Open Call for Full-Length Prose Manuscripts

Sundress Publications is open for submissions of full-length prose manuscripts in all genres. All authors are welcome to submit manuscripts during our reading period, which runs from October 1, 2019 to January 15, 2020. Sundress is particularly interested in prose collections that value genre hybridization, the lyric, flash, strange or fractured narratives, new fiction, experimental work, or work with strong attention to lyricism and language. These collections may be short stories, novellas, essays, memoir, or a mixture thereof.

We are looking for manuscripts of 125-165 double-spaced pages of prose; front matter is not included toward the page count. Individual stories may have been previously published in anthologies, chapbooks, print journals, online journals, etc., but cannot have appeared in any full-length collection, including self-published collections. Manuscripts translated from another language will not be accepted. Simultaneous submissions are fine, but we ask that authors notify us immediately if their work has been accepted elsewhere.

The reading fee is $15 per manuscript, though the fee will be waived for entrants who purchase or pre-order any Sundress title or broadside. Authors may submit and as many manuscripts as they would like, provided that each is accompanied by a separate reading fee or purchase/pre-order. We will also accept nominations for entrants, provided the nominating person either pays the reading fee or makes a qualifying purchase. Entrants and nominators can place book orders or pay submission fees in our store.

All manuscripts will be read by members of our editorial board, and we will choose one manuscript for publication in late 2020. We strive to further our commitment to diversity and seek to encounter as many unique and important voices as possible. We are actively seeking collections from writers of color, trans and nonbinary writers, writers with disabilities, and others whose voices are underrepresented in literary publishing. Selected manuscripts will be offered a standard publication contract, which includes 25 copies of the published book, as well as any additional copies at cost. 

To submit, forward the qualifying Sundress store receipt for submission fee or book purchase to to sundresspublications@gmail.com, and attach a 20-35 page sample of the manuscript (DOC, DOCX, or PDF). The sample should include the author’s name and an acknowledgements page. The sample may include one story or a number of shorter stories. After our initial selection process, semi-finalists will be asked to send the full collection. 

Be sure to note both the author’s name and the title of the manuscript in the email header. For those nominating others, please include the name of nominee as well as an email address where we can reach the nominee and we will solicit the manuscript directly.

A 501(c)3 non-profit literary press collective founded in 2000, Sundress Publications is an entirely volunteer-run press that publishes chapbooks and full-length collections in both print and digital formats, and hosts numerous literary journals, an online reading series, and the Best of the Net Anthology. 
 

Website: www.sundresspublications.com                     Facebook: sundresspublications
Email: sundresspublications@gmail.com                     Twitter: @SundressPub

Sundress Subscription 2020

2020 Sundress Subscriptions Now Available

Sundress Publications is excited to announce our 2020 subscriptions!

This year’s catalog includes full-length poetry collections from Albert Abonado, Chera Hammons, Ever Jones, Donna Vorreyer, and feí Hernandez as well as a copy of our hand-printed letterpress broadside from this year’s contest winner!  Not only that, but this year’s subscription also includes I Am Here To Make Friends, a new short story collection by Robert Long Foreman and the poetry anthology Familiar Wild: On Dogs & Poetry edited by Ruth Awad and Rachel Mennies!

Subscribers receive all upcoming titles, complimentary swag, plus FREE entries into all of our 2020 Sundress contests, open reading periods, and Sundress Academy for the Arts residency applications for themselves AND a friend.

From now until the end of the year, you’ll receive not only the entire 2020 catalog but also a FREE Sundress title of your choosing along with a subscription letter suitable for wrapping.


Subscribe today!

**

A 501(c)3 non-profit literary press collective founded in 2000, Sundress Publications is an entirely volunteer-run press that publishes chapbooks and full-length collections in both print and digital formats, and hosts numerous literary journals, an online reading series, and the Best of the Net Anthology.
 

