Sundress Publications 2023 AWP Off-Site Reading

Sundress Publications is pleased to announce that the readers for our 2023 AWP off-site reading include Barbara Fant, Kimberly Ann Priest, Stacey Balkun, Athena Nassar, jason b. crawford, Sunni Wilkinson, Nicole Arocho Hernández, Amanda Galvan Huynh, Cynthia Guardado, Dani Putney, and Donna Vorreyer. The reading will take place on March 10th, 2023, from 7:00 PM to 9:00 PM PST at Old Stove Brewing Co, 600 W. Nickerson St., Queen Anne, Seattle, WA 98119.

A brown woman with dark black-brown hair smiling against a blue and green backdrop. Her arms are crossed over her knees, and she is wearing a white blouse with two strings hanging down from the collar. The top of a reddish-brown pair of pants or skirt is visible.

Amanda Galvan Huynh (She/Her) is a Xicana writer and educator from Texas. She is the author of Where My Umbilical is Buried (Sundress Publications 2023) and Co-Editor of Of Color: Poets’ Ways of Making: An Anthology of Essays on Transformative Poetics (The Operating System 2019).

A brown woman with long black hair gives a small smile as she sits on the edge of a black chair. She is wearing a black top, a black jacket, and black pants against a grey vignette background.

Athena Nassar is an Egyptian-American poet, essayist, and short story writer from Atlanta, Georgia. She is the author of the debut poetry collection Little Houses, published by Sundress Publications. Her work has appeared in Academy of American Poets, The Missouri Review, Southern Humanities Review, Pleiades, The Chattahoochee Review, Salt Hill, Lake Effect, New Orleans Review, Zone 3, The Los Angeles Review, PANK, and elsewhere. 

A Black woman sits on top of a wooden stool against a grey and white background. She has black hair and wears a yellow top, a pendant necklace, blue jeans, and a pair of brown heeled shoes.

Barbara Fant has been writing and performing for over 15 years. She has competed in nine National Poetry Slams and is a World Poetry Slam finalist. She is the author of two full-length poetry collections, Paint, Inside Out (2010) and Mouths of Garden (2022). Her work has been featured in the Academy of American Poets, McNeese Review, Button Poetry, and Def Poetry Jam, among others. She believes in the transformative power of art and considers poetry her ministry.

A black and white portrait-style photo of a woman. She has long hair that starts off black and the roots and grows lighter as it continues down her shoulders, a hexagon-shaped earring visible with her hair as well. She has a tattoo on her one visible hand and is wearing bands on her wrist.

Cynthia Guardado (she/her/hers) is a Los-Angeles born queer Salvadoran poet and professor. She is the author of two collections of poetry: Cenizas, (University of Arizona Press 2022) and ENDEAVOR, (World Stage Press 2017).

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Dani Putney is a queer, non-binary, mixed-race Filipinx, and neurodivergent writer originally from Sacramento, California. Their debut collection, Salamat sa Intersectionality (Okay Donkey Press, 2021), was a finalist for the 2022 Lambda Literary Award in Transgender Poetry. They’re also the author of the poetry chapbook Dela Torre (Sundress Publications, 2022).

A selfie-style photo of a white woman with short whitish-blonde hair in large teal glasses and a bright blue t-shirt. She is smiling and standing against a background of flags and a dirt-covered ground.

Donna Vorreyer is the author of To Everything There Is (2020), Every Love Story is an Apocalypse Story (2016) and A House of Many Windows (2013), all from Sundress Publications. She hosts the monthly online reading series A Hundred Pitchers of Honey.

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jason b. crawford (They/Them) was born in Washington DC and raised in Lansing, MI. Their debut Full-Length Year of the Unicorn Kidz is out from Sundress Publications. They are currently an MFA Candidate at The New School in Poetry.

A white woman with reddish-brown, windswept hair looks into the camera against a blurred, wheat-coloured background. The photo is taken from a nearly fourty-five degree angle looking down at her face, and her black shirt is also visible.

Kimberly Ann Priest is the author of Slaughter the One Bird, finalist in the American Best Book Awards, and chapbooks The Optimist Shelters in Place, Parrot Flower, and Still Life. She is an associate poetry editor for Nimrod International Journal of Prose and Poetry and assistant professor at Michigan State University.

A brown woman with dark brown hair and black wire glasses smiles. She is leaning against a tree, and she is wearing a purple and white striped top with a pendant necklace on black chord.

Nicole Arocho Hernández is a Puerto Rican poet and translator. Her poems have been published in The Acentos Review, Electric Literature, Honey Literary, The Academy of American Poets, and elsewhere. Her chapbook, I Have No Ocean, was published by Sundress Publications. She is the Translations Editor at Hayden’s Ferry Review and an MFA candidate at Arizona State University.

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Stacey Balkun is the author of Sweetbitter & co-editor of Fiolet & Wing. Winner of the 2019 New South Writing Contest, her creative work has appeared in Best New Poets, Mississippi Review, Pleiades, & several other anthologies & journals. Stacey holds an MFA from Fresno State & teaches online at The Poetry Barn and The Loft. 

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Sunni Brown Wilkinson is the author of The Marriage of the Moon and the Field (Black Lawrence Press) and The Ache & The Wing (winner of the Sundress Chapbook Prize).  Her work has been awarded the New Ohio Review’s NORward Poetry Prize, the Joy Harjo Prize, and the Sherwin Howard Award.

