work is forthcoming or appearing in Circus Book, Empty Sink, Per Contra Fiction, Fiction Southeast, Watershed Review, and Spelk. Her favorite creative endeavors are her awesome kids, Annaleigh and Jack. When she isn’t writing, reading, or teaching, she can be found walking her beloved dog, Banjo, or engaging in literacy activism and radical optimism. Her website is barbaraharroun.com and she blogs about all things mysterious with her friend, colleague, and running partner Rebekah Buchanan at https://allamystery.wordpress.com/.

Summer Flash Showdown: On-Ramps and Off-Scripts

Downtown Springfield, IL. Photo by Lauren Leone-Cross
Downtown Springfield, IL. Photo by Lauren Leone-Cross

Whoah! It’s already round three of the Summer Flash Showdown, and what a ride it has been. Judges and Sundress staff alike have been impressed and humbled by the creativity evidenced by the first two submissions calls alone. We thank all the participants and readers thus far, and all the new ones to come. But let’s be real: this is only the beginning of the literary hurdles and envy evoking prizes hiding here in the Wardrobe! This week could be your chance to win a copy of Amorak Huey’s debut, full-length collection, Ha Ha Ha Thump! But let’s not forget the Grand Prize Round just around the corner. A crowned champion will walk away with the publication of their story on the blog, and FIVE FREE SUNDRESS TITLES OF YOUR CHOOSING!!! The winners of this round will have the chance to write for this finale of internet epicness. This week’s judge is none other than… B. Rose Huber!!!

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B. Rose Huber is the flash fiction editor of Pretty Owl Poetry. She spends her days writing about research at Princeton University. She received her M.F.A. in Creative Writing and Publishing Arts from the University of Baltimore. Her work has appeared or is forthcoming in Cobalt, Pear Noir!, The New Yinzer, the Light Ekphrastic, BE Literary, and Weave, among others. She also binds books for those who ask.

The Challenge: On-Ramps and Off-Scripts

Photo by Lauren-Leone Cross.
Photo by Lauren-Leone Cross.

A character takes a step out his front door. A stranger comes to town. A family stuffs a station wagon full of sunscreen and packed lunches. A young writer hitchhikes across a bygone country. All these have been ingrained into our conceptualization of storytelling in one way or another, but its time to go against the grain with this prompt. The open-road archetype, especially in its American form, is arguably as celebrated as it is re-branded and reused. We want you to mold a new kind of summer road trip story. But to keep you out of the muck of stereotypes, we are locking down the word “vacation” completely. No vacations allowed for these asphalt adventures! Encourage your characters to kick the back of each other’s seats and get lost, but make sure to leave out the punchlines or the “Are we there yet?” adolescents. They can be fun, but we’d rather you surprise us with honest detours away from predictable paths between plot point A and point B. Limit 450 words for round three. Please include a concise, publishable third person bio with your submission.  Send all stories to sundressflashsummer@gmail.com. RTF or DOCX file format preferred. Stories must be submitted by Monday, August 3rd at midnight EST! Best of luck, and thank you for submitting!

SAFTA Reading Series Presents Darren Jackson and Andra Watkins

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June 21, 2015 at 3:00PM

Birdhouse Knoxville

800 N 4th Ave, Knoxville, Tennessee 37917

Knoxville, TN– Sundress Academy for the Arts is proud to present the June edition of the award-winning SAFTA Reading Series featuring visiting writers Darren Jackson and Andra Watkins!

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Darren Jackson’s recent poems have appeared in The Pinch, The Laurel Review, The Offending Adam, Bluestem, and other journals. He has also translated Life in the Folds by Henri Michaux (Wakefield P, forthcoming Fall 2016); “The White Globe,” an essay by Bertrand Westphal, included in the The Planetary Turn: Art, Dialogue, and Geoaesthetics in the 21st-Century (Northwestern UP, 2015); and, with Marilyn Kallet and J. Bradford Anderson, Chantal Bizzini’s Disenchanted City (Black Widow Press, 2015). He was nominated for a Pushcart for fiction in 2015 and holds a Ph.D. in English from the University of Tennessee.

