Sundress Publications is pleased to announce the manuscript chosen from our inaugural fiction competition is Robert Long Foreman for his exquisite collection of short stories, I Am Here to Make Friends.
Of the collection judge Saba Razvi, author of In the Crocodile Gardens (Agape Editions) and four other collections, had this to say, “Robert Long Foreman has a particular knack for instigating a curiosity in readers about things they might not otherwise think to explore—guns, pigs, bug bites, childbirth, death dreams, and the strangest parts of human intuition. In his new collection I Am Here to Make Friends, Foreman captivates us with each story, keeping us guessing about what will happen next and how we will respond to the actions of characters that remind us of ourselves and our friends, and the choices we would make only in secret. In crisp, compelling prose, this fiction collection’s journey into the psyche is a multifaceted odyssey into the storytelling impulses and cravings that whisper within us in the quiet hours, and its uncanny allure keeps us turning page after page, anxious to know what revelry and revelations wait beyond each turn.”
Robert Long Foreman has won a Pushcart Prize and the hearts of his wife and daughters. His first book, Among Other Things, a collection of essays, was published by Pleiades Press in 2017. His first novel, Weird Pig, is coming from SEMO Press in 2020. His short stories and essays have appeared in magazines like Agni, Copper Nickel, Willow Springs, Crazyhorse, Electric Literature, and Barrelhouse. He lives in Kansas City.
We received a large number of impressive manuscripts for our very first fiction open reading period and are delighted to have found the first of many winning publications to come.
Finalists
TURMERIC & SUGAR by Anna Vangala Jones
PATRIMONIUM by Angie Pelekidis
OUTSIDE OF NORMAL by Jessica Barksdale Inclan
FURTHER: A NOVELLA AND STORIES by Deb Jannerson
AFTER ANY NUMBER OF THINGS, WHAT’S ONE THING MORE? By Kimi Traube
Semi-Finalists
COLLECTIVE GRAVITIES by Chloe Clark
PEOPLE WANT TO LIVE by Farah Ali
COLD CIGAR SMELL by Viviane Vives
TALES IN MAGHREBI LANDSCAPES by Mary Byrne
STRIPPED by Leah Griesmann
IN JOSAPHAT’S VALLEY by Joshua Bernstein
Look for I Am Here to Make Friends in March, 2020!
A 501(c)3 non-profit literary press collective founded in 2000, Sundress Publications is an entirely volunteer-run press that publishes chapbooks and full-length collections in both print and digital formats, and hosts numerous literary journals, an online reading series, and the Best of the Net Anthology.
Website: www.sundresspublications.com Facebook: sundresspublications
Email: sundresspublications@gmail.com Twitter: @SundressPub


Sundress Publications is thrilled to announce that Hannah V. Warren with her chapbook, [re]construction of the necromancer, was selected by Marci Calabretta Cancio-Bello as the winner of Sundress Publications’ eighth annual chapbook competition. 
I’m a poet and an educator, but I didn’t become either until my late thirties when divorce propelled me to seek therapeutic tools to map experience and explore a catalogue of emotions that had been repressed for several of my adult years. As acts of both survival and exploration, I earned a BA, MA, and MFA—all with a focus on creative writing—and began to write and publish poems. These endeavors naturally led me to take on a number of academic teaching roles, primarily instructing first-year composition courses, but with a few opportunities to teach creative writing here and there.




This year’s winner is Lisa Kwong for the poem “Searching for Wonton Soup.”
In
Remnants of Passion (Shebooks 2014). Her essays and short stories have appeared in The Sun, Ninth Letter, PANK, and other journals. Her work has been awarded a Pushcart Prize, a Best of the Net, and the AWP Prize in Creative Nonfiction.

and familiar tales to distill the most complex family dynamics: a daughter reckons with her mother meeting her lover in the language of a math textbook. Adam and Eve become a husband and wife who ‘always did encourage each other’s bad behavior.’ In the final story, the act of writing conflates with the creation of the universe, our narrator critiquing the work of a god: ‘I liked how in your first draft everything revolved around the Earth. That makes a lot more sense if the people there are going to be important.’ And Burgess shows us the importance of all people, encouraging empathy and the desire to get to know every character, every person, no matter how insignificant they may seem at first. Burgess writes with an honesty so clear it aches. Wind on the Moon is one of those books you can’t wait to share with everyone you love.”
VIDA Residency Fellowships Winners Announced