Sundress Announces the Pre-Order of Margo Berdeshevsky’s Kneel Said the Night

Sundress Publications is pleased to announce the that pre-orders are now available for Margo Berdeshevsky’s Kneel Said the Night. Pulitzer- Prize-winning author, Diane Seuss, calls this collection “a lush, authoritative masterwork.”

Margo Berdeshevsky’s Kneel Said the Night weaves together intimacy, revamped fairy tales, erotic myth, and legend. Berdeshevsky articulates a composition that is balanced precariously between wonder and horror by merging poetry, prose, and visual art. The result is the fragmented world of a speaker that offers a visceral, lifelong journey of love and ruin. This collection explodes with relationships that are both passionate and complicated: a sick mother and her daughter, an unwanted child-turned-mother, a woman and her desires, a woman and her lovers, a woman and her predators, little boys and their predator. Oscillating between the real and the unreal, Kneel Said the Night renders pain and pleasure in equal parts, with imagery that cuts deeply, yet embraces its reader, asking both “who holds the winning hand?” and “who will save us?”

“Composed of lyric essays, line broken poems, revamped fairy tales, erotic myths, and histories clothed in see-through shifts, wearing Eau Sauvage men’s cologne, Kneel Said the Night: a hybrid book in half notes, is a lush, authoritative masterwork. This Red Riding Hood gathers flowers and details in her basket, and generates revivified archetypes—‘menstrual-colored canary,’ ‘full paunch moon’—that can only emerge from an imagination fed by solitude and desire (and Paris). ‘I’m the woman who asks how close is death, how near is God,’ Berdeshevsky writes, and in this intimate, audacious collection, the answer is very close, and very, very near.” 
—Diane Seuss, Pulitzer Prize-winning author of frank: sonnets

Pre-order your copy of Kneel Said the Night on the Sundress website!

Margo Berdeshevsky, born in New York City, often lives and writes in Paris. Her latest collection, Before The Drought, is from Glass Lyre Press, (a finalist for the National Poetry Series.) It Is Still Beautiful To Hear The Heart Beat is forthcoming from Salmon Poetry. Berdeshevsky is author as well of Between Soul & Stone, and But a Passage in Wilderness, (Sheep Meadow Press.) Her book of illustrated stories, Beautiful Soon Enough, received the first Ronald Sukenick Innovative Fiction Award for Fiction Collective Two (University of Alabama Press.) She is also the recipient of Grand Prize for Thomas Merton Poetry of the Sacred Award and the Robert H. Winner Award from the Poetry Society of America.

Her work appears in Poetry International, New Letters, The Night Heron Barks, Kenyon Review, Plume, Scoundrel Time, The Collagist, Tupelo Quarterly, Gulf Coast, Southern Humanities Review, Harbor Review, Pleiades, Prairie Schooner, The American Journal of Poetry, Jacar—One, Mānoa, Pirene’s Fountain, Big Other, Dark Matter: Women Witnessing, among many others. In Europe and the UK her works have been seen in The Poetry Review, PN Review, The Wolf, Europe, Siècle 21, Confluences Poétiques, Recours au Poème, Levure Littéraire, Under the Radar. Her “Letters from Paris” have appeared for many years in Poetry International online. She may be found reading from her books in London, Paris, New York City, Los Angeles, Honolulu, at literary festivals, and/or somewhere new in the world. For more information, kindly see margoberdeshevsky.com.

Sundress Announces the Release of Jason B. Crawford’s Year of the Unicorn Kidz

Sundress Publications is pleased to announce the release of Jason B. Crawford’s Year of the Unicorn Kidz. Crawford’s poetry delicately details the thrills and dangers of self-discovery on the margins of reality.

Jason B. Crawford’s Year of the Unicorn Kidz beautifully explores existence on the intersections of gender, race, and sexuality. Their profound navigation of identity, violence, and desire transcends boundaries and binaries. Vulnerability takes the centre stage as the speaker of these descriptive and passionate poems unburies old relationships and haunting memories. Year of the Unicorn Kidz reads like a coming-of-age story for marginalized youth in America, sketching the body in terms of disconnection, loss, and the explosive nature of desire. From burning rage to healing friendships to the thrill of forbidden encounters and the regrets that follow them, Crawford revisits the reckless elements of youth that capture the inner and outer conflicts of self-discovery. They bring incredible depth to their poetry with urgent and vivid storytelling that delicately reveals the complexity of reality, while also leaving room for readers to reflect on their own.

torrin a. greathouse, author of Wound from the Mouth of a Wound, and boy/girl/ghost says, “In Year of the Unicorn Kidz, ode and elegy coexist by necessity. Crawford crafts for us a poetic landscape sat at the intersection of violence and desire, drenched in neon and horror movie fog. Even in this book’s happiest poems, risk is always in the periphery, whether they are writing about beloved friends, cruising, or childhood memories. Undergirding the entire collection is Crawford’s particular talent for writing through violence with stunning tenderness, rendering knives and teeth blunt even as they speak them sharp into a poem.”

Pre-order your copy of Year of the Unicorn Kidz on the Sundress website: https://sundress-publications.square.site/

Jason B. Crawford (they/them) is a Black, nonbinary, queer writer. Crawford is the author of three chapbooks: Summertime Fine (Variant Literaure, 2021), Twerkable Moments (Paper Nautilus, 2021), and Good Boi (Neon Hemlock, 2021). Crawford is a current poetry MFA candidate at The New School in New York, NY.