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Andra Watkins is the author of the memoir Not Without My Father: One Woman’s 444-Mile Walk of the Natchez Trace, nominated for the 2015 National Book Award for Nonfiction. Her other works include her debut novel To Live Forever: An Afterlife Journey of Meriwether Lewis and the photography collection Natchez Trace: Tracks in Time.

The SAFTA Reading Series is free and open to the public! We look forward to seeing you there!

Every Book Prize You’ve Ever Entered

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Note: Winner does not receive actual trophy.

Thank you for your interest in the It’s Awesome To Win and It’s Awesome to Lose Book Prize from the University of Pobiz Press. We take pride in our reputation for being the most transparent book contest in the publishing world, so please carefully review the following information to learn about our manuscript guidelines, ethical standards, and reading/judging process.

  • Authors who wish to enter our contest should familiarize themselves with our catalog. We encourage you to buy at least three books in each genre we publish.
  • We accept submissions in poetry, fiction, nonfiction, graphic narrative, and multimedia sculptural affirmation. Please note that we are not interested in translation, genre, or social issues.
  • To preserve anonymity, all submissions are read blind. We endeavor to avoid our colleagues to the point that we cannot recognize their work without first and last name attached. Current students, former students, close friends, spouses, lovers, and housekeepers of the judge are allowed to enter, but to ensure fairness, we keep the judge drunk on whiskey throughout the process.
  • Manuscripts should be stripped of all identifying information prior to submission. Entrants with immediately recognizable names will not be disqualified; instead, we will personally remove the information and pass their manuscripts to our judge, unread.
  • We only accept single-author manuscripts accompanied by a statement affirming the work is the intellectual property of the author or untraceably plagiarized.
  • We are neither copy editors nor designers and therefore expect winning manuscripts to be of the highest, publishable quality prior to entry and accompanied by print-ready cover art converted to CMYK color space at a minimum of 300 dpi.
  • Manuscripts should be composed on a computer running an up-to-date version of Ubuntu, Debian, Fedora, or Red Hat Enterprise Linux; triple-spaced with titles in 13-point Neue Helvetica eText, body text in 10-point Adobe Garamond, and table of contents in 16-point Impact; conform to W3C’s XML 1.0 specifications; and be saved in MS Works (.WPS) format.
  • Improperly formatted or incomplete submissions will not be read.
  • Due to budget cuts, we can no longer receive manuscripts via postal mail. However, you may use our secure Russian e-commerce site to pay your entry fee.
  • Entry fees operate on a sliding scale relative to the likelihood of the title being made into a movie, selected for Oprah’s Book Club, or awarded a high-profile prize by a panel of anonymous judges who, for professional reasons, identify as cis white men.
  • Nonfiction fee of $45 includes $25 entry fee plus $20 for printing your electronic entry.
  • Fiction fee of $55 includes $35 entry fee plus $20 for printing your electronic entry.
  • Poetry fee of $55 includes $45 entry fee plus $10 for printing your electronic entry.
  • Graphic narrative and multimedia sculptural affirmation fee of $105 includes $55 entry fee plus $50 for printing your electronic entry.
  • 51% of entry fees go toward the cost of the judge’s whiskey; 23.7% of entry fees are converted to small bills and used to fan our interns when they get overheated while carrying manuscripts from our office printer, 22.3% of entry fees fund future “investments”, and 3% of entry fees are spent on publishing and marketing our books. As you can see, we are committed to transparency.
  • You may enter more than one manuscript. Each manuscript, however, must be accompanied by a separate entry fee, as well as an additional $20 overproductivity fee.
  • Each entry entitles you to a 5% discount on a title in our catalog and thrice-weekly updates via our intern-staffed mailing list, from which you may unsubscribe for a modest fee.
  • Authors at any stage in their careers are welcome to enter. However, we are more likely to select winners with Oscar-winning performances and/or established audiences of wealthy patrons.
  • Semifinalists will be notified via Twitter; finalists will be notified via carrier pigeon. In the event that over 50% of our finalists are graduates of the Iowa Writers’ Workshop and/or residents of a New York borough, our interns will rank manuscripts based on the authors’ dexterity with shuriken and tequila limes.
  • Winners will receive ten copies of their book, the option to purchase copies from Amazon at a 55% discount, and anywhere between $100 to $500 in prize money, depending on anticipated royalties and the continued support of CEOs who cannot scan iambic pentameter. Winnings will be distributed biennially.
  • All authors are required to presell a minimum of 150 copies of their books, at least 100 of which must be purchased by individuals who are not friends or family of the author. Each presale must be accompanied by a notarized statement of relationship witnessed by a seventh son of a seventh son. The presale requirement may be waived if you pay 80% of the printing costs for your book.
  • We reserve the right to withhold prizes in any given year, should we deem all submissions unworthy of publication. We will not, however, refund entry fees as they will have been spent on Kentucky bourbon and Toyota Camry lease payments long before we announce semifinalists.

