Sundress Academy for the Arts Presents Our October Poetry Xfit

Knoxville, TN — The Sundress Academy for the Arts is excited to present Poetry Xfit hosted by Kathryn Davis. This generative workshop event will take place on Sunday, October 17th, 2021 from 2 to 4 pm EST via Zoom. Join us at the link tiny.utk.edu/sundress with password “safta”.

Poetry Xfit isn’t about throwing tires or heavy ropes, but the idea of confusing our muscles is the same. This generative workshop series will give you prompts, rules, obstructions, and more to write three poems in two hours. Writers will write together for thirty minutes, be invited to share new work, and then given a new set of prompts. The idea isn’t that we are writing perfect final drafts, but instead creating clay that can then be edited and turned into art later. Prose writers are also welcome to attend!

Kathryn Davis is a writer and editorial intern with Sundress Academy for the Arts. She earned her bachelor’s degree in Creative Writing from Grand Valley State University, and served as editor-in-chief of the university’s literary journal, fishladder. She writes and produces films from the southwest corner of Michigan. 

While this is a free workshop, donations can be made to the Sundress Academy for the Arts here.

Our community partner for October is the Joy of Music School. The Joy of Music School provides access to quality music education for disadvantaged children and teens. All of the instructors and mentors are volunteers who aim to foster self-esteem, character, and supportive community relationships with their students. To learn more about the Joy of Music School, check out their website here.

Sundress Academy for the Arts Presents “Striking Illumination: Erasure as Excavation,” A Writers’ Workshop

The Sundress Academy for the Arts is excited to present “Striking Illumination: Erasure as Excavation Workshop,” a workshop led by Jeni De La O on October 13, 2021 from 6-7:30PM. This event will be held over Zoom. Participants can access the event at tiny.utk.edu/sundress (password: safta).

This is a wrap-around workshop that includes pre- and post-meeting materials. The workshop will open with an exquisite corpse icebreaker followed by a discussion on the erasure methods illustrated in the pre-workshop packet. Participants will then practice three types of erasures together using celebrity media apologies. From there, participants will have time to work on erasures using their own source material or sample material provided in the session. The workshop will close, time permitting, with a collaborative erasure of the exquisite corpse poem that the group will write together. 

Prior to the workshop, we ask participants to access and review the workshop’s prep packet, which features two craft essays and three poems for consideration in the class discussion. The prep packet can be found here.

By the close of the session, participants will have two drafts started, a list of publications that publish erasures, and an invitation to submit to The Estuary Collectives Visual Poetry Zine scheduled for publication in December of 2021. 

While there is no fee for this workshop, those who are able and appreciative can make direct donations to Jeni via Venmo  @Jeni-DeLaO-1.

Jeni De La O is an Afro-Cuban poet and storyteller living in Detroit. She is a 2021 Kresge Arts in Detroit Fellow in Literary Arts and a founding member of The Estuary Collective. She is Managing Editor at Kissing Dynamite Poetry and authors the monthly column, BROWN STUDY, at  The Poetry Question. Her chapbook, SOFIAS, is forthcoming from Ethel Press in 2022. Jeni has appeared as a storyteller with The Secret Society of Twisted Storytellers, Lamplight Festival, MouthPiece Stories, and The Moth MainStage. Her poetry has appeared in Poet Lore, Columbia Journal, Sugar House Review, Glass Poetry, and other places. 

Meet Our New Intern: Saoirse

A brown femme person with shoulder length black har sitting at a table. They have a drink in their hand and a butterfly tattoo in pride colors is visible on their wrist.

I grew up in a family of six people and four languages. We also moved around quite a lot. Between code switching at home and learning a new dialect with every move to a different city, I learned the power of language pretty quickly. So it was no surprise when I started poking my nose in my parents’ book collection as a child. Always being the new kid in school and being bullied constantly only made me retreat into my books even more.

