
Sundress Publications is pleased to announce that the readers for our 2023 AWP off-site reading include Barbara Fant, Kimberly Ann Priest, Stacey Balkun, Athena Nassar, jason b. crawford, Sunni Wilkinson, Nicole Arocho Hernández, Amanda Galvan Huynh, Cynthia Guardado, Dani Putney, and Donna Vorreyer. The reading will take place on March 10th, 2023, from 7:00 PM to 9:00 PM PST at Old Stove Brewing Co, 600 W. Nickerson St., Queen Anne, Seattle, WA 98119.
Amanda Galvan Huynh (She/Her) is a Xicana writer and educator from Texas. She is the author of Where My Umbilical is Buried (Sundress Publications 2023) and Co-Editor of Of Color: Poets’ Ways of Making: An Anthology of Essays on Transformative Poetics (The Operating System 2019).
Athena Nassar is an Egyptian-American poet, essayist, and short story writer from Atlanta, Georgia. She is the author of the debut poetry collection Little Houses, published by Sundress Publications. Her work has appeared in Academy of American Poets, The Missouri Review, Southern Humanities Review, Pleiades, The Chattahoochee Review, Salt Hill, Lake Effect, New Orleans Review, Zone 3, The Los Angeles Review, PANK, and elsewhere.
Barbara Fant has been writing and performing for over 15 years. She has competed in nine National Poetry Slams and is a World Poetry Slam finalist. She is the author of two full-length poetry collections, Paint, Inside Out (2010) and Mouths of Garden (2022). Her work has been featured in the Academy of American Poets, McNeese Review, Button Poetry, and Def Poetry Jam, among others. She believes in the transformative power of art and considers poetry her ministry.
Cynthia Guardado (she/her/hers) is a Los-Angeles born queer Salvadoran poet and professor. She is the author of two collections of poetry: Cenizas, (University of Arizona Press 2022) and ENDEAVOR, (World Stage Press 2017).
Dani Putney is a queer, non-binary, mixed-race Filipinx, and neurodivergent writer originally from Sacramento, California. Their debut collection, Salamat sa Intersectionality (Okay Donkey Press, 2021), was a finalist for the 2022 Lambda Literary Award in Transgender Poetry. They’re also the author of the poetry chapbook Dela Torre (Sundress Publications, 2022).
Donna Vorreyer is the author of To Everything There Is (2020), Every Love Story is an Apocalypse Story (2016) and A House of Many Windows (2013), all from Sundress Publications. She hosts the monthly online reading series A Hundred Pitchers of Honey.
jason b. crawford (They/Them) was born in Washington DC and raised in Lansing, MI. Their debut Full-Length Year of the Unicorn Kidz is out from Sundress Publications. They are currently an MFA Candidate at The New School in Poetry.
Kimberly Ann Priest is the author of Slaughter the One Bird, finalist in the American Best Book Awards, and chapbooks The Optimist Shelters in Place, Parrot Flower, and Still Life. She is an associate poetry editor for Nimrod International Journal of Prose and Poetry and assistant professor at Michigan State University.
Nicole Arocho Hernández is a Puerto Rican poet and translator. Her poems have been published in The Acentos Review, Electric Literature, Honey Literary, The Academy of American Poets, and elsewhere. Her chapbook, I Have No Ocean, was published by Sundress Publications. She is the Translations Editor at Hayden’s Ferry Review and an MFA candidate at Arizona State University.
Stacey Balkun is the author of Sweetbitter & co-editor of Fiolet & Wing. Winner of the 2019 New South Writing Contest, her creative work has appeared in Best New Poets, Mississippi Review, Pleiades, & several other anthologies & journals. Stacey holds an MFA from Fresno State & teaches online at The Poetry Barn and The Loft.
Sunni Brown Wilkinson is the author of The Marriage of the Moon and the Field (Black Lawrence Press) and The Ache & The Wing (winner of the Sundress Chapbook Prize). Her work has been awarded the New Ohio Review’s NORward Poetry Prize, the Joy Harjo Prize, and the Sherwin Howard Award.













and familiar tales to distill the most complex family dynamics: a daughter reckons with her mother meeting her lover in the language of a math textbook. Adam and Eve become a husband and wife who ‘always did encourage each other’s bad behavior.’ In the final story, the act of writing conflates with the creation of the universe, our narrator critiquing the work of a god: ‘I liked how in your first draft everything revolved around the Earth. That makes a lot more sense if the people there are going to be important.’ And Burgess shows us the importance of all people, encouraging empathy and the desire to get to know every character, every person, no matter how insignificant they may seem at first. Burgess writes with an honesty so clear it aches. Wind on the Moon is one of those books you can’t wait to share with everyone you love.”
Stacey Balkun is the author of Jackalope-Girl Learns to Speak (dancing girl 2016) and Lost City Museum (ELJ 2016). A Finalist for the 2016 Event Horizon Science Poetry Competition as well as the Center for Women Writer’s 2016 Rita Dove Award, her work has appeared in Gargoyle, Muzzle, THRUSH, Bayou, and others. A 2015 Hambidge Fellow, Stacey was awarded a SAFTA residency in 2015 and served as Artist-in-Residence at the Great Smoky Mountains National Park in 2013. She holds an MFA from Fresno State and now lives in New Orleans, where she volunteers for literacy and teaches poetry online at The Poetry Barn.
Catherine Moore’s writing has appeared in Tahoma Literary Review, Cider Press Review, Southampton Review, Caesura, Still: the Journal, Wicked Alice, The Tishman Review, concīs, and in various anthologies. She has two chapbook collections (Finishing Line Press and Kentucky Story Press) with another forthcoming from Dancing Girl Press. A Walker Percy fellow, she won the Southeast Review’s 2014 Poetry Prize and had work included in “The Best Small Fictions of 2015.” She’s a recipient of a Nashville MetroArts grant. Catherine earned a Master of Fine Arts from the University of Tampa and she teaches at Columbia State Community College.