Thank you for your support of the University of Pobiz Press. We look forward to receiving your entry!

——

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Les Kay holds a PhD from the University of Cincinnati’s Creative Writing program and an MFA from the University of Miami. His poetry has appeared in a variety of literary journals including Whiskey Island, Sugar House Review, Stoneboat, Menacing Hedge, Third Wednesday, Santa Clara Review, The White Review, PANK, South Dakota Review, and elsewhere. He lives in Cincinnati with his wife, Michelle, three dogs, and their collective imaginations. His chapbook, The Bureau, is forthcoming from Sundress Publications.

T.A. Noonan is the author of several books and chapbooks, most recently The Midway Iterations (Hyacinth Girl Press, 2015) and The Ep[is]odes: a reformulation of Horace (Noctuary Press, 2016). Her work has appeared or is forthcoming in Reunion: The Dallas Review, Menacing Hedge, LIT, West Wind Review, Ninth Letter, and Phoebe, among others. A weightlifter, artist, teacher, priestess, and all-around woman of action, she is an artist-in-residence at Firefly Farms, home of the Sundress Academy for the Arts. Additionally, she serves as the Vice President and Associate Editor of Sundress Publications.

MARCH/APRIL 2014 WARDROBE SUBMISSIONS

Here is the list of the amazing writers we received work from for The Wardrobe in March & April of this year.

Lindsay Lusby’s Imago from Dancing Girl Press (2014)

Tasha Cotter’s Some Churches from Gold Wake Press (June 2013)

Allie Marini Batt’s You Might Curse Before You Bless from ELJ Publications (April 2013)

Jennifer Militello’s Body Thesaurus from Tupelo Press (2013)

Judith Gille’s The View from Casa Chepitos from Davis Bay Press (October 2013)

M’s That Mythic Country Called Closure from Concrete Wolf (2013)

Elizabeth Kerlikowske’s Suicide Notes was self-published (2014)

Elizabeth Kerlikowske’s Last Hula from Rock in the River Lit Series (SRCA)

Sally Rosen Kindred’s Book of Asters from Mayapple Press (2014)

Kirsten Imani Kasai’s Rhapsody in Snakeskin: Tales of Erotic Horror from E-Book distributed by Amazon (March 2012)

Kristen Clodfelter’s CASUALTIES from RopeWalk Press (October 2013)

Jennifer Cheng’s Invocation: An Essay from New Michigan Press (January 2001)

Sarah Marcus’ BACKCOUNTRY from Finishing Line Press (2013)

Sarah Marcus’ Every Bird, To You from Crisis Chronicles Press (2013)

Elizabeth J Cohen’s The Green Condition

J Gay’s Decomposition from Dancing Girl Press (2014)

Jessica Ankeny’s One Simple Step to Keeping a Clean Gun from Dancing Girl Press (2013)