The Wardrobe’s Best Dressed: i love you and i’m not dead by Sade LaNay (fka Murphy)


Toni fries ripe plantains & escovitch fish

walking to school a leaf fell off a branch onto my lips kisskiss nature a dog on Dekalb and Marcy licked my hand do trees have a sense of themselves? walking down Decatur, the trees have name tags: gingko ash pear maple sycamore are the names they know themselves by different? is their language more gestural? what does it feel like to be a tree in a city? does concrete bury your roots? what eroticisms are trees expressing that we don’t recognize? I was enjoying myself saw those flowers that look like purple gramophone horns pigeons eating cheese puffs until a brown man turned away from his conversation to leer at me “nice” I wanted to stop & scream “NOT NICE–NASTY” & pummel his face with my bag until he’s on the uneven concrete & I don’t have time so I frowned & kept walking to school

³¹ Toni Cade Bambara (Aries, 1935-1995) Writer, activist, educator. Her papers are in the archives at Spelman College.

This selection comes from the book, i love you and i’m not dead, available from Argos Books.  Purchase your copy here! Our curator for this selection is Sarah Clark .

Sade LaNay (fka Murphy) is a poet and artist from Houston, TX. Sade holds an MFA in Creative Writing from the Pratt Institute and a BA in Studio Art and Theology from the University of Notre Dame. They are the author of ​Härte ​(Downstate Legacies, 2018) ​self portrait​ (Birds of Lace, 2018) Dream Machine​ (co•im•press, 2014) and the forthcoming ​I love you and I’m not dead​ (Argos Books). Her poems are included in the ​Bettering American Poetry​ and ​Best American Experimental Poetry​ anthologies.
 
Sarah Clark is a disabled non-binary Nanticoke editor, writer, and cultural consultant. They are Editor-in-Chief and Poetry Editor at Anomaly (www.anmly.org), Co-Editor of the Bettering American Poetry series (www.betteringamericanpoetry.com) and The Queer Movement Anthology (Seagull Books, 2021), a reader at The Atlas Review and Doubleback Books, and an Editorial Board member at Sundress Press. She curated Anomaly‘s GLITTERBRAIN folio (http://anmly.org/ap25-glitterbrain/) and a folio on Indigenous & Decolonial Futures & Futurisms (http://anmly.org/ap-27-indigenous-futures/), edited Drunken Boat’s folios on Sound Art, “Desire & Interaction,” and a collection of global indigenous art and literature, “First Peoples, Plural.” They were co-editor of Apogee Journal‘s #NoDAPL #Still Here folio, and co-edited Apogee Journal‘s series “WE OUTLAST EMPIRE,” of work against imperialism, and “Place[meant]“, on place and meaning, and is a former Executive Board member at VIDA. Sarah freelances, and has worked with a number of literary and arts publications and organizations. www.twitter.com/petitobjetb

The Wardrobe’s Best Dressed: i love you and i’m not dead by Sade LaNay (fka Murphy)


Lorraine blesses the obsidian & rose quartz eggs

watching my blood fill the sink having the heaviest longest period uterus must be clawing its way out of my body with a grapefruit spoon these cramps tho maybe my body is angry maybe it’s going to smash my pelvis like a plate since I will not have children since I will not have sex trying not to cough, sneeze or laugh too hard && I like feeling like I can touch myself touching my insides being inside my body in a different way being disappointed with pamphlets about periods and the illustrated white girls and their pink bodies sawed down the middle to show you the clean neat insides and I did not feel clean a flat word on a sanitary sheet of paper–the information means nothing to the inside of my body, no one explained to me what it would be like to bleed and bleed; to feel myself bleed; to smell my blood in the room; to see my blood on my hands; what the inside of my vagina is supposed to feel like–questions plague me: what if my vagina is wrong? what if I cannot touch other women because I’m afraid (of doing it wrong, of being wrong, of touching myself, of more than touching myself, of touching more than myself, of touching myself the most, of touching myself wrong, of touching the wrong side of myself, of touching, of wrong)

²⁰ Lorraine Hansberry (Aries, 1930-1965) Playwright, writer, activist. Her papers are archived at the Schomburg Center for Research in
Black Culture.

This selection comes from the book, i love you and i’m not dead, available from Argos Books.  Purchase your copy here! Our curator for this selection is Sarah Clark .

Sade LaNay (fka Murphy) is a poet and artist from Houston, TX. Sade holds an MFA in Creative Writing from the Pratt Institute and a BA in Studio Art and Theology from the University of Notre Dame. They are the author of ​Härte ​(Downstate Legacies, 2018) ​self portrait​ (Birds of Lace, 2018) Dream Machine​ (co•im•press, 2014) and the forthcoming ​I love you and I’m not dead​ (Argos Books). Her poems are included in the ​Bettering American Poetry​ and ​Best American Experimental Poetry​ anthologies.
 
