The Wardrobe’s Best Dressed: Meg Tuite’s “The Healer”

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FROM “THE HEALER”

I’d been shaking since I was a kid. It felt like thousands of butterflies battling inside my internal organs. I would stop breathing and pretend that I was invisible. My siblings had other ways of coping with a raging father and a mother as afraid of him as we were, but mine was like a strange purple birthmark that a girl I once knew had plastered over half of her face. People would stare at her, furrow their eyebrows and then turn quickly away, but I knew that girl had noticed every one of them study her in horror before they moved on. She didn’t notice me smiling at her all the time like some kind of loon, but I was sure we were kindred souls. My birthmark was rupturing from the inside so that I was compelled to stay in motion or the tics and shaking would come to the surface. I ran track races and played basketball, baseball and raced on a swim team, but I never could outrun it.

(pg. 162-163)

 

When I arrived at the dirt path that led to the waterfall with a wooden sign welcoming everyone and listing the rules—silence and single file only, in three languages—I got in line behind a group of elderly women. They had a few kids with them, but no one that I knew, which made me calmer. It would be my solitary goodbye to Brazil. Some of the women wore their skirts and shirts into the waterfall. The kids were already stripped of clothes and in their bathing suits. I had gotten down to the rocks and was waiting for my turn. What a bizarre ordeal this had been. I felt worse than I had ever felt in my life. I was looking forward to getting home to my house. I came closest to what they called peace when I was alone. I hoped I could make it through the hell of the airport security and long flights without breaking down. I could see the birthmark getting brighter and brighter everyday.

I heard voices and looked around. I remembered that this was supposed to be a quiet sanctuary. One kid was pointing at me and a few of them were yelling out in Portuguese. All the old women were looking in my direction, putting their hands up, and a few dropped to their knees. There was a golden light beaming through the trees. I noticed blurs of blue around me. I stood on two rocks while a swarm of the most exotic, magnificent blue-purple butterflies whirled and beat their wings around me. They landed on my head, my arms, and fluttered everywhere. I smiled through tears trying to keep the butterflies inside me as still as possible.

I closed my eyes. He had seen me. I was inside a miracle. When I recovered I would make sure that Melanie wrote this one up in the books.

(pg. 170-171)

 

“The Healer” appeared in Meg Tuite’s book, Bound By Blue, available from Sententia Books.Purchase yours today!

Meg Tuite’s writing has appeared in numerous journals. She is author of two short story collections, Bound By Blue (2013) Sententia Books and Domestic Apparition (2011) San Francisco Bay Press, and three chapbooks. The latest: Her Skin is a Costume (2013) Red Bird Chapbooks. She won the Twin Antlers Collaborative Poetry award from Artistically Declined Press for her poetry collection, Bare Bulbs Swinging (2014) written with Heather Fowler and Michelle Reale and is currently working on a mixed genre collection to be published in late 2014.  She has been nominated several times for the Pushcart Prize and is the fiction editor of the Santa Fe Literary Review and Connotation Press. She teaches at the Santa Fe Community College and lives in Santa Fe with her husband and menagerie of pets.

Beth Couture is an assistant editor with Sundress Publication and the secretary of the board of directors of SAFTA. She is also the fiction editor of Sundress’ newest imprint, Doubleback Books. Her own work can be found in Gargoyle, Drunken Boat, Yalobusha Review, the Thirty Under Thirtyanthology from Starcherone Books, Dirty, Dirty from Jaded Ibis Press, and other publications. Her first book, a novella titled Women Born with Fur, is due out in the fall from Jaded Ibis Press. She teaches at Bloomsburg University in Bloomsburg, PA.

The Wardrobe’s Best Dressed: Meg Tuite’s “What Was That I Was Searching For”

 

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FROM “WHAT WAS THAT I WAS SEARCHING FOR?”

7.

Christopher was yelling at me in the street. “Come on, let’s celebrate.” He had a group of males with him and I had just left a known man of gluttonous descent. I thought to myself, nothing but moments, and went out to a bar with this hammered group. I said yes and our lips straddled each other in the frozen air.