Lori Lamothe’s Diary in Irregular Ink from ELJ Publications (March 2014)

Amy MacLennan’s Weathering from Uttered Chaos Press (2012)

Angela Howe Decker’s Splendid Catastrophe from Finishing Line Press (2014)

G.L. Morrison’s Chiaroscuro from Headmistress Press (2013)

Mary Meriam’s Word Hot from Headmistress Press (2013)

Susana H. Case’s 4 Rms w Vu from Mayapple Press (2014)

Judith Terzi’s Ghazal for a Chambermaid from Finishing Line Press (2013)

 

Keep the excellence coming by submitting here!

An Open Letter to TriQuarterly

Dear TriQuarterly:

You don’t know me. Even if I chose to sign this open letter with my real name, you wouldn’t. I’m not an A-lister; I don’t have one of those names that everyone recognizes, like Billy Collins or A.E. Stallings or James Franco.

Still, I’d like to talk to you about your letter. You know, the one that goes like this:

The editors at TriQuarterly recently sent you a notice that your submission was not accepted for publication. I want to clarify that, due to very high volume and limited publication space, our staff was unable to review your submission. Our intent was to give you the opportunity to publish elsewhere, though I realize that our original email was not as clear as I had hoped. I apologize if this has caused any confusion.

At the risk of sounding dense, I am confused. Your letter invites more questions than it answers, and I’d like to pose some of them now:

  1. How can a magazine with, as stated on your website, nineteen people on the masthead be incapable of handling its submission load?
  2. Related, most magazines that are overwhelmed simply close submissions. Why didn’t you do that?
  3. Should your letter be read as a poorly phrased euphemism for Just so you’re aware, we saw your name on your cover letter, didn’t recognize it, and decided to reject outright? If so, why even allow unsolicited submissions?
  4. A few individuals have defended TriQuarterly‘s decision to reject work unread to “give [the submitter] the opportunity to publish elsewhere.” Yet you accept simultaneous submissions. In what universe does it make sense for a magazine to reject submissions unread when those works can be sent to other markets?
  5. There is some scuttlebutt on social media that this maneuver was the work of a lone gunman rogue editor. If this is true, how could a single editor do this without any oversight? If it’s not, should we trust a magazine that would scapegoat someone in this fashion?
  6. For that matter, why would any magazine, especially one with TriQuarterly‘s reputation, think this letter was a good idea? (I’m reminded of Chris Rock’s proclamation to Jerry Lewis in Bigger and Blacker: “Lie to me!”)

I suspect that you will, in time, address some (if not all) of these questions. Perhaps they will even be satisfactory to some writers out there. Rest assured, though, that I won’t be one of them. No matter how well crafted your damage control is, I will refuse to submit to you again.

I won’t be alone.

Meanwhile, if you need me, I’ll be writing, submitting, and publishing. You know, doing the work that will make my name so well known, you’ll be there to accept my work without reading it.

Sincerely,
One Nameless Writer

The Wardrobe’s Best Dressed: Kirsten Clodfelter’s “Casualties”

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This excerpt is from the story “The Silence Here Owns Everything”, from Kirsten Clodfelter’s fiction chapbook, Casualties.

 

III. Routines

I sit on Kendra’s bed while she French-braids my hair. She does

it over and over, gets to the bottom and then unthreads the strands

to begin again. She always needs to be doing something—she has

a nervous energy; this is what her mom sometimes says to me.

Kendra’s fingernails against my scalp are a comfort, and I close my

eyes and let that touch be the only thing.

I hate that I cannot French-braid hair. I hate the moments

that I have to admit this at sleepover birthday parties or during

homeroom when Mr. Jackson isn’t paying attention to the girls

sitting in the back row. I hate that there are so many things my dad

has taught me—not to wear black shoes with a navy-blue dress,

how to stop a run in tights with clear nail polish, how cold water

best removes a bloodstain from underwear—but that he is unable

to teach me this one thing.

