This feature, chosen by Guest Editor Catherine Garbinsky, is from The Usual Arteries by Erin Dorney (Illuminated Press 2024).
The Usual Arteries, Version 2
I was body and bed my waist the wall for reason in the sandbox
and I suppose I thought we were the night wanting to live against the scream
of rules we spun toward space
____________________ Author’s Note:
The Usual Arteries is a small, experimental folding object which contains poetry interacting with collaged images. This found poem was built by Erin Dorney with words touching the right hand margins on the right side pages of a withdrawn library copy of Flowers in the Attic by Virginia Andrews, copyright 1979.
Published by Laura Rowley of Illuminated Press with design and production assistance from interns Jay Barrett and Scout Frost. Inkjet printed pages with letterpress & screen printed slipcase on paper from French Paper Company.
Erin Dorney (she/her) is a poet and artist based in Western New York. She is the author of Yes I Am Human I Know You Were Wondering (Autofocus Books), The Usual Arteries (Illuminated Press), I Am Not Famous Anymore: Poems After Shia LaBeouf (Mason Jar Press), and many zines and artist’s books. Erin’s writing has been published in DIAGRAM, Tolka, HAD, and other literary journals. Her literary artwork and installations have been featured at the Center for Maine Contemporary Art, the Minnesota Center for Book Arts, and Susquehanna Art Museum. She is the co-founder of Fear No Lit.
Catherine Garbinsky (she/they) is a writer living in Knoxville, Tennessee. They received their MFA in Poetry from the University of Tennessee-Knoxville, where they are now a PhD candidate. Catherine’s poems have been nominated for the Pushcart Prize and Best of the Net. She has written two chapbooks: All Spells Are Strong Here (Ghost City Press, 2018) and Even Curses End (Animal Heart Press, 2019), and her work has been featured in Yes Poetry, Coffin Bell Journal, Cream City Review, and elsewhere.
This feature, chosen by Guest Editor Catherine Garbinsky, is from The Usual Arteries by Erin Dorney (Illuminated Press 2024).
The Usual Arteries, Version 1
I kept colour down well once, was huge with laughter and perfumed-in
the washings out so warm and I, looking ever to her, suspended spun so very well
I was body and bed my waist the wail for reason in the sandbox
____________________ Author’s Note:
The Usual Arteries is a small, experimental folding object which contains poetry interacting with collaged images. This found poem was built by Erin Dorney with words touching the right hand margins on the right side pages of a withdrawn library copy of Flowers in the Attic by Virginia Andrews, copyright 1979.
Published by Laura Rowley of Illuminated Press with design and production assistance from interns Jay Barrett and Scout Frost. Inkjet printed pages with letterpress & screen printed slipcase on paper from French Paper Company.
Erin Dorney (she/her) is a poet and artist based in Western New York. She is the author of Yes I Am Human I Know You Were Wondering (Autofocus Books), The Usual Arteries (Illuminated Press), I Am Not Famous Anymore: Poems After Shia LaBeouf (Mason Jar Press), and many zines and artist’s books. Erin’s writing has been published in DIAGRAM, Tolka, HAD, and other literary journals. Her literary artwork and installations have been featured at the Center for Maine Contemporary Art, the Minnesota Center for Book Arts, and Susquehanna Art Museum. She is the co-founder of Fear No Lit.
Catherine Garbinsky (she/they) is a writer living in Knoxville, Tennessee. They received their MFA in Poetry from the University of Tennessee-Knoxville, where they are now a PhD candidate. Catherine’s poems have been nominated for the Pushcart Prize and Best of the Net. She has written two chapbooks: All Spells Are Strong Here (Ghost City Press, 2018) and Even Curses End (Animal Heart Press, 2019), and her work has been featured in Yes Poetry, Coffin Bell Journal, Cream City Review, and elsewhere.
This feature, chosen by Guest Editor EMDASH and Managing Editor Merrick Sloane, is from Lone Yellow Flower by Erika Gill (Querencia Press 2025).
