This selection, chosen by Guest Editor Jacob Jardel, is from Language of a Wound is Love by Megha Sood (FlowerSong Press 2025).
Ten Ways of Looking at Hunger
I
Stars dazzle in the ashen sky on a cold night streaming and making long traces of hopes bouncing from one end to another, tracing a path for you to place your wish. A wish is hunger in its infancy.
II
A simmering passion rises from the dearth of your acceptance, birthing at the corners of your mouth. Lingering desire scorched by societal norms and you wait to exist in a different dimension. The language of the wound is love.
III
A cold gaze on the morning of the funeral waits to gulp down the memories, as you bury the remnants of your happiness in a warm womb of trowled earth, whose skin is broken by the lash of overnight rains. Acceptance is a fallacy.
IV
An incessant desire to look for the likeness of the soul, as your identity sits like a square knob in the circular opening of this godforsaken life, and your identity is solely defined by what lies between your soft supple thighs. Love is an elegy for acceptance.
V
An uninterrupted clacking of soft beaks, as it waits for the next morsel, pushed down its supple throat as fledglings make their home in the oak tree in my courtyard and I think of a thousand ways to call their hunger my own.
VI
A desire for survival as the frail scorched hands of a child hold the photo of their bombed city, carrying the identity of a refugee, looking for a stranger’s embrace. A single night demarcates your identity.
VII
Searching for a definition of elusive peace, as he breaks another morsel from the dried rye bread making a constellation around his courtyard, giving sustenance to the gray-winged visitors flocking his courtyard. A lame excuse to fill the emptiness in his weary old heart.
VIII
A life nothing but a deluge of expectations, waiting to jump across the gushing terrain, in a race for survival, spawning only to meet death in a run for life. A shimming desire in the cold white eye of a salmon.
IX
An unsung, unfinished lullaby that will haunt their existence forever, as they decide on the color of the coffin matching the dress of her doll, thinking of ways to bring that last phantom smile to her face.
X
Hunger speaks in thousands of ways, in a language unknown to many, and yet cleaves a soul asking for more. Making thin sluices of suffering, desire, and loneliness, scratching a path in our existence to carry pain. A flute carved deep to sustain melody
Megha Sood (she/her) is an award-winning Asian-American author, poet, editor, and literary activist from New Jersey. She is Literary Partner with “Life in Quarantine” at Stanford University. Her works have been supported by the National League of American Pen Women, VONA, Kundiman, Dodge Foundation, Pen Women, and Martha’s Vineyard Creative Writing Institute. Her four poetry collections include the award-winning My Body Lives Like a Threat (FlowerSong Press, 2022), My Body is not an Apology (Finishing Lines Press, 2021), Language of the Wound is Love (FlowerSong Press, 2025). She was recently inducted as an honored listee for the 125-year-old Marquis Who’s Who. A 2020 National Level Winner for the Poetry Matters Project, and a Four-Time State Level Winner for the NAMI NJ Dara Axelrod Poetry Award, Megha is a member of National League of American Pen Women (NLAPW), The Artists Forum (USA), ArtPride (NJ), and United Nations Association-US Chapter. She has also been chosen as a featured poet for the 2024 Dodge Poetry Festival. Her widely anthologized poems, essays, and other works discuss her experience as a first-generation immigrant and woman of color. Her 900++ works have been widely featured in print, online journals, public exhibits, and anthologies. Her co-edited anthology The Medusa Project and other works have been selected to be sent to the moon in 2025 as part of the historical LunarCodex Project in collaboration with NASA. She lives in New Jersey with her husband and her 14-year-old son. Find her at https://linktr.ee/meghasood.
Jacob Jardel (he/they) is a CHamoru writer, scholar, and educator born in Guåhan (Guam), raised in California and Oklahoma, and currently based in Kansas City. He’s currently pursuing a doctoral degree in Humanities with a focus in English at the University of Missouri-Kansas City. A former Editor for The Sosland Journal and The Central Dissent, his work has appeared in The 580 Mixtapes Vol. 1, Fanachu’s Voices of the Diaspora zine, and No. 1 Magazine. He is also a member of the Garden Party Collective, through which he published his poetry chapbook Full-Blooded CHamaole in 2024. Online, Jacob lives at his website itsjacobj.com, on Instagram and Threads @itsjacobj, and sometimes on BlueSky @itsjacobj.bsky.social. Offline, he lives with his partner, his cat, and his ever-growing board game and Magic the Gathering collection.