His apartment was full of books. They were dormant. They lived only by their covers. No one had cracked them. I was dubious when he announced that Moby Dick was a long-winded staunch novel of men during the war. His best friend, whom he wanted me to meet, thought women were whiny and long- winded, as well.

He cried one night. “I never read these goddamn books. I just buy them to unnerve women.” I was fucking unnerved.

 

12.

I met the psychiatrist at a small bar downtown. I was doing my usual drunken rendition of some lounge singer with the micro- phone and he came to watch my act. He was older, shrunken and teaching at the University of Chicago. Yes, I was impressed and thought, what the hell. He lived in the rich part of the area. He’d just divorced and wanted to take me on.

He invited me to the ballet. He got a box for us and brought champagne. This was a whole new world for me. During intermission he ran into a couple he knew. They looked at me, wondering if I was one of his sleazy students. He said, “Have you met Martinique?” My eyebrows rose. My name was Elizabeth. “She was a prima ballerina for the Aspen Ballet, but she had a terrible accident one night and could never dance again.” My mouth dropped open. “Tell them about it, Martinique,” he prodded and the couple was intrigued now, nodded their heads. He was challenging me.

It was horrible,” I said closing my eyes and looking pained. “I don’t speak of it much, but it was during a performance of Giselle. I played Giselle, of course,” my voice got shaky and I shook my head. “Bastion Hedrick, you know him don’t you?” I eyed the couple as they both nodded. “Well, he had me up in the air and we were doing the final lift and as I was coming down, I realized he was off” my voice quivered. “He was two steps off and I buckled under my toe shoes and ripped my Achille’s tendon.” The couple put their hands to their mouths. “No,” they said. I nodded my head again and then the lights were flashing and intermission was over. The woman rammed me against her chest and said, “I’m so sorry. You poor, poor dear.” She had tears in her eyes.

And that was how the psychiatrist got off. He would get down on his knees in crowded restaurants and propose. He’d start raging arguments with me in public. I never knew when I was on stage. It was exhilarating and heightened our lust.

And just like the curtain goes down, one day it was over. He said he’d meet me somewhere and never showed. It happened a few times before I stopped calling. He was still acting and I had become the unsuspecting spectator.

 

 

“Bound By Blue” appeared in Meg Tuite’s book, Bound By Blue, available from Sententia Books.Purchase yours today!

Meg Tuite’s writing has appeared in numerous journals. She is author of two short story collections, Bound By Blue (2013) Sententia Books and Domestic Apparition (2011) San Francisco Bay Press, and three chapbooks. The latest: Her Skin is a Costume (2013) Red Bird Chapbooks. She won the Twin Antlers Collaborative Poetry award from Artistically Declined Press for her poetry collection, Bare Bulbs Swinging (2014) written with Heather Fowler and Michelle Reale and is currently working on a mixed genre collection to be published in late 2014.  She has been nominated several times for the Pushcart Prize and is the fiction editor of the Santa Fe Literary Review and Connotation Press. She teaches at the Santa Fe Community College and lives in Santa Fe with her husband and menagerie of pets.

Beth Couture is an assistant editor with Sundress Publication and the secretary of the board of directors of SAFTA. She is also the fiction editor of Sundress’ newest imprint, Doubleback Books. Her own work can be found in Gargoyle, Drunken Boat, Yalobusha Review, the Thirty Under Thirtyanthology from Starcherone Books, Dirty, Dirty from Jaded Ibis Press, and other publications. Her first book, a novella titled Women Born with Fur, is due out in the fall from Jaded Ibis Press. She teaches at Bloomsburg University in Bloomsburg, PA.

 

The Wardrobe’s Best Dressed: Meg Tuite’s “Bound By Blue”

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An Excerpt From “Bound By Blue”

He stood in front of the mirror in a place where no one could find him. His mother had finally died in some old people’s home his sister had stuck her in. His sister liked to stash people away. She’d had Edward taken to the hospital twice for what the police called, “Potentially harmful to self or others.” His sister lived in another city but kept one eye on Edward at all times. She called him every weekend. He had been diagnosed and the mask of relief had imprinted itself on the faces of everyone he knew. There was a name for what he was. They all nodded their heads and spoke over him in quiet tones. He wasn’t violent. Never had been. But Schizoaffective was filed away to rectify any action he took that challenged the normal day-to-day repression that commemorated the lives of everyone around him.

