Interview with Heather Bartlett, Author of Another Word for Hunger

Ahead of the release of her new book of poetry Another Word for Hunger, Sundress intern Mack Ibrahim and writer Heather Bartlett discussed themes such as desire and human connection. Here, Bartlett lays it all out on the table in a raw, honest, and insightful way.

Mack Ibrahim: Is there a connection between your collection’s title Another Word for Hunger and your poem’s title “That Kind of Hunger”?

Heather Bartlett: If I were to make a list of synonyms for hunger, it would start with desire. “That Kind of Hunger” is a poem about exploring desire in its simplest form. The speaker in that poem is still young enough that she isn’t constrained by gender norms or societal expectations, even if the reader is keenly aware that these forces exist within the poem. So, the speaker plays the role of the prince when she plays fairytale. She climbs the tree and admires the princess. She doesn’t yet know what is going to change, what is going to be lost, and what the consequences of certain kinds of desire will be as she outgrows this moment.

MI: What is the significance of saying “my lover,” such as in “Tonight I Am,” versus “my love,” such as in “I Spy”?

HB: Distance. Tense. A lover is in a present-tense physical relationship. In “Tonight I Am,” the speaker is so close to her lover that she begins to imagine them as one. But a love, well a love can be anyone, past, present, or future. In “I Spy,” the speaker is so far removed from all these loves that she is watching/missing/admiring them all from a computer screen.

MI: In terms of structure, why is “red | wolf” not included in the three sections of this collection?

HB: The book’s epigraph, “There are things lovely and dangerous still,” comes from a poem by June Jordan. I view “red | wolf,” in many ways, as speaking to that line and its resonance in the collection. The poem draws on the familiar—Red Riding Hood and the Wolf—to begin to explore the roots and meanings of hunger. I let this poem stand on its own because it serves as a prelude. This poem opens the door to the collection.

MI: Can you speak more about your use of parentheses in “red | wolf” and “Mockingbird”?

HB: Sometimes there are two voices speaking at once in a poem. They speak to each other. They speak over each other. They interrupt each other. They give meaning to each other. I’m using parentheses to make space for these voices.

MI: You write powerfully about a few key experiences with your mother. How would you say your relationship with her has influenced your writing?

HB: There are instances in the collection in which the mother figure is based on my relationship with my own mother, yes. She did teach me how to spot the constellations. She did brush the knots out of my wet hair every morning (Hi, Mom). But the mother in these poems is really an amalgamation of influential voices and forces, not just mothers, or parents, or even people in just my life. The mother in these poems represents a larger voice and force. The relationship I explore between mother and daughter in these poems is speaking to a much larger form of hunger—the need to be loved and accepted and valued in the world. So many in the LGBTQ+ community have people in our lives who struggle to accept or understand us when we come out. So many of us live in places where our lives are being devalued. The mother and daughter in these poems are trying to find their way toward something better.

MI: How do the different kinds of love—your feelings for your mother and for your partners in Another Word for Hunger influence each other?

HB: Love is a kind of hunger, isn’t it? It takes on many forms, but it’s always rooted in the desire to be Seen and Recognized. I think I’m seeking a form of that in every relationship, in every poem. It’s miraculous when we find it. And it’s devastating when we don’t.

MI: How would you describe the intersection of spirituality and queerness within your poetry?

HB: I think there is something quite spiritual about the process of coming out. In order to get there, we need to come to know ourselves so fully, so clearly. That process of self-reflecting, self-recognizing, and self-accepting is one of discovery. In the collection, I explore this in a few ways. One of the biggest is through the series of “Eve” poems. Much like the mother figure in the collection, Eve is not simply one figure. She isn’t just Eve who bites the apple; she is many things at once—a symbol of spirituality, of femininity, of “otherness.” She is an idea, a feeling, a version of the self. Throughout the collection, Eve morphs from an external figure into a vital part of the speaker’s own self which she comes to recognize and nurture.

MI: You describe the body and physical touch as signs of intimacy and love. What would you say about the moments where intimacy and love don’t intersect?

HB: Intimacy is a form of longing and of searching. Sometimes it comes out of love and connection. Sometimes it comes out of loneliness and grief. To me, these are equally strong forces.

MI: What do you believe this collection says about loneliness and the desire for acceptance?

HB: Loneliness and desire are not mutually exclusive. They’re parts of one another. They’re born out of the same hunger. We can feel everything all at once and still keep looking for more.

Order your copy of Another Word for Hunger today!

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Heather Bartlett is a poet, writer, and professor. Her poetry and prose can be found in print and online in journals such as the Los Angeles Review, Ninth Letter, RHINO Poetry, and others. She holds an MFA in poetry from Hunter College and is a professor of English and Creative Writing at the State University of New York College at Cortland, where she teaches in the Professional Writing Program and directs Cortland’s visiting writers series, Distinguished Voices in Literature. She is the founding editor of the online literary magazine Hoxie Gorge Review.

Mack Ibrahim is a second-year at Wheaton College in Illinois. They are majoring in English with a Writing concentration and minoring in American Ethnic Studies. Their hobbies include obsessively reading the webnovel Omniscient Reader’s Viewpoint, going to concerts, and making memes for their D&D group.