Kendra is my oldest friend, my only friend who met my mother

before she got sick, who ever even knew my mom at all. I don’t

like to talk about this with anyone, but Kendra somehow knows

without me ever telling her, and she says the words about it that

I cannot. “You must miss her,” or “Tell me something else about

her,” or “My mom is basically in love with you, so we can share,”

but today she does not say any of these things; today she just braids

and unbraids, braids and unbraids.

This selection is from Kirsten Clodfelter’s fiction chapbook, Casualties, available from RopeWalk Press. Purchase your copy here!

Kirsten Clodfelter’s writing has been previously published in The Iowa ReviewBrevityNarrative MagazineGreen Mountains Review, and The Good Men Project, among others, and is forthcoming in storySouth. Her chapbook of war-impact stories, Casualties, was published last October by RopeWalk Press. A regular contributor to As It Ought to Be and Series Editor of the small-press review series, At the Margins, Clodfelter lives in Southern Indiana with her partner and young daughter.

Meagan Cass is an Assistant Professor of English at the University of Illinois Springfield, where she teaches courses in creative writing, independent publishing, and composition, curates the Shelterbelt reading series, and advises the campus literary journal, the Alchemist Review. Her fiction has appeared in Hayden’s Ferry Review, The Pinch, Hobart Web, PANK, and Puerto del Sol, among other journals. Magic Helicopter Press will publish her first fiction chapbook, Range of Motion, in January 2014. She holds a Ph.D. in English from the University of Louisiana Lafayette and an MFA in fiction from Sarah Lawrence College.

 

The Wardrobe’s Best Dressed: Kirsten Clodfelter’s “Casualties”

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This excerpt is from the story “The Silence Here Owns Everything”, from Kirsten Clodfelter’s chapbook, Casualties.

 

II. Welcome Home

When Kendra’s brother comes home on leave, her parents

tie three balloons to the mailbox—one red, one white, one blue.

He’s been back for almost a week now, and the balloons are

mostly deflated, hanging limply on their strings. Today they look

especially sad, a reminder that something fun happened here

recently but is now over. Kendra and I walk into her kitchen when

we get home from school, and Gavin is standing at the counter

with a bag of chips, drinking a beer. He nods at us but doesn’t say

hello. He’s tan and his hair is short, and a part of me wishes he

were still wearing his fatigues—I like the way he looks when he’s

dressed up in his army outfit.

Kendra takes two beers from the box in the fridge and passes one

to me from the other side of the counter. Gavin lifts hers from her

hand and says, “Not old enough,” and Kendra snorts. “Neither are

you,” she says as she opens the refrigerator door and takes another.

“I’m fighting in a war, I can drink if I want,” he tells us, and the

way he says it makes me think he’s been practicing that line in his

head for a while now, waiting for a chance to use it.

Kendra squints until the sharp blue of her eyes dulls. “You’ve

been in Nevada for the last ten months. Shut up.”

The noise of her can cracking open in the still, warm air of the

kitchen makes me jump, and Gavin laughs, and this is a good thing

because somehow it eases the tension between the two of them.

I watch Kendra hold the aluminum to her lips, and I think about

the way the bitter liquid is splashing cool and bubbly into her

mouth, and then Gavin slams his hand down hard on the counter

and yells, “So, Natalie, how’s it going?”

“You know, fine,” I say, and then I open my can and raise it in

cheers because I can’t think of a single thing to say. I don’t want to

hear the sound of myself swallowing, so finally I ask Gavin, “What

were you doing in Nevada,” and sip my beer slowly as he replies.

“Military defense by satellite,” he tells me. “Some pretty intense

shit.” He takes a handful of chips out of the bag and adds, “Enough

to deserve this fucking beer, anyway.” Kendra rolls her eyes, and

I think of telling both of them that not everything has to be a

competition, but I let the words wash back down my throat. When

I finish my beer, I shake the empty until Kendra hands me another.

