Summer 2018 Fiction Writing Retreat

SAFTALOGO

Sundress Academy for the Arts Announces
2018 Summer Fiction Writing Retreat

The Sundress Academy for the Arts is thrilled to announce its Summer Fiction Writing Retreat, which runs from Friday, June 15 to 17, 2018.  The three-day, two-night camping retreat will be held at SAFTA’s own Firefly Farms in Knoxville, Tennessee.  This year’s retreat will focus on generative fiction writing and include two break-out sessions, “Conflict and POV as Perspective” and “Writing the Travel Narrative,” plus discussions on kicking writer’s block, publishing, and more.

A weekend pass includes one-on-one and group instruction, writing supplies, food, drinks, transportation to and from the airport, and all on-site amenities for $250.  Tents, sleeping bags, and other camping equipment are available to rent for $25.  Payment plans are available if you reserve by April 17, 2018; inquire via email for details.

The event will be open to writers of all backgrounds and provide an opportunity to work with many talented, published fiction writers from around the country, including Mary Miller and Jeanne Thornton.

unnamed-1Mary Miller is the author of two collections of short stories, Big World (Short Flight/Long Drive Books, 2009) and Always Happy Hour (Liveright, 2017), as well as a novel, The Last Days of California (Liveright, 2014), which has been optioned for film by Amazon Studios. Her stories have appeared in the Oxford American, Electric Literature’s Recommended Reading, McSweeney’s Quarterly, American Short Fiction, Mississippi Review, and many others. She is a former James A. Michener Fellow in Fiction at the University of Texas and John and Renée Grisham Writer-in-Residence at Ole Miss. 

Jeanne Thornton is the author of The Black Emerald and thornton_author-photo_smallThe Dream of Doctor Bantam, the latter a Lambda Literary Award finalist for 2012. She is the co-publisher of Instar Books and the creator of the webcomics Bad Mother and The Man Who Hates Fun. Her work has appeared or is forthcoming in n+1, WIRED, WSQ, CURA, and other places. She lives in Brooklyn. Find her online at:  http://fictioncircus.com/Jeanne.

Space at this workshop is limited to 15 writers, so reserve your place today at:
https://squareup.com/market/sundress-publications

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The Sundress Academy for the Arts (SAFTA) is an artists’ residency that hosts workshops, retreats, and residencies for writers, actors, filmmakers, and visual artists. All are guided by experienced, professional instructors from a variety of creative disciplines who are dedicated to cultivating the arts in East Tennessee.

Web: http://www.sundressacademyforthearts/                     Facebook: SundressAcademyfortheArts

SAFTA Presents the December Installment of the Reading Series

SAFTA

Sundress Academy for the Arts December Reading Series

The Sundress Reading Series is excited to welcome Ivelisse Rodriguez, Caitlin Hamilton Summie, and Tom C. Hunley for the December installment of our reading series! The event will take place on Sunday, December 3rd, 2-4 p.m. at Hexagon Brewing Co.

Ivelisse 2

Born in Arecibo, Puerto Rico, Ivelisse Rodriguez grew up in Holyoke, Massachusetts. She earned a B.A. in English from Columbia University, an M.F.A. in creative writing from Emerson College, and a Ph.D. in English-creative writing from the University of Illinois at Chicago. Her short story collection, Love War Stories, is forthcoming from The Feminist Press in summer 2018. Her fiction chapbook The Belindas was published in 2017. She has also published fiction in All about Skin: Short Fiction by Women of Color, Obsidian, Label Me Latina/o, Kweli, the Boston Review, the Bilingual Review, Aster(ix), and other publications. She is the founder and editor of an interview series, published in Centro Voices, the e-magazine of the Center for Puerto Rican Studies at Hunter College, focused on contemporary Puerto Rican writers in order to highlight the current status and the continuity of a Puerto Rican literary tradition from the continental US that spans over a century. She was a senior fiction editor at Kweli and is a Kimbilio fellow and a VONA/Voices alum. She is currently working on the novel ‘The Last Salsa Singer’ about 70s era salsa musicians in Puerto Rico.