And now Edward stood there naked, with a spoon. There was no gun or pills or rope to hang himself with. Just a spoon that conjured up the daily regularity of soup, cereal, ice cream or Pepto-Bismol. It was a utensil that graced the tables of conventionality. It was sublime in its household, prosaic banality. No one looked twice at a spoon.

 

“Bound By Blue” appeared in Meg Tuite’s book, Bound By Blue, available from Sententia Books.Purchase yours today!

Meg Tuite’s writing has appeared in numerous journals. She is author of two short story collections, Bound By Blue (2013) Sententia Books and Domestic Apparition (2011) San Francisco Bay Press, and three chapbooks. The latest: Her Skin is a Costume (2013) Red Bird Chapbooks. She won the Twin Antlers Collaborative Poetry award from Artistically Declined Press for her poetry collection, Bare Bulbs Swinging (2014) written with Heather Fowler and Michelle Reale and is currently working on a mixed genre collection to be published in late 2014.  She has been nominated several times for the Pushcart Prize and is the fiction editor of the Santa Fe Literary Review and Connotation Press. She teaches at the Santa Fe Community College and lives in Santa Fe with her husband and menagerie of pets.

Beth Couture is an assistant editor with Sundress Publication and the secretary of the board of directors of SAFTA. She is also the fiction editor of Sundress’ newest imprint, Doubleback Books. Her own work can be found in Gargoyle, Drunken Boat, Yalobusha Review, the Thirty Under Thirtyanthology from Starcherone Books, Dirty, Dirty from Jaded Ibis Press, and other publications. Her first book, a novella titled Women Born with Fur, is due out in the fall from Jaded Ibis Press. She teaches at Bloomsburg University in Bloomsburg, PA.

The Wardrobe’s Best Dressed: Meg Tuite’s “Family Extravaganza”

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An Excerpt From “Family Extravaganza”

“You’re every woman’s fantasy of a volcano. Look at you, baby.” Mom would snuggle up to me and try to drag me up on her lap like I was a Chihuahua in a St. Bernard’s body. “You’ve got the makings of a science project.” She’d rub my corpulent belly that was giving my knockers a run for the money. “Every day you could blow your fuse or blow a tire, you never know, but I say, keep on singing, baby, keep on singing and it’ll never catch up to you.”

I really wanted to slip some of my Zyprexa in her mimosa to see if she could see what I saw in her, but I never did. She was so full of some kind of life that neither of us had ever experienced. She was hopped up on a drug she’d never known. Mom’s psyche had become mutilated when she was a child. Some rank neighbor’s father had molested her for years, annihilated her kid-dom. She told me once that she didn’t speak for a year after that. “My mom never prepared me for bankruptcy,” she said. “What was there to say?” she’d ask and wander into an abyss that felt like trying to dig that hole to China. I knew what it felt like to dig for something that I’d never find.

“Rein them in baby, rein them in,” she’d say. I told her the bras she bought me were a structural engineer’s fantasy, capable of shooting boulders at any enemy who crossed us. She’d laugh and pull up my shirt, saying, “By god, you’ve got a goddamn gorgeous mountain range erupting on your chest.”

Mom was a true fan no matter what I did. And I barely did much. I attempted to date sometimes. Manager Pete, or some guy who ordered a 9-piece original, or another one who went for a 24-piece bucket without looking beyond my breasts—didn’t matter if they were single or had an entire family at home— would wait for me outside when we closed up. I let a few of them suck on me in their cars in the parking lot after hours and I could understand what the marrow felt like in those bones after they’d ripped away all the meat. What is it about the weight of a breast that makes a man lose his faculties and become a slurping, corpulent baby? I guess those weren’t really dates.

So, the psychiatrist took me off the Zyprexa before I launched into the girth of the state of Texas. He told me I would lose the weight on this new drug and that I was the psychic equivalent of a teeter-totter. I never met anyone that didn’t peer over the precipice of something.

 

“Family Extravaganza” appeared in Meg Tuite’s book, Bound By Blue, available from Sententia Books.Purchase yours today!