Sarah Clark is a disabled non-binary Nanticoke editor, writer, and cultural consultant. They are Editor-in-Chief and Poetry Editor at Anomaly (www.anmly.org), Co-Editor of the Bettering American Poetry series (www.betteringamericanpoetry.com) and The Queer Movement Anthology (Seagull Books, 2021), a reader at The Atlas Review and Doubleback Books, and an Editorial Board member at Sundress Press. She curated Anomaly‘s GLITTERBRAIN folio (http://anmly.org/ap25-glitterbrain/) and a folio on Indigenous & Decolonial Futures & Futurisms (http://anmly.org/ap-27-indigenous-futures/), edited Drunken Boat’s folios on Sound Art, “Desire & Interaction,” and a collection of global indigenous art and literature, “First Peoples, Plural.” They were co-editor of Apogee Journal‘s #NoDAPL #Still Here folio, and co-edited Apogee Journal‘s series “WE OUTLAST EMPIRE,” of work against imperialism, and “Place[meant]“, on place and meaning, and is a former Executive Board member at VIDA. Sarah freelances, and has worked with a number of literary and arts publications and organizations. www.twitter.com/petitobjetb

10 Holiday Gifts for Writers (That Aren’t Journals!)

It’s that time of year again, and you’re in luck! We’ve taken the guesswork out of what to get that writer on your list and compiled a list of items — and none of them are Moleskine journals.

10 – Gift Card for Books

As Stephen King says, “If you want to be a writer, you must do two things above all others: read a lot and write a lot.” While you probably can’t help with the second thing, you can definitely help with the first by getting your writer a gift card for more books! Bonus points if it’s from their local independent bookstore.

9 – A Reading Light

For those night owls, a cute reading light that clips onto their book is a great gift so they can keep on reading long after the lights go out.

8 – Cozy Blanket

For those writers that love to cuddle up with their computer or a good book, a big fuzzy blanket is a perfect gift. Also, consider a weighted blanket for those who want some extra comfort.

7 – Candles

Candles smell good and brighten up a space. We love this one that smells like old books and tea!

6 – Fancy Coffee or Tea

Speaking of tea, many writers say the real writer’s fuel is caffeine. Supply them with some fancy coffee or tea to keep them going.

5 – Fuzzy Socks or Slippers

To keep their feet warm and cozy on those cold days at the desk — or consider a small plug-in foot heater.

4 – Subscription to Literary Journals

For the literary journal and small press loving writers, gift a year-long subscription to their favorites. Of course, we’re partial to our own subscription which comes with goodies. You can find the Sundress Publications 2020 Subscription here.

3 – Noise Canceling Headphones

Help that writer focus with some noise-canceling headphones. Now they can write without distractions from that noisy neighbor. Is it you?

2 – A Litograph Pillow of Their Work

Show your writer how much you love their work by gifting a custom pillow that’s covered in their writing from Litograph. It’s easy: Upload their writing, choose a color, and order!

1 – Writer’s Residency

A writing residency doesn’t have to be through a fancy artist retreat. It could be two nights at a hotel in your hometown (or just outside of). It could be an AirBnB getaway or a cabin in the woods. Remember, the gift of time is a best gift a writer can receive.

The residencies at Sundress Academy for the Arts (SAFTA) are open to writers of all genres and take place in beautiful East Tennessee. They are designed to give writers time and space to complete their personal projects in a quiet and productive environment. For information on how to apply, click here!

Shitty First Drafts with Krista Cox

Sundress Publications announces the tenth episode of the podcast, Shitty First Drafts. A podcast made for and by writers, this show playfully investigates the creative processes of different artists to determine how a finished draft gets its polish.

On their 10th episode, Stephanie Phillips and Brynn Martin sit down with poet Krista Cox to discuss two different iterations of a poem she wrote last year. Krista explains how this poem started her on a path that changed the way she wrote and approached her work. We discuss spreadsheets, only writing poems when you’re sad, and how to be the chillest muthafucka. By day, Krista is a paralegal in South Bend, Indiana, but also spends her time working with Lit Literary Collective, a nonprofit she founded that serves her local literary community. Additionally, Krista is the managing editor of Doubleback Review and an associate poetry editor at Stirring.