Not the best idea—according to my teachers, at least. Books can plant the darnedest ideas in your head. They can suggest your school textbooks are sexist and problematic. They can tell you it’s okay—gasp—even healthy, to be your full queer self. They can instill in you a revolutionary zeal. My books got me in quite a lot of trouble—trouble I took as a sign that I was doing something right.

Though I had a habit of juggling languages based on my mood in both my reading and writing, English held a mysterious allure for me. It was the language where I found my identity as a queer nonbinary woman and it was also a legacy of the colonial violence that separated by grandparents from their ancestral lands. I was proud to be articulate in a language that could never articulate its own violence upon my lived reality. It was to understand this fraught relationship that I found myself majoring in English at Washington College on the eastern shore of Maryland.

Washington College, particularly the pedagogical brilliance of Drs. Kimberly Andrews and Alisha Knight, allowed me to come into my own as a writer and a thinker. It was also where I discovered my passion for editing. Over the years, I’ve harnessed that passion into working with emerging writers who don’t necessarily have access to a creative writing workshop. To that end, I founded Palimpsest—a writers collective focused on honing our craft in community with each other. I also serve as a Guest Editor at Oyster River Pages, where I inaugurated the Emerging Voices in Poetry program as well as ORP Schools— our creative writing workshops. These are all an attempt to create spaces that center the creativity of historically excluded folks.

Language is power harnessed through story. There is no ecstasy greater than finding a story that disrupts, enhances, and challenges the trends at any given time and place. And no honor greater than working with the writer to help them achieve precise muscularity of language as they tell their story. That is why I am so very honored to join Sundress Publications in the curation of a diverse and vibrant literary landscape.


Saoirse’s name and passion are the same: freedom. As an exophonic writer, their academic interests revolve around linguistic power dynamics, especially in connection to the land. They are always trying to write, and find, poetry that breaks the English language into articulating its own colonial violence. They are a freelance editor and serve as the Guest Editor for Emerging Voices in Poetry at Oyster River Pages. They are a 2021 Brooklyn Poets Fellow and a finalist for the Sophie Kerr Prize. They find excitement in travel, comfort in a good cup of coffee, and love in their newly adopted puppy, Malaika. Find them at saoirseedits.com or on Twitter @saoirseedits.

Project Bookshelf: Saoirse

Three wooden bookshelves side by side against a white wall. They are completely filled with book and have built 3D puzzled on top of them.
The bookshelf I shared with my parents

I’ve been thinking a lot about the process of building collections recently. As much as I love to see a cupboard (or an apartment or a house or a life) full of books, an empty bookshelf holds such wonderful possibilities. I’ve never had to build (read: populate) a bookshelf from scratch until this last year. As a child, I first began reading by dipping into my parents’ books—with or without their permission—and adding my own to their collection. I wasn’t allowed to read any books my parents wouldn’t read themselves. Our books were shared and thus, so were our tastes in reading material.

So many people talk of finding their voice at college but I found my ears. Finally, the chance to have a bookshelf of my own helped me develop a reading sensibility informed by my own identity, experiences, and preferences. Between readings at the Rose O’Neill Literary House, visits to the Dodge Poetry Festival, and research trips to New York, East Anglia, and Havana, I picked up an extensive collection of books that could serve as an introduction to me on its own.

Multiple large stacks of books on a desk.
Some of the books I left in storage

Until May 2020, when I received a call from the Indian Embassy. They said they would be airlifting me from the States back to India. My flight was to take off in five days. My first thought: what am I going to do with my extensive book collection? So, I painstakingly chose a handful of books to bring with me that have since created the foundations of my current bookshelf. (The rest are safe in storage, don’t worry).

A book (A Brief History of Fruit by Kimberly Quiogue Andrews) on a desk with an apple and a small bottle of orange juice next to it.
A quarantine breakfast

The first three books I chose because of my admiration of both the contents and its creators: A Brief History of Fruit by the inimitable Kimberly Quiogue Andrews, The Court Dancer by Kyung-Sook Shin and translated by the inspirational Anton Hur, and finally, Bla_k by no other than M. Nourbese Philip. A book of poetry, a translated novel, and a collection of nonfiction. I was clearly working hard to curate as varied a list of texts as possible written/translated/created by folks of extraordinary character.

