Jan Bottiglieri lives and writes in suburban Chicago. She is a professional editor, as well as managing editor for the poetry annual RHINO, and holds an MFA in Poetry from Pacific University. Jan’s
work has appeared or is forthcoming in more than 40 journals and anthologies including december, Rattle, DIAGRAM, Willow Springs and New Poetry from the Midwest. Jan is the author of two
chapbooks, “A Place Beyond Luck” and “Where Gravity Pools the Sugar”; her first full-length poetry collection is “Alloy” (Mayapple Press, 2015). “Everything Seems Significant” is her second full-length book.

Donna Vorreyer is the author of two full-length collections of poetry: Every Love Story is an Apocalypse Story (Sundress Publications, 2016) and A House of Many Windows (Sundress Publications, 2013), as well as eight chapbooks: The Girl (2017, Porkbelly Press), Tinder, Smolder, Bones and Snow (2016, dancing girl press), Encantado, Illustrated by Matt Kish (Red Bird Chapbooks, 2015), We Build Houses of Our Bodies (dancing girl press, 2013), The Imagined Life of A Pioneer Wife (Red Bird Chapbooks, 2013), Ordering the Hours (Maverick Duck Press, 2012), Come Out, Virginia (Naked Mannequin Press, 2011), and Womb/Seed/Fruit (Finishing Line Press, 2010).

She currently serves as a staff reviewer for the journal Stirring: A Literary Collection and Rhino Reviews. Her poetry, fiction, and book reviews have appeared or are forthcoming in such journals as Sugar House Review, Diode, Waxwing, Juxtaprose, Poet Lore, Border Crossings, Harpur Palate, and Quarterly West, and anthologies such as A Face to Meet the Faces (2013) and New Poetry from the Midwest (2015). Although she does not have an MFA, she gets an education daily in her life as a middle school English teacher.

Jan Bottiglieri lives and writes in suburban Chicago. She is a professional editor, as well as managing editor for the poetry annual RHINO, and holds an MFA in Poetry from Pacific University. Jan’s
work has appeared or is forthcoming in more than 40 journals and anthologies including december, Rattle, DIAGRAM, Willow Springs and New Poetry from the Midwest. Jan is the author of two
chapbooks, “A Place Beyond Luck” and “Where Gravity Pools the Sugar”; her first full-length poetry collection is “Alloy” (Mayapple Press, 2015). “Everything Seems Significant” is her second full-length book.

Donna Vorreyer is the author of two full-length collections of poetry: Every Love Story is an Apocalypse Story (Sundress Publications, 2016) and A House of Many Windows (Sundress Publications, 2013), as well as eight chapbooks: The Girl (2017, Porkbelly Press), Tinder, Smolder, Bones and Snow (2016, dancing girl press), Encantado, Illustrated by Matt Kish (Red Bird Chapbooks, 2015), We Build Houses of Our Bodies (dancing girl press, 2013), The Imagined Life of A Pioneer Wife (Red Bird Chapbooks, 2013), Ordering the Hours (Maverick Duck Press, 2012), Come Out, Virginia (Naked Mannequin Press, 2011), and Womb/Seed/Fruit (Finishing Line Press, 2010).

She currently serves as a staff reviewer for the journal Stirring: A Literary Collection and Rhino Reviews. Her poetry, fiction, and book reviews have appeared or are forthcoming in such journals as Sugar House Review, Diode, Waxwing, Juxtaprose, Poet Lore, Border Crossings, Harpur Palate, and Quarterly West, and anthologies such as A Face to Meet the Faces (2013) and New Poetry from the Midwest (2015). Although she does not have an MFA, she gets an education daily in her life as a middle school English teacher.

Jan Bottiglieri lives and writes in suburban Chicago. She is a professional editor, as well as managing editor for the poetry annual RHINO, and holds an MFA in Poetry from Pacific University. Jan’s
work has appeared or is forthcoming in more than 40 journals and anthologies including december, Rattle, DIAGRAM, Willow Springs and New Poetry from the Midwest. Jan is the author of two
chapbooks, “A Place Beyond Luck” and “Where Gravity Pools the Sugar”; her first full-length poetry collection is “Alloy” (Mayapple Press, 2015). “Everything Seems Significant” is her second full-length book.