Listen to Episode 10 at: https://sfdpodcast.podbean.com/e/episode-010-krista-cox/

Krista Cox is a paralegal and poet based in South Bend, Indiana, but longing for somewhere saltier. She’s the Managing Editor of Doubleback Review, a journal for work from defunct journals, and an Associate Poetry Editor at Stirring: A Literary Collection. She’s also the Executive Director of Lit Literary Collective, a nonprofit serving her local literary community. Her poetry has appeared in Columbia Journal, Crab Fat Magazine, The Humanist, and elsewhere. More on the web at kristacox.me.

The Wardrobe’s Best Dressed: i love you and i’m not dead by Sade LaNay (fka Murphy)


June & Arthenia arrive in the Chariot

I wake up in the middle of the night T___T it is so inconvenient to be sad I want to be held and I am afraid of closeness. I think I miss Liz because she held me the most before Sheronda kept us apart. my ancestors are the dead too soon. Liz “forced” Rhonda to have me, she would not pay for the abortion. My journals got me in trouble. I had to write in secret. If Shay found my  journals–you fix your fucking face before I give you something to cry about–the way her hands would fly into me, an embrace that I cannot see coming–make me stomp a mud hole in your ass. ungrateful heifer what the fuck is this shit you’re writing? only thing you should feel is happy there’s food on the table. the way my feelings would bloom & tingle in my body they were real to me & I learned to be quiet. when I cried that made her angry so I learned not to cry, I learned to keep secrets. I would cry later in the back of the school bus with my head down or in a bathroom stall at school or with a book in bed at night. there were always books. I never allowed myself to laugh or smile in front of anybody. spent a decade on suicide watch. she can’t help it the girl can’t help it am I better now. my bones are made from ghosts, dead star minerals, planetary refuse. if death is the last reality we will encounter, it did not matter to me that she performed sex work to pay our rent or buy food. I was afraid of our neighborhood and ashamed of our shotgun house & I did not want to live. I did not understand her choices and I could only think of them as choices. when Fred Moten says “I am using an idiosyncratic definition of consent” in the  audience I feel that but I do not know what it means but I do know what it means. “I am the history of rape… I have been raped… I have been the  meaning of rape” I am writing to send Sade back to Sade: alonely girl who reads everything, who is looking for her self, who wants to believe a powerful love is possible && the world hardens me and softens me, I feel more porous than ever. I feel for her: alonely girl who gave birth to something she could not hold.

¹² June Jordan (Cancer, 1936-2002) Poet, architect, educator. Her papers are in the Schlesinger Library at the Radcliffe Institute for Advanced Study at Harvard University.

¹³ Arthenia Jackson Bates Millican (Gemini, 1920-2012) Poet, educator, scholar. Her papers are archived at the University of South Carolina South Caroliniana Library.

This selection comes from the book, i love you and i’m not dead, available from Argos Books.  Purchase your copy here! Our curator for this selection is Sarah Clark .

Sade LaNay (fka Murphy) is a poet and artist from Houston, TX. Sade holds an MFA in Creative Writing from the Pratt Institute and a BA in Studio Art and Theology from the University of Notre Dame. They are the author of ​Härte ​(Downstate Legacies, 2018) ​self portrait​ (Birds of Lace, 2018) Dream Machine​ (co•im•press, 2014) and the forthcoming ​I love you and I’m not dead​ (Argos Books). Her poems are included in the ​Bettering American Poetry​ and ​Best American Experimental Poetry​ anthologies.
 
Sarah Clark is a disabled non-binary Nanticoke editor, writer, and cultural consultant. They are Editor-in-Chief and Poetry Editor at Anomaly (www.anmly.org), Co-Editor of the Bettering American Poetry series (www.betteringamericanpoetry.com) and The Queer Movement Anthology (Seagull Books, 2021), a reader at The Atlas Review and Doubleback Books, and an Editorial Board member at Sundress Press. She curated Anomaly‘s GLITTERBRAIN folio (http://anmly.org/ap25-glitterbrain/) and a folio on Indigenous & Decolonial Futures & Futurisms (http://anmly.org/ap-27-indigenous-futures/), edited Drunken Boat’s folios on Sound Art, “Desire & Interaction,” and a collection of global indigenous art and literature, “First Peoples, Plural.” They were co-editor of Apogee Journal‘s #NoDAPL #Still Here folio, and co-edited Apogee Journal‘s series “WE OUTLAST EMPIRE,” of work against imperialism, and “Place[meant]“, on place and meaning, and is a former Executive Board member at VIDA. Sarah freelances, and has worked with a number of literary and arts publications and organizations. www.twitter.com/petitobjetb