If there is one thing I can confidently say about my current book collection (other than its diminutive size), is that it continues to speak to my identity and current lived reality. I read books almost immediately after acquiring them, and thus, my book purchases reflect my priorities. Given the socio-political realities of the pandemic in India and the world writ large, Octavia Butler’s Parable of the Sower and Parable of the Talents have become Afrofuturist necessities. So has Yoko Ogawa’s The Memory Police, trans. Stephen Snyder. I have also taken to engaging with my books on a more involved level by writing them out longhand so you will find a stack of notebooks containing (part of) Toni Morrison’s Beloved written in my hand on the bottom shelf. A benefit of repatriation: my shelves now also hold classic books from my homeland that are hard to find in the US, like फ़ैज़ अहमद “फ़ैज़” जी की मेरे दिल मेरे मुसाफ़िर (My Heart, My Traveller by Faiz Ahmed Faiz).

I must admit, I am cautiously enjoying this short liminal period of having a half-empty bookshelf. It’s so full of possibilities and wonder. Every so often, I feel a jab of resentment or irritation, finding myself wishing I’d packed a specific book or wishing I hadn’t had to leave my life behind. The thrill of curating a new collection tempers the loss of the old but it never truly resolves it. Someday, I will open those boxes again and perhaps rediscover a younger version of myself in those pages. Perhaps even combine these collections despite the Pacific Ocean in the way. Until then, on to the next one!


a brown femme person sits at a table. They have a drink in their hand and a tattoo on their wrist. They are wearing spectacles. They have shoulder length black hair.

Saoirse‘s name and passion are the same: freedom. As an exophonic writer, their academic interests revolve around linguistic power dynamics, especially in connection to the land. They are always trying to write, and find, poetry that breaks the English language into articulating its own colonial violence. They are a freelance editor and serve as the Guest Editor for Emerging Voices in Poetry at Oyster River Pages. They are a 2021 Brooklyn Poets Fellow and a finalist for the Sophie Kerr Prize. They find excitement in travel, comfort in a good cup of coffee, and love in their newly adopted puppy, Malaika. Find them at saoirseedits.com or on Twitter @saoirseedits.

Meet Our New Intern: Kathryn Davis

I’ve never been big on football, but I’ve always loved books. Between my third-grade and seventh-grade years, the oldest of my two brothers played college football nine hours away from home, and my parents resolved to attend every. Single. Game. We’d wake up at four or five each Saturday morning, load into my dad’s Ford Explorer without a word to one another, and we’d drive. 

During the first couple hours of those drives, it’d be too dark to read—but around seven or eight, I’d start in. The librarians in town had known me for a while by then (my general book habit was nothing new), but they began to learn the football season drill as well. They’d ask where Joe was playing that week. How many hours away? Twelve? How many of these (gesturing vaguely at the pile of books I’d pulled off the shelves to take with me) do you think you’ll finish by next weekend? All of them? See you next week. 

I’d read from that first light until we parked and headed into the game. We’d settle into the bleachers. Then I’d start again. About halfway through Joe’s college football career, a teammate of his said to him, “Joe—I didn’t realize you had a sister. What does she look like?” Another teammate interjected, “A book cover.” 

I went to college years later in hopes of making books, because there will always be more long drives, more library trips, more football games. In college, I led my university’s literary journal, fishladder, while pursuing a degree in Creative Writing—while writing bad stories and worse poems and working with great writers. I had just about the greatest and luckiest college experience a young writer can have. 