Field Log: Denver, 10 May
By the tenth of May the Denver trees have begun to bloom and leaf and it is green. So green I laugh, elated. Some things I have seen: flowers of six shades, an alien—poppy in bloom, translucent hairs cover the stalk and pod, its neighboring flower a violent red, a swarm of black flies, bearded irises proud spikes thrust into the air, a beetle on its back. Someone (I dislike) has written “fuck earth” on the pavement and had it been me it would have said “fuck, Earth” reverently, the way lovers do.
Erika Gill (they/them) lives on unceded Tséstho’e (Cheyenne), Očhéthi Šakówiŋ, hinono’eino’ biito’owu’ (Arapaho), and Núu-agha-tʉvʉ-pʉ̱ (Ute) land in Denver. Erika is Editor in Chief of Alternative Milk Magazine. Their poetry appears in Rigorous, MORIA, beestung and others. Their debut collection of poetry, Lone Yellow Flower, is available now from Querencia Press.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
Merrick Sloane (they/them) is a neuro-Queer 90’s kid and nonbinary poet, editor, and researcher from Oklahoma. They hold an MFA in creative writing from the University of Tennessee, Knoxville and are Associate Poetry Editor of Doubleback Review. A 2026 Best of the Net and 2025 AWP Intro Journal Awards winner, Merrick’s poetry appears in citizen trans* {project}, Seattle Journal for Social Justice, Fruitslice, Puerto del Sol, and elsewhere. When they are not writing or editing, Merrick loves to serve as a pillow for their cat, Kitten, while getting lost in new worlds written by other dreamers. Merrick is deeply committed to helping create a world that liberates us all.
This feature, chosen by Guest Editor EMDASH and Managing Editor Merrick Sloane, is from Lone Yellow Flower by Erika Gill (Querencia Press 2025).
When we are all drowning
When we are all drowning these tasks will cease to matter submerged dissolved into acidic slurry and I will miss sliding my fingers along your hair and the clean sky.
When we are all asphyxiated I will no longer care to look in mirrors your empty pockets immaterial I’ll have plucked the final leaf from the last wilting plant as it returns to the earth.
She is calling us ringing a dinner bell, a klaxon inaudible if they have their way our bodies will never stop moving never to alight gently one last petal, to rest.
Erika Gill (they/them) lives on unceded Tséstho’e (Cheyenne), Očhéthi Šakówiŋ, hinono’eino’ biito’owu’ (Arapaho), and Núu-agha-tʉvʉ-pʉ̱ (Ute) land in Denver. Erika is Editor in Chief of Alternative Milk Magazine. Their poetry appears in Rigorous, MORIA, beestung and others. Their debut collection of poetry, Lone Yellow Flower, is available now from Querencia Press.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
Merrick Sloane (they/them) is a neuro-Queer 90’s kid and nonbinary poet, editor, and researcher from Oklahoma. They hold an MFA in creative writing from the University of Tennessee, Knoxville and are Associate Poetry Editor of Doubleback Review. A 2026 Best of the Net and 2025 AWP Intro Journal Awards winner, Merrick’s poetry appears in citizen trans* {project}, Seattle Journal for Social Justice, Fruitslice, Puerto del Sol, and elsewhere. When they are not writing or editing, Merrick loves to serve as a pillow for their cat, Kitten, while getting lost in new worlds written by other dreamers. Merrick is deeply committed to helping create a world that liberates us all.
This feature, chosen by Guest Editor EMDASH and Managing Editor Merrick Sloane, is from Lone Yellow Flower by Erika Gill (Querencia Press 2025).