This selection is from Kirsten Clodfelter’s fiction chapbook, Casualties, available from RopeWalk Press. Purchase your copy here!

Kirsten Clodfelter’s writing has been previously published in The Iowa ReviewBrevityNarrative MagazineGreen Mountains Review, and The Good Men Project, among others, and is forthcoming in storySouth. Her chapbook of war-impact stories, Casualties, was published last October by RopeWalk Press. A regular contributor to As It Ought to Be and Series Editor of the small-press review series, At the Margins, Clodfelter lives in Southern Indiana with her partner and young daughter.

Meagan Cass is an Assistant Professor of English at the University of Illinois Springfield, where she teaches courses in creative writing, independent publishing, and composition, curates the Shelterbelt reading series, and advises the campus literary journal, the Alchemist Review. Her fiction has appeared in Hayden’s Ferry Review, The Pinch, Hobart Web, PANK, and Puerto del Sol, among other journals. Magic Helicopter Press will publish her first fiction chapbook, Range of Motion, in January 2014. She holds a Ph.D. in English from the University of Louisiana Lafayette and an MFA in fiction from Sarah Lawrence College.

 

Sundress Academy for the Arts Presents Steampunk Storytime

 

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Sundress Academy for the Arts Presents Steampunk Storytime

 

Knoxville, TN—The Sundress Academy for the Arts (SAFTA), an artists’ colony on a 29-acre farm in Knoxville, Tennessee, is pleased to be a part of the Second-Annual Steampunk Carnivale, taking place on June 7, 2014. Due to popular demand, the event will be having longer hours and more kid-friendly events for families to enjoy.

Actors and performers from the Knoxville area will be reading Steampunk spins on classic tales, every hour on the hour from 1:00 PM to 5:00 PM. Steampunk Storytime will conclude with a final tale at 10:00 PM, just before the evening’s adult festivities.

1:00 PM – “The Four Skillful Brothers” by Larkin Grimm – Four brothers travel the world and learn very different trades, each of which proves valuable in rescuing a princess from a mechanical dragon—but whose skill is most valuable?

2:00 PM – “The Machinist” by Darren Jackson – In a desperate attempt to secure his daughter’s future, a father’s wild lie puts his daughter in an impossible situation. She is saved by a technological marvel, but the price of salvation is higher than she expected.

3:00 PM – “Candy Heaven” by Larkin Grimm – Two children discover a candy store in the heart of the city. From the outside, it looks abandoned; inside, they find a world that is not quite as sweet as it seems.

4:00 PM – “The Clockwork Girl” by T.A. Noonan – Fashioned by a master craftsman, the clockwork girl dreams of becoming real. The journey, though, will take her places she never dreamed and teach her things she never expected.

5:00 PM – “Tiger’s Bride” by Angela Carter – After being lost by her father in a game of cards, a woman becomes the captive of a mysterious beast-man known as “Milord.” What neither of them knows is that each is the other’s perfect mate.

10:00 PM – “Little Red Fascinator and The Wolf on Her Tail” by Larkin Grimm – A milliner’s granddaughter receives advice and a gift that seem to contradict one another, and it’s up to her to decide which is more her style.

The Wardrobe’s Best Dressed: RK Biswas’ “Culling Mynahs and Crows”

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Selection from “Culling Mynahs and Crows”

PAGES 470-474

Sally ought to have returned from her jog. Agnirekha’s head was buzzing again. She was not sure how long she had been staring at the pane. Had she been talking to herself? Listening to the voice? Or had there been more than one voice? She got up deliberately to make herself a cup of coffee. She stumbled on the way to the sink. Sally should have been there. Agnirekha tried not to panic. But something was rising, and it was not only the steam from the whistling kettle.