The bad thing about this fact, though, is that the writing life beyond college does not necessarily feature regular three-hour discussions of short stories, debates about line breaks, or exhausting and wonderful workshops. There are long and difficult work days that mean the writing never gets done. There are lots and lots of Submittable rejections and bills to pay. On roadtrips, I’m now expected to put down my books and help drive. All that said, I’m so, so excited to have arrived at this internship with the Sundress Academy for the Arts. I feel like I’m sneaking more time in the backseat of my dad’s Explorer, lucking into more time to draft a story that’s almost-there. I’m so honored to be trusted to help uplift Sundress’s incredible writers’ voices, to play a small role in fostering a community of folks who’d rather hang out behind a book cover than watch the game.

Sundress Academy for the Arts Presents “Magical Realism & Cultural Context”: A Writers Workshop

The Sundress Academy for the Arts is excited to present “Magical Realism & Cultural Context,” a workshop led by Jessica Reidy on August 11, 2021 from 6-7:30PM. This event will be held over Zoom. Participants can access the event at tiny.utk.edu/sundress (password: safta).

This workshop will challenge the idea of magical realism as something imagined within reality with Marquez’s assertion that “surrealism runs through the streets,” and invite students to consider various cultural perspectives on what is real, which include magic or spiritual phenomena as inseparable from reality. The format of this workshop will be part lecture, and part generative. In the lecture, we will examine works by Rajko Đjuríc, Edwidge Danticat, and Joy Harjo as examples of the magic and the mundane coexisting, and we will examine the cultural elements of the story that inform these specific realities.

The second part of the workshop will be focused on generating material through writing prompts that guide students to writing their own magical realism, incorporating their sense of heritage, place, and cosmology into their work. The goal of this workshop is to free up ideas around what is real and what is magical, allowing students to access all forms of their and their characters’ lived experiences, and create a holistic narrative.

While there is no fee for this workshop, those who are able and appreciative can make direct donations to Jessica via Venmo @jezminavonthiele or PayPal at jessica.s.reidy@gmail.com .

Jessica Reidy (she/they) is a writer and educator with works in Narrative Magazine as Story of the Week, Prairie Schooner, The Kenyon Review online, RomArchive, and other publications. She is the winner of the Nancy Thorp Poetry Prize, the Penelope Nivens Award for Creative Nonfiction, and the Glenna Luschei Prize, and her work has been nominated for a Pushcart and Best of the Net. She is a co-host of Romanistan podcast alongside Paulina Verminski, a celebration of Roma, rebels, and roots. Under the name Jezmina Von Thiele, she is a dancer, healer, artist, art model, and fortune teller, dealing in tarot, palmistry, and tea leaves. She tells fortunes in her mixed Roma/Sinti family’s tradition. She is a queer witch, and can be found at jessicareidy.com and jezminavonthiele.com

Sundress Academy for the Arts Now Accepting Residency Applications for Summer 2021

The Sundress Academy for the Arts (SAFTA) is now accepting applications for short-term writing residencies in all genres—poetry, fiction, nonfiction, playwriting, screenwriting, journalism, academic writing, and more—for their summer residency period which runs from May 17 to August 22, 2021. These residencies are designed to give artists time and space to complete their creative projects in a quiet and productive environment.

Each farmhouse residency costs $300/week, which includes a room of one’s own, as well as access to our communal kitchen, bathroom, office, and living space, plus wireless internet.

Residencies in the Writers Coop are $150/week and include your own private dry cabin as well as access to the farmhouse amenities. Because of the low cost, we are rarely able to offer scholarships for Writers Coop residents.

Residents will stay at the SAFTA farmhouse, located on a working farm on a 45-acre wooded plot in a Tennessee “holler” perfect for hiking, camping, and nature walks. The farmhouse is also just a half-hour from downtown Knoxville, an exciting and creative city that is home to a thriving artistic community. SAFTA is ideal for writers looking for a rural retreat with urban amenities.

SAFTA’s residencies, which also include free access to workshops, readings, and events, offer a unique and engaging experience. Residents can participate in local writing workshops, lead their own workshops, and even have the opportunity to learn life skills like gardening and animal care.