Sundress Announces the Release of Ruth Foley’s Dead Man’s Float

Sundress Publications announces the release of Ruth Foley’s Collection, Dead Man’s Float. An ode to the sea, the Earth, and the body, this is a collection of estuary poems: wooded and mossed over, burying all the things we’d like to forget in the deepest of forests, the wettest of mud, the farthest depths of the ocean.

There is an ever-present sense of loss— sadness that looms and storms, hovering in the corner of each page, just beyond the horizon line. And yet, these poems expose a way to salvage beauty and hope in times of grief and heartbreak, in loss beyond simply death. It is not only through oceanic allegory that Foley explores longing; here is the sense that finding land—the respite of stillness—is the goal. There is no creature left unearthed to roam without meaning; even the millipede brings the hope of understanding to the violent forces of nature, to the nuances of human experience. In this balance between love and loss, ocean and earth, life and death, loneliness and solitude, Foley’s mesmerizing dance mimics the tide.

After reading this collection, Jeanne Marie Beaumont, author of Letters from Limbo and Burning of the Three Fires states that Foley is, “doing the work of elegy, beneath the surface—water being an operative metaphor throughout—it is an unappeasable and unflinching quarrel with death itself. Tossed by loss and taunted by omens, Foley turns her scrappy, sinewy, verb-packed lines into lifelines, offering her readers a bounty of poems brought up from the depths of our mortal predicament.”

Order Dead Man’s Float on the Sundress website.

Ruth Foley lives in Massachusetts, where she teaches English for Wheaton College. Her work appears in numerous web and print journals, including Adroit, Sou’wester, Threepenny Review, and Valparaiso Poetry Review. Her poems can also be found in several anthologies, including the Best Indie Lit New England anthology. She is the author of the chapbooks Sink and Drift, Creature Feature, and Dear Turquoise, and the forthcoming full-length Abandon.

The Wardrobe’s Best Dressed: i love you and i’m not dead by Sade LaNay (fka Murphy)


Georgia & Carolyn fling florida water with sprigs of parsley

moving from the sacred interior to displacement
surrounded being read, hardly determined as “woman”
spirits tell me secrets & I am a secret gender an open book about it

pick up your regretful face
you are stealing back (something that was stolen
from you to begin with) your body

when you are sleeping &or sleepwalking
home not home but there or to school or to find work
or to explore the place you have been but not really been

thinking about how I go to therapy
and feel bad for the therapist & is it working
I do not give myself enough credit and I̶ ̶d̶o̶n̶’̶t̶ ̶k̶n̶o̶w̶ ̶h̶o̶w̶ ̶t̶o̶ ̶c̶h̶a̶n̶g̶e̶ ̶t̶h̶a̶t̶

getting a new tattoo would fix everything
“well, men never do something they don’t expect to be rewarded for”
I want to know which makes me unfair & threatening

⁸ Georgia Douglas Johnson (Virgo, 1877-1966) Poet, playwright, activist. Her papers are in the Manuscript Division of the University
Archives at Howard University.

⁹ Carolyn M. Rodgers (Sagittarius, 1960-2010) Poet, publisher, educator. Her poems are online at the Internet Archive.

This selection comes from the book, i love you and i’m not dead, available from Argos Books.  Purchase your copy here! Our curator for this selection is Sarah Clark .

Sade LaNay (fka Murphy) is a poet and artist from Houston, TX. Sade holds an MFA in Creative Writing from the Pratt Institute and a BA in Studio Art and Theology from the University of Notre Dame. They are the author of ​Härte ​(Downstate Legacies, 2018) ​self portrait​ (Birds of Lace, 2018) Dream Machine​ (co•im•press, 2014) and the forthcoming ​I love you and I’m not dead​ (Argos Books). Her poems are included in the ​Bettering American Poetry​ and ​Best American Experimental Poetry​ anthologies.
 