When Sally returned, she knew instantly that something was wrong, and giving the hall and kitchen a quick look, which took in everything, she raced upstairs. Agnirekha was in the bathtub, shivering in the water, a Smokey rope of blood curled away from her wrist. As the breathless seconds passed, Sally hauled Agnirekha up and out of the water. She unplugged the tub and let the water gurgle away, taking the blood with it. She grabbed the T-shirt that Agnirekha had discarded and tied it tightly around her wrist. “Sugar,” she mumbled, rememberingan old Indian remedy for stopping blood that Agnirekha had taught her on a warm day, a holiday when both of them had had too much beer and were giggling as they tried to cut a salad together. Sally had cut her finger and Agnirekha had swabbed it with sugar grains. The bleeding soon stopped, but Agnirekha, suddenly more sober, had insisted on finishing the salad by herself. Afterwards Agnirekha had washed the sugar off, and put medicated tape on the wound. She did other things to the wound, turning the day into the soft colours of an old sun warmed patchwork quilt. The day had turned out to be beautiful. So beautiful, that it wrung Sally’s heart, just to think of it, as she now raced into the kitchen, returning with a handful of sugar spilling from her fist, and untied Agnirekha’s wrist. She poured sugar over the cut and retied the shirt. And, then Sally half dragged, half carried Agnirekha to the bedroom. She dried the rest of her there on the bed, turned the heater up and put a blanket on the still girl. When Agnirekha woke up she found Sally sitting away from her, on the armchair, eyes blazing with tears, grief, anger and betrayal. She knew instantly that the worst word she could say was “sorry.” She hoisted herself up, shivering a little as the blanket slipped off.

“Look outside your head Aggie! What do you see? Me? D’you see me?”

Agnirekha nodded. “I did not… I was not… I don’t know how it happened…”

“Voices coming for you again? I thought you were cured.”

And it was true. Agnirekha had not heard the voices for a long time. “Tell me,” said Sally.

Soon Sally was holding her, making her repeat the words that she was reluctant to utter. Agnirekha spoke, and when she could not, Sally did not let go. Agnirekha had to tell her everything, all over again.

“You know, we need to make that trip to your city Aggie,” said Sally at last. “We have to. And then you have to let go.”

“You come here now Sal,” said Agnirekha sinking back into the pillows.

But Sally was not done yet. “You know you have to tell your folks. The sooner the better.”

Agnirekha said nothing. Sally rolled a joint, took a long drag before passing it to Agnirekha, who took it with fingers that shook ever so slightly. They lay side by side sharing the joint. When it was finished Sally slid her hands under Agnirekha, half lifting her, as she positioned herself above, careful not to let her full weight bear down on the smaller girl. She brought her mouth down on Agnirekha, who responded, full throated. She lowered the rest of herself on Agnirekha, until they were like a single body. This was not the first time that their vaginas had met, touched and kissed, but today was special; it held a final release. They made love, slowly, lingering over each other’s skin, savouring the touch, the intimacy that was now so regular and felt so natural. The day was growing outside, but they remained in bed, exhausted. Soon sleep also joined them, loosening the arms they had flung across each other. For Agnirekha it was a fitful sleep.

Sally woke up sooner, and lit another joint. She glanced at the sleeping woman next to her and her heart twisted painfully. And still she wondered how long she would have to go, how much she would have to endure before Aggie became herself, healed and became whole. Would she, Sally, be able to make it together with her that far? But Agnirekha stirred again, and Sally was once more overcome by that strange mix of emotions that she knew was more than love. It was an emotion that had grown from their slow conversations, after the inevitable smoke post love-making. Bit by bit she and Agnirekha had allowed each other into their past lives. Not just the events and people, but their inner selves, the paths their minds had taken. But Agnirekha, in the past, had pulled thorns out of her head and impaled people, who were so often harmless and helpless, genuinely in need of compassion; people she could have, and should have helped. Agnirekha had cut herself on those thorns too. Such rage, such viciousness, and such tender helplessness. Sally involuntarily put her hand on Agnirekha’s buttock and stroked it, lower and lower until she reached the small wet and tender part, and let her hand rest there.