For the 2021 summer residency period, SAFTA will be offering the following fellowships only:

  • Black & Indigenous Writers Fellowships: one full and one partial fellowship for Black and/or Indigenous identifying writers
  • Emerging BIPOC Writers Fellowship: one full fellowship for an emerging BIPOC identifying writer

Please note in your application if you are applying for one of these fellowships.

As part of our commitment to anti-racist work, we are now also using a reparations payment model for our farmhouse residencies which consists of the following:

  1. 3 reparations weeks of equally divided payments for Black and/or Indigenous identifying writers at $150/week
  2. 3 discounted weeks of equally divided payments for BIPOC writers at $250/week
  3. 6 equitable weeks of equally divided payments at $300/week

Black and/or Indigenous identifying writers are also invited to apply for a $350 support grant to help cover the costs of food, travel, childcare, and/or any other needs while they are at the residency. We are currently able to offer two of these grants per residency period (spring/summer/fall). If you would like to donate to expand this funding, you may do so here.

The application deadline for the summer residency period is February 15, 2021. Find out more about the application process at www.sundressacademyforthearts.com.

The application fee is waived for all BIPOC identifying writers. For all fellowship applications, the application fee will also be waived for those who demonstrate financial need; please state this in your application under the financial need section. Limited partial scholarships are also available to any applicant with financial need.

Apply today!

Adopt a Farm Animal and Support Sundress Academy of the Arts

The Sundress Academy for the Arts (SAFTA) is writers residency on a 45-acre farm in Knoxville, Tennessee, that hosts workshops, retreats, and residencies for writers in all genres. All are guided by experienced, professional instructors from a variety of creative disciplines who are dedicated to cultivating the arts in Appalachia.

Photo courtesy of Andi Avery.

We are inviting sponsors to name animals at Firefly Farms to help fundraise to cover the cost of upkeep at the farm for 2021. Your tax-deductible donation includes naming rights for the life of the animal, a framed picture of the animal, recognition and support from SAFTA’s social media platforms. 

  • Name a Sheep: $100
  • Name a Duck: $35
  • Name a Chicken: $35
Photo courtesy of Stephanie Phillips.

A subsidiary of Sundress Publications, the Sundress Academy for the Arts is a 501(c)(3) nonprofit organization focused on literary education and practice.

Find out more at our store.

Sundress Academy for the Arts Now Accepting Residency Applications for Spring 2021

The Sundress Academy for the Arts (SAFTA) is now accepting applications for short-term writing residencies in all genres—poetry, fiction, nonfiction, playwriting, screenwriting, journalism, academic writing, and more—for their spring residency period which runs from January 3 to May 16, 2021. These residencies are designed to give artists time and space to complete their creative projects in a quiet and productive environment.

Each residency costs $250/week, which includes a room of one’s own, access to our communal kitchen, bathroom, office, and living space, plus wireless internet access.

Residents will stay at the SAFTA farmhouse, located on a working farm on a 45-acre wooded plot in a Tennessee “holler” perfect for hiking, camping, and nature walks. The farmhouse is also just a half-hour from downtown Knoxville, an exciting and creative city that is home to a thriving artistic community. SAFTA is ideal for writers looking for a rural retreat with urban amenities.

SAFTA’s residencies, which also include free access to workshops, readings, and events, offer a unique and engaging experience. Residents can participate in local writing workshops, lead their own workshops, and even have the opportunity to learn life skills like gardening and animal care.

A Note Regarding COVID-19: If you are accepted for this residency and are unable to travel due to continued social-distancing measures or other coronavirus-related problems, your residency can be moved to the spring of 2022 with all scholarships still applicable.