Sarah Clark is a disabled non-binary Nanticoke editor, writer, and cultural consultant. They are Editor-in-Chief and Poetry Editor at Anomaly (www.anmly.org), Co-Editor of the Bettering American Poetry series (www.betteringamericanpoetry.com) and The Queer Movement Anthology (Seagull Books, 2021), a reader at The Atlas Review and Doubleback Books, and an Editorial Board member at Sundress Press. She curated Anomaly‘s GLITTERBRAIN folio (http://anmly.org/ap25-glitterbrain/) and a folio on Indigenous & Decolonial Futures & Futurisms (http://anmly.org/ap-27-indigenous-futures/), edited Drunken Boat’s folios on Sound Art, “Desire & Interaction,” and a collection of global indigenous art and literature, “First Peoples, Plural.” They were co-editor of Apogee Journal‘s #NoDAPL #Still Here folio, and co-edited Apogee Journal‘s series “WE OUTLAST EMPIRE,” of work against imperialism, and “Place[meant]“, on place and meaning, and is a former Executive Board member at VIDA. Sarah freelances, and has worked with a number of literary and arts publications and organizations. www.twitter.com/petitobjetb

The Wardrobe’s Best Dressed: i love you and i’m not dead by Sade LaNay (fka Murphy)


Chorus of Matriarchs, you open frequently

Anne & Bethany plant a field of sunflowers in the backyard Alice pulls Death Frances & Harriet let the Moon in through the windows Wanda inherits twentyone coins Audre richtet die Wäge der Gerechtigkeit auf Carolyn & Georgia fling florida water with sprigs of parsley Harriet joxrc souplrp howc oup eosx at iowj Phillis casts a circle with sodalite June & Arthenia arrive in The Chariot Pauline & Pauli intercede to The High Priestess Alice & Mary grid the house with quartz points and salt Safiya & Zora toast flaming sambucas Lorraine blesses the obsidian egg Gwendolyn mounts two swords above the bed Pinkie runs a bath of peony and passionflower Lucille füllt neun Tassen May & May ouualuf mlfy irwau joiw oup sasaunf ali Marita shuffles the deck Ntozake & Gwendolyn sage the house Octavia & Octavia drag The Devil out from under the bed Toni fries ripe plantains and escovitch fish Amanda und Sojourner gewinnen ihrer Spielraum zurück Ella & Nina brew ginger and echinacea tea Ida charges ten selenite wands with candlelight Anne & Nella eraeqoulvrc fyr jaaxcyrit Maya pulls The Hermit Toni closes the circle with aragonite

This selection comes from the book, i love you and i’m not dead, available from Argos Books.  Purchase your copy here! Our curator for this selection is Sarah Clark .

Sade LaNay (fka Murphy) is a poet and artist from Houston, TX. Sade holds an MFA in Creative Writing from the Pratt Institute and a BA in Studio Art and Theology from the University of Notre Dame. They are the author of ​Härte ​(Downstate Legacies, 2018) ​self portrait​ (Birds of Lace, 2018) Dream Machine​ (co•im•press, 2014) and the forthcoming ​I love you and I’m not dead​ (Argos Books). Her poems are included in the ​Bettering American Poetry​ and ​Best American Experimental Poetry​ anthologies.
 
Sarah Clark is a disabled non-binary Nanticoke editor, writer, and cultural consultant. They are Editor-in-Chief and Poetry Editor at Anomaly (www.anmly.org), Co-Editor of the Bettering American Poetry series (www.betteringamericanpoetry.com) and The Queer Movement Anthology (Seagull Books, 2021), a reader at The Atlas Review and Doubleback Books, and an Editorial Board member at Sundress Press. She curated Anomaly‘s GLITTERBRAIN folio (http://anmly.org/ap25-glitterbrain/) and a folio on Indigenous & Decolonial Futures & Futurisms (http://anmly.org/ap-27-indigenous-futures/), edited Drunken Boat’s folios on Sound Art, “Desire & Interaction,” and a collection of global indigenous art and literature, “First Peoples, Plural.” They were co-editor of Apogee Journal‘s #NoDAPL #Still Here folio, and co-edited Apogee Journal‘s series “WE OUTLAST EMPIRE,” of work against imperialism, and “Place[meant]“, on place and meaning, and is a former Executive Board member at VIDA. Sarah freelances, and has worked with a number of literary and arts publications and organizations. www.twitter.com/petitobjetb