
This selection, chosen by guest editor Alyse Bensel, is from Iguana Iguana by Caylin Capra-Thomas, released by Deep Vellum in 2022.
Passage
It’s hard to tell what will be important. The river is high again and so are the teenagers encrusting its edges, beady-eyed and black-clad, sideways glancing, suspicious as crows. Each in the cluster a dead version of yourself: one scratching peace signs into the dirt with her toe. One singing ugly. One poking a drowned worm, expressionless. And you stand apart, head cocked, remembering that the French for to happen also means to arrive, that sometimes we say deceased when we mean departed. The obscure chorus of your own life keeps cawing into the diamond dark, under the roaring of each body you inhabit, the waters, the others you’ve flocked to, even when all you can hear are your own hard swallows, or the sweet shriek of those far-off trains you suspect are coming to claim you. To lay open the hills you haven’t seen.

Caylin Capra-Thomas is the author of Iguana Iguana (Deep Vellum), as well as the chapbook Inside My Electric City (YesYes Books), and her poems and nonfiction have appeared in venues like Pleiades, Copper Nickel, New England Review, 32 Poems, Mississippi Review, and elsewhere. The recipient of fellowships and residencies from the Vermont Studio Center, the Sewanee Writers’ Conference, and the Studios of Key West, she was the 2018-2020 poet-in-residence at Idyllwild Arts Academy. She lives in Columbia, Missouri, where she studies nonfiction, poetry, and ecocriticism in Mizzou’s PhD program, but she calls New England home.

Alyse Bensel is the author of Rare Wondrous Things: A Poetic Biography of Maria Sibylla Merian (Green Writers Press, 2020) and three chapbooks. Her poems and essays have appeared or are forthcoming in Alaska Quarterly Review, Cream City Review, South Dakota Review, and West Branch. She serves as Poetry Editor for Cherry Tree and teaches at Brevard College, where she directs the Looking Glass Rock Writers’ Conference.