She would make Aggie take that trip back to India, to Calcutta, next year. Yes, they would make plans for next year, definitely. She would go with her, all the way. And, she would finally get the opportunity to meet Malathi. Agnirekha had not emphasized Malathi in her conversations, holding back, but Sally had guessed nonetheless, what the woman had meant. Oh yes, she definitely had to see Malathi. How could she not see the woman who was Aggie’s first, but unrequited love? The woman who was unreachable, like a living goddess? And Agnirekha would have to be there right beside her. Sally wondered what Malathi would think of them, their relationship, and would it matter to Aggie. Would it change their relationship? What would Malathi think of her? Sally shook off the doubts. She would take it as it came and she would deal with it. Then, there was another person they had to meet as well, perhaps not they, perhaps only Aggie, whether

she wanted it or not. But Sally was curious, and she wanted to be there in any case. They would have to go to Delhi, and see her, whose name featured every now and then in newspapers, whose speeches rallied crowds, and who had a growing vote bank in Bengal. Sally suspected that Aggie probably would not want to meet Agnishikha. But that made no difference. Sally would take her.

“You can’t run away from your past. Not all the time,” thought Sally as she inhaled. Like it or not she would make sure Agnirekha met Agnishikha. Mirrors, however imperfect, distorted into a grotesque fair grounds show, and no matter how often shattered by vindictive hands, had to tell the truth. That was their job, even though real life was no fairytale. And Aggie would have to confront her alter ego, image for image. And then a thought struck Sally, and it made her laugh silently. When, and if, they really met, would she too lust after Agnishikha, her incredible beauty, her sensuousness that cut both men and women? And if Sally did want to sleep with Agnishikha, how would Aggie react? Would she be jealous? That was a delicious thought; Sally grinned mischievously. But now her Aggie was stirring. And, looking at her Sally had an irresistible urge to give Aggie her breast, and suckle her tenderly, like a new born baby.

 

This excerpt came from RK Biswas’ Culling Mynahs and Crows, available from LiFi PublicationsPurchase your copy here!

RK Biswas is the author of “Culling Mynahs and Crows” published by Lifi Publications, New Delhi. Two short story collections by her are slated for publication later in 2014; one by Lifi and the other by Authorspress. Her short fiction and poetry have been widely published across the globe, in print and online, in journals as well as anthologies. Notably in Per Contra, Eclectica, The Paumanok Review, Markings, Etchings, Mascara Literary Review, Cha: An Asian Literary Journal, Pratilipi, Nth Position, Stony Thursday, Crannog, Mobius, Reading Hour, to name a few. Her poetry has also been featured in an anthology – Ten – published by Nirala Publications and edited by Jayant Mahapatra. In 2012 she won first prize in the Anam Cara Writers’ Retreat Short Story Competition, Ireland. In 2006 her poem “Cleavage” was long listed in the Bridport Poetry Prize and was also a finalist in the 2010 Aesthetica Creative Arts Contest. Her poem “Bones” was nominated for a Pushcart as well as a Best of the Net by Cha: An Asian Literary Journal in 2010. Her story “Ahalya’s Valhalla” was among Story South’s Million Writer’s Notable Stories of 2007. She has participated in poetry and literary festivals in India and abroad, and being a past member of theatre groups, she enjoys performing her poetry on stage. An erstwhile ad person, she prefers to spend a quiet life focussed on her fiction and poetry, and is working on her second and third novels concurrently. She blogs at Writers & Writerisms.

Beth Couture is an assistant editor with Sundress Publication and the secretary of the board of directors of SAFTA. She is also the fiction editor of Sundress’ newest imprint, Doubleback Books. Her own work can be found in Gargoyle, Drunken Boat, Yalobusha Review, the Thirty Under Thirty anthology from Starcherone Books, Dirty, Dirty from Jaded Ibis Press, and other publications. Her first book, a novella titled Women Born with Fur, is due out in the fall from Jaded Ibis Press. She teaches at Bloomsburg University in Bloomsburg, PA.