For the 2021 spring residency period, SAFTA will be offering the following fellowships:

Lambda Literary (Spring 2021) – Deadline September 15, 2020: SAFTA will be pairing with Lambda Literary to offer two fellowships (one full fellowship and one 50% fellowship) for a week-long residency to LGBTQIA+ writers of any genre. Lambda believes Lesbian, Gay, Bisexual, Transgender and Queer literature is fundamental to the preservation of our culture, and that LGBTQIA+ lives are affirmed when our stories are written, published and read. All applicants to the two fellowships must identify as LGBTQIA+.  Partial scholarships are also available to any applicant with financial need.This year’s judge will be Sundress editor Nicole Oquendo.

Nicole Oquendo is a writer and visual artist that combines these elements, along with magical practice, to craft multimodal nonfiction, poetry, and fiction, as well as translations of these forms. Their work can be found in numerous literary journals, a hybrid memoir, and six chapbooks, including their most recent works: Space Baby: Episodes I-IIIand The Antichrist and I. Their full-length poetry collection we, animals will be out later this year.

They have been serving the writing community for over a decade as an educator and freelance editor, as well as volunteering time to several literary journals and presses, most recently as a Special Feature Editor for The Florida Review. They are currently an Assistant Editor for Sundress Publications, and their most recently curated anthology, Manticore: Hybrid Writing from Hybrid Identities, is available for free on the Sundress Publications website.

Dr. Kristi Larkin Havens Memorial Fellowship for Service to the Community (Spring 2021 or Fall 2021) – Deadline September 15, 2020: Dr. Kristi Larkin Havens served as the Community Outreach Director for Sundress Academy for the Arts and then as the Vice President of the Board of Directors for Sundress Publications for over six years. She earned a Ph.D. in English from the University of Tennessee, Knoxville, where she was a Lecturer and the Assistant Director of Undergraduate Studies. She was a photographer who served as a producer on films for several local competitions including The Knoxville 24-Hour Film Festival and the Grindhouse Grind-out. For many years she served as a coordinator for the Knoxville Girls Rock Camp, an organization dedicated to fostering inclusivity and creativity. For her, the arts were a natural venue for pursuing the aims of social justice. 

This fellowship will be awarded to a writer who has shown exceptional service to their own community through any of the following: volunteering, organizing, fundraising, board membership, etc. Fellowship winners will receive a one-week fully-funded residency the Sundress Academy for the Arts at Firefly Farms in Knoxville, TN for either the spring or fall of 2020. The spring residency period runs from January 3 to May 16, 2021, and the fall period runs from August 22-January 2, 2022.

Fellowships for Marginalized Writers (Spring 2021) – Deadline September 15, 2020: Thanks to an anonymous donor, we are able to offer two 100% scholarships to marginalized individuals who struggle with mental illness. For this application, please briefly note in your personal statement how you define yourself as a marginalized writer.

Please note in your application if you are applying for one of these fellowships. For all fellowship or scholarship applications, the application fee will be waived for all BIPOC writers and also those who demonstrate financial need. Please state this in your application under the financial need section. Limited partial scholarships are also available to any applicant with financial need.

The application deadline for the spring residency period is September 15, 2020. Find out more about the application process at www.sundressacademyforthearts.com.

Sundress Academy for the Arts Now Accepting Residency Applications for Spring 2021

The Sundress Academy for the Arts (SAFTA) is now accepting applications for short-term writing residencies in all genres—poetry, fiction, nonfiction, playwriting, screenwriting, journalism, academic writing, and more—for their spring residency period which runs from January 3 to May 16, 2021. These residencies are designed to give artists time and space to complete their creative projects in a quiet and productive environment.

Each residency costs $250/week, which includes a room of one’s own, access to our communal kitchen, bathroom, office, and living space, plus wireless internet access.

A Note Regarding covid-19: We are moving forward with spring applications with the assumption that travel will be safer in the spring. However, if you are accepted for this residency and are unable to travel due to continued social distancing measures or other coronavirus-related problems, your residency can be moved to the Spring of 2022 with all scholarships still applicable.

