The Wardrobe’s Best Dressed: A Net to Catch my Body in its Weaving by Katie Farris


This selection, chosen by Sundress intern Ryleigh Wann, is from A Net to Catch my Body in its Weaving by Katie Farris, released by Beloit Poetry Journal. 

I Wake to Find You Wandering the Museum of My Body

Twenty-four Greek urns
Painted with wrestling boys
Comprise my spine.

My ribs, the bows of
Fourteen Viking archers,
Pinched from their graves—
Their fingers forever drawing.

Unusually well-preserved, my
Feet are the elaborate slippers of a
Beloved Chinese concubine, heavily
Embroidered with vein and shadow.

My bald head? A lofty sunlit dome
Lined with pietà after
Pietà, every mourning
Virgin great in grief and
Execution.

My organs are
The furniture galleries
Everyone skips, but for you,
Carpenter, standing
Guilt-fingered before
My heart’s armoire,
Stroking always toward the grain.


Katie Farris’s work appears in American Poetry ReviewGrantaThe Nation, and Poetry, and has been commissioned by MoMA. She is the author of the chapbook A Net to Catch My Body in its Weaving, which won the 2020 Chad Walsh Poetry Award from Beloit Poetry Journal, and boysgirls, a hybrid-form book, as well as co-translator of many books of poetry. She holds degrees from UC Berkeley and Brown University. She is currently Associate Professor in Creative Writing at Georgia Institute of Technology. Standing in the Forest of Being Alive (Alice James Books, 2023) is her first book of poems.

Ryleigh Wann is an MFA poetry candidate at UNC Wilmington. Her past experiences include reading poetry for Ecotone, editing with Lookout Books, teaching creative writing, and working for the Parks and Recreation Department in Michigan. Her writing can be found in Rejection Letters, Flypaper Lit, and Kissing Dynamite Poetry, among others.

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