The Rats of Notre Dame
Squeaks and scampers accompany the night music of the cathedral exhausted from the weekend trample of thousands of tourist feet
Gray bodies skitter sleek through the night and I try not to sigh again and contain in my chest the outburst forming like a storm cloud accumulates
He tells me in words accented that allure me that there are few stray cats in Paris but points out Jupiter (or maybe Saturn) and shows me how to tell by the steadiness of light if we are looking at a star or planet
I always assume they are airplanes, I say and sip from my bottle of water, not wine and wish we had spent each night of the past week wandering together along the Seine
the water a glossy satin ribbon in the dark beckons me to descend the stone steps in the quai and surrender my body to the embrace of an ancient city
the ache of three hours walking on cobbles didn’t diminish my desire to stay the petulant sadness of soon-coming departure dug claws into my chest and pricked my eyes
I looked so hard at the Haussmann architecture gilded softly in the mellow amber of streetlights I thought I might crack the stone and with each inhale I hoped my lungs would retain the mass of non-oxygen molecules and become heavy, immovable
He would probably point out that such a thing would be fatal and I would agree, inclined to be maudlin and absurd this final midnight in my own placid, unintelligible heaven
Paris loved me back, maybe he would not have and maybe it is best that I wasn’t impulsive and foolish and didn’t try to stay
but my pulse warmed my veins as he kissed me solemnly on each cheek and then was gone
Erika Gill (they/them) lives on unceded Tséstho’e (Cheyenne), Očhéthi Šakówiŋ, hinono’eino’ biito’owu’ (Arapaho), and Núu-agha-tʉvʉ-pʉ̱ (Ute) land in Denver. Erika is Editor in Chief of Alternative Milk Magazine. Their poetry appears in Rigorous, MORIA, beestung and others. Their debut collection of poetry, Lone Yellow Flower, is available now from Querencia Press.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
Merrick Sloane (they/them) is a neuro-Queer 90’s kid and nonbinary poet, editor, and researcher from Oklahoma. They hold an MFA in creative writing from the University of Tennessee, Knoxville and are Associate Poetry Editor of Doubleback Review. A 2026 Best of the Net and 2025 AWP Intro Journal Awards winner, Merrick’s poetry appears in citizen trans* {project}, Seattle Journal for Social Justice, Fruitslice, Puerto del Sol, and elsewhere. When they are not writing or editing, Merrick loves to serve as a pillow for their cat, Kitten, while getting lost in new worlds written by other dreamers. Merrick is deeply committed to helping create a world that liberates us all.
This feature, chosen by Guest Editor EMDASH and Managing Editor Merrick Sloane, is from Lone Yellow Flower by Erika Gill (Querencia Press 2025).
Romantic Notions
Funny, that it is considered romantic to declare that you would die for love. Living for love is much harder to do.
Erika Gill (they/them) lives on unceded Tséstho’e (Cheyenne), Očhéthi Šakówiŋ, hinono’eino’ biito’owu’ (Arapaho), and Núu-agha-tʉvʉ-pʉ̱ (Ute) land in Denver. Erika is Editor in Chief of Alternative Milk Magazine. Their poetry appears in Rigorous, MORIA, beestung and others. Their debut collection of poetry, Lone Yellow Flower, is available now from Querencia Press.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
Merrick Sloane (they/them) is a neuro-Queer 90’s kid and nonbinary poet, editor, and researcher from Oklahoma. They hold an MFA in creative writing from the University of Tennessee, Knoxville and are Associate Poetry Editor of Doubleback Review. A 2026 Best of the Net and 2025 AWP Intro Journal Awards winner, Merrick’s poetry appears in citizen trans* {project}, Seattle Journal for Social Justice, Fruitslice, Puerto del Sol, and elsewhere. When they are not writing or editing, Merrick loves to serve as a pillow for their cat, Kitten, while getting lost in new worlds written by other dreamers. Merrick is deeply committed to helping create a world that liberates us all.
This feature, chosen by Guest Editor EMDASH and Managing Editor Merrick Sloane, is from Lone Yellow Flower by Erika Gill (Querencia Press 2025).
Mouse Tea
My mother didn’t know how to love me with enough affection hugs too strong-armed infrequent
so I fortified myself maternally with dime store paperbacks by women who wrote boldly and pedantic
the women who wrote characters not insecurities magic but no nonsense
who taught me things crime scene etiquette (always wear the booties) that you can make a tea so strong a mouse might walk on it
that swords can be heavy how to curse and mean it
that there are men who will chase after smart and witty and brazen
that you can love so hard it’ll make you hurt that you can break things be broken and keep a straight face through any insult or wield your anger (and your tongue) like a weapon.