Residents will stay at the SAFTA farmhouse, located on a working farm on a 45-acre wooded plot in a Tennessee “holler” perfect for hiking, camping, and nature walks. The farmhouse is also just a half-hour from downtown Knoxville, an exciting and creative city that is home to a thriving artistic community. SAFTA is ideal for writers looking for a rural retreat with urban amenities.

SAFTA’s residencies, which also include free access to workshops, readings, and events, offer a unique and engaging experience. Residents can participate in local writing workshops, lead their own workshops, and even have the opportunity to learn life skills like gardening and animal care.

For the 2021 Spring residency period, SAFTA will be offering the following fellowships:

Lambda Literary (Spring 2021) – Deadline September 15, 2020: SAFTA will be pairing with Lambda Literary to offer two fellowships (one full fellowship and one 50% fellowship) for a week-long residency to LGBTQIA+ writers of any genre. Lambda believes Lesbian, Gay, Bisexual, Transgender and Queer literature is fundamental to the preservation of our culture, and that LGBTQIA+ lives are affirmed when our stories are written, published and read. All applicants to the two fellowships must identify as LGBTQIA+.  Partial scholarships are also available to any applicant with financial need. This year’s judge will be Sundress editor Nicole Oquendo.

Nicole Oquendo is a writer and visual artist that combines these elements, along with magical practice, to craft multimodal nonfiction, poetry, and fiction, as well as translations of these forms. Their work can be found in numerous literary journals, a hybrid memoir, and six chapbooks, including their most recent works: Space Baby: Episodes I-III and The Antichrist and I. Their full-length poetry collection we, animals will be out later this year.

They have been serving the writing community for over a decade as an educator and freelance editor, as well as volunteering time to several literary journals and presses, most recently as a Special Feature Editor for The Florida Review. They are currently an Assistant Editor for Sundress Publications, and their most recently curated anthology, Manticore: Hybrid Writing from Hybrid Identities, is available for free on the Sundress Publications website.

Dr. Kristi Larkin Havens Memorial Fellowship for Service to the Community (Spring 2021 or Fall 2021) – Deadline September 15, 2020: Dr. Kristi Larkin Havens served as the Community Outreach Director for Sundress Academy for the Arts and then as the Vice President of the Board of Directors for Sundress Publications for over six years. She earned a Ph.D. in English from the University of Tennessee, Knoxville, where she was a Lecturer and the Assistant Director of Undergraduate Studies. She was a photographer who served as a producer on films for several local competitions including The Knoxville 24-Hour Film Festival and the Grindhouse Grind-out. For many years she served as a coordinator for the Knoxville Girls Rock Camp, an organization dedicated to fostering inclusivity and creativity. For her, the arts were a natural venue for pursuing the aims of social justice. 

This fellowship will be awarded to a writer who has shown exceptional service to their own community through any of the following: volunteering, organizing, fundraising, board membership, etThis fellowship will be awarded to a writer who has shown exceptional service to their own community through any of the following: volunteering, organizing, fundraising, board membership, etc. Fellowship winners will receive a one-week fully-funded residency the Sundress Academy for the Arts at Firefly Farms in Knoxville, TN for either the spring or fall of 2020. The spring residency period runs from January 3 to May 16, 2021, and the fall period runs from August 22-January 2, 2022.

Fellowships for Marginalized Writers (Spring 2021) – Deadline September 15, 2020: Thanks to an anonymous donor, we are able to offer two 100% scholarships to marginalized individuals who struggle with mental illness. For this application, please briefly note in your personal statement how you define yourself as a marginalized writer.

Please note in your application if you are applying for one of these fellowships. For all fellowship or scholarship applications, the application fee will be waived for all BIPOC writers and also those who demonstrate financial need. Please state this in your application under the financial need section. Limited partial scholarships are also available to any applicant with financial need.

The application deadline for the spring residency period is September 15, 2020. Find out more about the application process at www.sundressacademyforthearts.com.