Donna Vorreyer is the author of two full-length collections of poetry: Every Love Story is an Apocalypse Story (Sundress Publications, 2016) and A House of Many Windows (Sundress Publications, 2013), as well as eight chapbooks: The Girl (2017, Porkbelly Press), Tinder, Smolder, Bones and Snow (2016, dancing girl press), Encantado, Illustrated by Matt Kish (Red Bird Chapbooks, 2015), We Build Houses of Our Bodies (dancing girl press, 2013), The Imagined Life of A Pioneer Wife (Red Bird Chapbooks, 2013), Ordering the Hours (Maverick Duck Press, 2012), Come Out, Virginia (Naked Mannequin Press, 2011), and Womb/Seed/Fruit (Finishing Line Press, 2010).

She currently serves as a staff reviewer for the journal Stirring: A Literary Collection and Rhino Reviews. Her poetry, fiction, and book reviews have appeared or are forthcoming in such journals as Sugar House Review, Diode, Waxwing, Juxtaprose, Poet Lore, Border Crossings, Harpur Palate, and Quarterly West, and anthologies such as A Face to Meet the Faces (2013) and New Poetry from the Midwest (2015). Although she does not have an MFA, she gets an education daily in her life as a middle school English teacher.

Jan Bottiglieri lives and writes in suburban Chicago. She is a professional editor, as well as managing editor for the poetry annual RHINO, and holds an MFA in Poetry from Pacific University. Jan’s
work has appeared or is forthcoming in more than 40 journals and anthologies including december, Rattle, DIAGRAM, Willow Springs and New Poetry from the Midwest. Jan is the author of two
chapbooks, “A Place Beyond Luck” and “Where Gravity Pools the Sugar”; her first full-length poetry collection is “Alloy” (Mayapple Press, 2015). “Everything Seems Significant” is her second full-length book.

Donna Vorreyer is the author of two full-length collections of poetry: Every Love Story is an Apocalypse Story (Sundress Publications, 2016) and A House of Many Windows (Sundress Publications, 2013), as well as eight chapbooks: The Girl (2017, Porkbelly Press), Tinder, Smolder, Bones and Snow (2016, dancing girl press), Encantado, Illustrated by Matt Kish (Red Bird Chapbooks, 2015), We Build Houses of Our Bodies (dancing girl press, 2013), The Imagined Life of A Pioneer Wife (Red Bird Chapbooks, 2013), Ordering the Hours (Maverick Duck Press, 2012), Come Out, Virginia (Naked Mannequin Press, 2011), and Womb/Seed/Fruit (Finishing Line Press, 2010).

She currently serves as a staff reviewer for the journal Stirring: A Literary Collection and Rhino Reviews. Her poetry, fiction, and book reviews have appeared or are forthcoming in such journals as Sugar House Review, Diode, Waxwing, Juxtaprose, Poet Lore, Border Crossings, Harpur Palate, and Quarterly West, and anthologies such as A Face to Meet the Faces (2013) and New Poetry from the Midwest (2015). Although she does not have an MFA, she gets an education daily in her life as a middle school English teacher.

Jan Bottiglieri lives and writes in suburban Chicago. She is a professional editor, as well as managing editor for the poetry annual RHINO, and holds an MFA in Poetry from Pacific University. Jan’s
work has appeared or is forthcoming in more than 40 journals and anthologies including december, Rattle, DIAGRAM, Willow Springs and New Poetry from the Midwest. Jan is the author of two
chapbooks, “A Place Beyond Luck” and “Where Gravity Pools the Sugar”; her first full-length poetry collection is “Alloy” (Mayapple Press, 2015). “Everything Seems Significant” is her second full-length book.

Donna Vorreyer is the author of two full-length collections of poetry: Every Love Story is an Apocalypse Story (Sundress Publications, 2016) and A House of Many Windows (Sundress Publications, 2013), as well as eight chapbooks: The Girl (2017, Porkbelly Press), Tinder, Smolder, Bones and Snow (2016, dancing girl press), Encantado, Illustrated by Matt Kish (Red Bird Chapbooks, 2015), We Build Houses of Our Bodies (dancing girl press, 2013), The Imagined Life of A Pioneer Wife (Red Bird Chapbooks, 2013), Ordering the Hours (Maverick Duck Press, 2012), Come Out, Virginia (Naked Mannequin Press, 2011), and Womb/Seed/Fruit (Finishing Line Press, 2010).

She currently serves as a staff reviewer for the journal Stirring: A Literary Collection and Rhino Reviews. Her poetry, fiction, and book reviews have appeared or are forthcoming in such journals as Sugar House Review, Diode, Waxwing, Juxtaprose, Poet Lore, Border Crossings, Harpur Palate, and Quarterly West, and anthologies such as A Face to Meet the Faces (2013) and New Poetry from the Midwest (2015). Although she does not have an MFA, she gets an education daily in her life as a middle school English teacher.