Meg Tuite’s writing has appeared in numerous journals. She is author of two short story collections, Bound By Blue (2013) Sententia Books and Domestic Apparition (2011) San Francisco Bay Press, and three chapbooks. The latest: Her Skin is a Costume (2013) Red Bird Chapbooks. She won the Twin Antlers Collaborative Poetry award from Artistically Declined Press for her poetry collection, Bare Bulbs Swinging (2014) written with Heather Fowler and Michelle Reale and is currently working on a mixed genre collection to be published in late 2014.  She has been nominated several times for the Pushcart Prize and is the fiction editor of the Santa Fe Literary Review and Connotation Press. She teaches at the Santa Fe Community College and lives in Santa Fe with her husband and menagerie of pets.

Beth Couture is an assistant editor with Sundress Publication and the secretary of the board of directors of SAFTA. She is also the fiction editor of Sundress’ newest imprint, Doubleback Books. Her own work can be found in Gargoyle, Drunken Boat, Yalobusha Review, the Thirty Under Thirtyanthology from Starcherone Books, Dirty, Dirty from Jaded Ibis Press, and other publications. Her first book, a novella titled Women Born with Fur, is due out in the fall from Jaded Ibis Press. She teaches at Bloomsburg University in Bloomsburg, PA.

The Wardrobe’s Best Dressed: An Excerpt from Meg Tuite’s “Breaking the Code”

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An Excerpt from “Breaking the Code”

There is something about an unbroken line that makes me want to rip it apart. All horizontal and level and yet one hit of acid and I detect only ripples, bending, rigorous expansion that doesn’t speak the language of the linear.

My mother had cancer. It was floating submarines that attached themselves to her ovaries. I am sixteen with the same oval glass face that stares my mother back at me.

The gray eyes, tightened lips and blonde long hair that rats up in knots on an elongated body that mom didn’t have. She used to work away at the knots that felt like gum stuck to my scalp while I screamed until she couldn’t take it anymore. She’d finally cut them out. I grew up with empty weed patches around my head that she tried to cover over with the remaining bush. Her hands were magicians.

I’d sulk around the house and tell her I was bored. “Baby, break the code,” she’d say. And a book would appear laid out on her long fingers. One I’d never seen before that had me swimming in a vast ocean of some strange girl I wanted to know and be while my mom sipped tea across the room absorbed in her other universe as far away from me as the sky.

My mom told truths. Her lips formed words like philosophers. She spoke in large circles that moved inward like a labyrinth and I would follow the spiral as far as I could until I got lost. “Baby, listen to the voices that walk inside of you. They will always lead you to those places you don’t want to go. We always have something to say about someone else. Sew that pattern up in someone else’s housedress and move toward the sharks.”

 

“Break the Code” appeared in Meg Tuite’s book, Bound By Blue, available from Sententia Books. Purchase yours today!

Meg Tuite’s writing has appeared in numerous journals. She is author of two short story collections, Bound By Blue (2013) Sententia Books and Domestic Apparition (2011) San Francisco Bay Press, and three chapbooks. The latest: Her Skin is a Costume (2013) Red Bird Chapbooks. She won the Twin Antlers Collaborative Poetry award from Artistically Declined Press for her poetry collection, Bare Bulbs Swinging (2014) written with Heather Fowler and Michelle Reale and is currently working on a mixed genre collection to be published in late 2014.  She has been nominated several times for the Pushcart Prize and is the fiction editor of the Santa Fe Literary Review and Connotation Press. She teaches at the Santa Fe Community College and lives in Santa Fe with her husband and menagerie of pets.

Beth Couture is an assistant editor with Sundress Publication and the secretary of the board of directors of SAFTA. She is also the fiction editor of Sundress’ newest imprint, Doubleback Books. Her own work can be found in Gargoyle, Drunken Boat, Yalobusha Review, the Thirty Under Thirty anthology from Starcherone Books, Dirty, Dirty from Jaded Ibis Press, and other publications. Her first book, a novella titled Women Born with Fur, is due out in the fall from Jaded Ibis Press. She teaches at Bloomsburg University in Bloomsburg, PA.