Caitlin Hamilton Summie, photo by Colin Summie
Caitlin Hamilton Summie
earned an MFA with Distinction from Colorado State University, and her short stories have been published in Beloit Fiction Journal, Wisconsin Review, Puerto del Sol, Mud Season Review, Hypertext Magazine, South85 Journal, Long Story, Short, and more. Her first book, a short story collection called TO LAY TO REST OUR GHOSTS, was published in August by Fomite to excellent reviews nationwide. Most recently her poetry was published in The Literary Nest. She spent many years in Massachusetts, Minnesota, and Colorado before settling with her family in Knoxville, Tennessee. She co-owns the book marketing firm, Caitlin Hamilton Marketing & Publicity, founded in 2003. Find her online at caitlinhamiltonsummie.com.

TomHunley

Tom C. Hunley is a professor in the MFA/BA Creative Writing programs at Western Kentucky University, the director of Steel Toe Books, and the lead singer/guitarist for Night of the Living Dead Poets Society. His sixth full-length poetry collection, Here Lies, is forthcoming from Stephen F. Austin State University Press. He has also authored six chapbooks and two scholarly books. He is the co-editor, with Dr. Alexandria Peary, of Creative Writing Pedagogies for the Twenty-First Century (Southern Illinois University Press, 2015). Over 400 of his poems have appeared in journals such as 5 AMAtlanta ReviewCimarron ReviewCrab Orchard Review,Exquisite CorpseLos Angeles ReviewNew Orleans ReviewNew York QuarterlyNorth American ReviewRiver StyxSmartish PaceSouthern Indiana ReviewThe PinchTriQuarterlyVirginia Quarterly ReviewThe Writer, and Zone 3. Garrison Keillor has read several of Tom’s poems on The Writer’s Almanac.

The Sundress Reading Series is free and open to the public!

Now available: The Old Cities

At turns both funny and devastating, Marcel Brouwers‘ debut collection, The Old Cities, takes you on a linguistic adventure around the world and home again. The poems here are playful, smart, and never boring. This is a collection that any lover of language and travel should own. Pick up your copy from AmazonBarnes & Noble, or the Sundress store–just in time for the holidays!

The Old Cities
The Old Cities by Marcel Brouwers

“Marcel Brouwers’ debut collection The Old Cities is a travelogue of local and national curiosities, and in that the poems range so freely, there is a glide to this work, a welcoming ease. In that every subject in poetry, considered both carefully and freely, is as skewed as we are, these poems reveal, piecemeal–what other way, honestly, do we live out most of our lives–who we are at our least pretentious and most lively. The reader of these poems will find a plurality of intimated joys and sorrows. And, as well, a voice that is never merely shrewd but, and more consistently than any reader has a right to expect, ready at any moment to redress the ironies it registers so aptly. I love this book because it is in love with oddness. And it’s word-wise: just read the first poem: not a received noun or a stock phrase that isn’t affectively queried. If language got us into this mess, these poems seem to say, language will have to get us out.”

— William Olsen, author of Sand Theory

“These poems come at us much as contemporary culture comes at us, full-bore, multi-barreled, incessant. They engage with the frenzy of our time, and, in perhaps one of poetry’s most vital functions, they are subversive. They question, they put every thought under review. These are powerful, wistful, bemused poems–the health of poetry has just improved.”

— Arthur Smith, author of The Late World: Poems

“One of my teachers in graduate school once told me that a ‘decent’ first book of poems only needs about three ‘very good’ poems. If this is true, then it must be that Marcel Brouwers’ debut collection The Old Cities is an exceptional book. There are echoes of, among others, Frost and William Matthews–not bad company–but these poems are all Brouwers. His voice is equally compassionate and ironic, his vision equally expansive and precise, evidenced in a poem about his country: ‘Children who die go down as heroes / gone down.’ Humor often sidles up to grief in these poems, but it’s the pathos that rings the loudest: ‘I’m not in favor of the end / but it’s hard to think of what’s missing, a love / that wishes it be different and how it ultimately is.’ Just one of many beautiful moments The Old Cities possesses.”

— Alexander Long, author of Still Life