The Wardrobe’s Best Dressed: Maybe the Body by Asa Drake


This selection, chosen by Guest Editor Claudia Santos, is from Maybe the Body by Asa Drake (Tin House 2026).


The World Begs for Transcription

My mother leaves a voicemail asking I work back-of-house when I can.

I haven’t had a parent call afraid for my safety since 9/11.

Close to where I live, a couple books a hotel, purchases paramilitary gear, pays
off a credit card, in order to hinder my life. The news refrains from describing
the white couple’s terrorist act at the Capitol. I wonder if it’s not a question of
the act but who feels it. Who has a good way to respond?

I’m going to distract you.

Nanay calls on Monday night to try out her new tablet. She alternates between
I’m beautiful and you’re beautiful. Beauty, meaning a pair.

We admit to gaining weight, and Ate Bernnie congratulates my well attended
Zoom meeting.

(Lots of repetition.)

Nanay wants to show that her hair is all white.

I’ve yet to find a term of self-reference that does not equate to ornament.





Someone I don’t know mispronounces my name—worse—someone who would
like to know me.

Be good and kind, they say, or else. But I am not good or kind or else I would not
look for retribution.

Cardinals and squirrels before summer when I don’t want to be responsible for
their nests.

On a podcast, a poet I love names the many accountability groups she’s joined
this year. I am jealous of her self-discipline and the word accountability, used as
a term of self-discipline, but that is not what I want.

I insist on protection. Pick up an omen the last night of the year. Foremost sin
in my mind, the one not worth confessing.

Beloved, if it is the year of the comet, do not look for the comet.

I stay so long in one place my hair lines the nests. I don’t know how to hold
down what I love, but I’ve eaten so much fruit trying to lure the animal to me.

I go to the grocery store. Two men open the door for me.

I cannot stop them.


Asa Drake (she/her) is a Filipina/white poet in Central Florida. She is the author of Maybe the Body (Tin House, 2026) and Beauty Talk (Noemi Press, 2026), winner of the 2024 Noemi Press Book Award. A National Poetry Series finalist, she is the recipient of fellowships and awards from the 92Y Discovery Poetry Contest, Kenyon Review Residential Writers Workshop, the Rona Jaffe Foundation, Storyknife, Sundress Publications, Tin House and Idyllwild Arts. Her poems are published or forthcoming in the American Poetry Review, Georgia Review, Poetry, and Sewanee Review. A former librarian, she currently works as a teaching artist.

Claudia Santos (she/her) is a Mexican reader and writer. She received the PECDA Colima 2024 writing grant for her non-fiction work and was a Sophia-FILCO Young Writers 2025 finalist for her poetry work. She is currently pursuing an MA in Children’s Literature as a EMJM scholarship recipient.


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