Erika Gill (they/them) lives on unceded Tséstho’e (Cheyenne), Očhéthi Šakówiŋ, hinono’eino’ biito’owu’ (Arapaho), and Núu-agha-tʉvʉ-pʉ̱ (Ute) land in Denver. Erika is Editor in Chief of Alternative Milk Magazine. Their poetry appears in Rigorous, MORIA, beestung and others. Their debut collection of poetry, Lone Yellow Flower, is available now from Querencia Press.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
Merrick Sloane (they/them) is a neuro-Queer 90’s kid and nonbinary poet, editor, and researcher from Oklahoma. They hold an MFA in creative writing from the University of Tennessee, Knoxville and are Associate Poetry Editor of Doubleback Review. A 2026 Best of the Net and 2025 AWP Intro Journal Awards winner, Merrick’s poetry appears in citizen trans* {project}, Seattle Journal for Social Justice, Fruitslice, Puerto del Sol, and elsewhere. When they are not writing or editing, Merrick loves to serve as a pillow for their cat, Kitten, while getting lost in new worlds written by other dreamers. Merrick is deeply committed to helping create a world that liberates us all.
This feature, chosen by Guest Editor EMDASH, is an excerpt from All Water Has Perfect Memory by Nada Samih-Rotondo (Jaded Ibis Press 2023).
LEARNING TO SWIM
The water, All of the time
Tayali, Binti the waters whisper. Come,my daughter. I teach my children to respect the water; never fear it. One moment, you might be jumping waves in a comfortable
rhythm and in the next, a fierce wave could drag you under, take you off guard. “Don’t fear hitting the bottom,” I tell them. “It gives you something to propel from.”
…
Yalla, Tayali, Yafa’s waters call. I feel her urgent tugging in the tides of my body, my limbs inching toward the shore like a magnet. Soon, I tell her. I’ll be back soon.
Nada (she/her) is a multi-genre Palestinian writer, educator, and mother deeply attuned to her adopted land’s stories. A refugee English language learner, Nada grew up deeply impacted by family separation and state violence both in Palestine and on Narragansett land or so called Rhode Island. As a working class caretaker, Nada aims to create innovative, anti-imperialist works of literature that play at the intersections of the more than human world, expands imaginations, illuminates connections between land and body, and inspires joyful resistance. Her writing has appeared in Masters Review, Gulf Stream Literary Magazine, and others. All Water Has Perfect Memory, a multigenerational hybrid memoir, is her first book.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is an excerpt from All Water Has Perfect Memory by Nada Samih-Rotondo (Jaded Ibis Press 2023).
NEW WORLD
Johnston, Rhode Island 2001
My fullname is Nada TayserMohamed-SamihJaber, I wanted to scream. Howmany white peoplehavea name like that? Later, I attended that professor’s office hours to hand in the final assignment. “Oh, I wanted to tell you,” she said excitedly, “I teach this same class at Providence College, and a group of students there said the same thing as you. They are from Egypt. I guess you’re not white after all,” she concluded, beaming with the arrogance of discovering land long settled.
Nada (she/her) is a multi-genre Palestinian writer, educator, and mother deeply attuned to her adopted land’s stories. A refugee English language learner, Nada grew up deeply impacted by family separation and state violence both in Palestine and on Narragansett land or so called Rhode Island. As a working class caretaker, Nada aims to create innovative, anti-imperialist works of literature that play at the intersections of the more than human world, expands imaginations, illuminates connections between land and body, and inspires joyful resistance. Her writing has appeared in Masters Review, Gulf Stream Literary Magazine, and others. All Water Has Perfect Memory, a multigenerational hybrid memoir, is her first book.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is an excerpt from All Water Has Perfect Memory by Nada Samih-Rotondo (Jaded Ibis Press 2023).
COLORATURA
Johnston, Rhode Island 2002
Some of us need to parent ourselves, I’d often tell myself. I fixed my face into the picture of perfect composure, and pretended I didn’t know what I was capable of. A good actress.
Nada (she/her) is a multi-genre Palestinian writer, educator, and mother deeply attuned to her adopted land’s stories. A refugee English language learner, Nada grew up deeply impacted by family separation and state violence both in Palestine and on Narragansett land or so called Rhode Island. As a working class caretaker, Nada aims to create innovative, anti-imperialist works of literature that play at the intersections of the more than human world, expands imaginations, illuminates connections between land and body, and inspires joyful resistance. Her writing has appeared in Masters Review, Gulf Stream Literary Magazine, and others. All Water Has Perfect Memory, a multigenerational hybrid memoir, is her first book.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.