Sundress Releases Blood Stripes by Aaron Dylan Graham
Sundress Publications announces the release of Blood Stripes, the debut full-length poetry collection from Aaron Graham. Blood Stripes is a haunting, unprecedented example of contemporary trench poetry.
Set in Iraq during the mid-2000’s, Blood Stripes delves into the complexity and trauma of modern conflict. Through the eyes of a marine, these poems illustrate the intimacy of violence with candid brutality. Beyond the innate bonds formed between comrades, a strange communion develops across enemy lines as those charged with destroying each other do so with a kind of tenderness. Through inflicting atrocities, the speaker forges human connection—connections that cannot be replicated outside the battle.
In these poems, violence is a new creature, one that is concurrently loathsome yet addictive and sensual. Amid the shrapnel and the sand wet with bits of lung, this violence is perhaps born of a love of the struggle. While the marine unwittingly volunteers to be a harbinger of death, it is a role of eternal confinement. These poems reveal the moral ambiguity of the causal sequence of war, as at home the marine is haunted by trauma while still craving it. The side effects of conflict cannot be outlived—despite quickclot being applied to a ruptured artery—some bleeding cannot be stopped.
“In Aaron Graham’s searing debut, poetry emerges as a full-blooded form of counterintelligence. WWI novelist Henri Barbusse called soldiers ‘forgetting machines,’ built to suppress and deny the trauma they experience in themselves and produce in others. Marine veteran of wars in Iraq and Afghanistan, Graham trains every fiber of his uncompromising attention on the sacred and obscene task of remembering what, strictly speaking, cannot be known. PTSD tendrils between every line—’all my nows murder all my / vowels – // all my nows justify / the violence’—as the poet reaches through and beyond realism. Deploying his formidable intelligence as linguist, translator, and philosopher, Graham isolates ‘the moment before an explosion / breaks, the word shrapnel becomes / the beginning of the reality shrapnel.’ Under the poet’s targeted pressure, ‘the whole structure of propriety delaminates,’ including the fiction of the reader’s innocence. The poems in this collection sear me, stain me, push me to the point of slamming the book shut until I’m ready to pry the pages open again, to see in Graham’s language what I cannot see.”
-Cassandra Cleghorn
Aaron Graham hails from Glenrock, Wyoming, population 1159, which boasts seven 
bars, six churches, a single 4-way stop sign, and no stoplights. He served as the editor-in-chief for the Squaw Valley Review, is an alumnus of Squaw Valley Writers Workshop and The Ashbury Home School, and the Cambridge Writer’s Workshop. Aaron is currently attending UCNG’s MFA program in poetry and finishing his Ph.D. at Emory University. He currently resides in Greensboro, NC with this wife, Alana, and their three daughters, Alexi, Nora, and Naomi.
Pre-order Blood Stripes here.
Sundress Publications is thrilled to announce that Hannah V. Warren with her chapbook, [re]construction of the necromancer, was selected by Marci Calabretta Cancio-Bello as the winner of Sundress Publications’ eighth annual chapbook competition. 
As a part of Sundress’s ongoing commitment to providing a platform for marginalized voices, 
Fox Frazier-Foley is the author of two prize-winning poetry collections: The Hydromatic Historics (Bright Hill Press, 2015), which was selected by Vermont Poet Laureate Chard deNiord as the recipient of the Bright Hull Press Poetry Award, and Exodus in X Minor (Sundress Publications, 2014). Her most recent volume of poetry, Like Ash in the Air After Something Has Burned (Hyacinth Girl Press, 2017) was nominated for an Elgin Award. She edited the anthologies Political Punch: Contemporary Poems on the Politics of Identity (Sundress Publications, 2016) and Among the Margins: Critical and Lyrical Writing on Aesthetics (Ricochet Editions, 2016). Fox was graduated Phi Beta Kappa from Binghamton University, and was honored with merit-based fellowships at Columbia University, where she earned her MFA. She was a Provost’s Fellow at the Univeristy of Southern California, where she earned a PhD in Literature and Creative Writing. Fox created and manages Agape Editions. She is currently at work in a long-form journalism project about violent crime in upstate New York, titled Carousel.
Muriel Leung is the recipient of the Alternating Current sponsored fellowship. She is the author of Bone Confetti, winner of the 2015 Noemi Press Book Award. A Pushcart Prize nominated writer, her writing can be found or is forthcoming in Gulf Coast, Drunken Boat, The Collagist, Fairy Tale Review, and others. She is a recipient of fellowships to Kundiman, VONA/Voices Workshop and the Community of Writers. She is the Poetry Co-Editor of Apogee Journal and co-host of The Blood-Jet Writing Hour podcast. Currently, she is a Dornsife Fellow in Creative Writing and Literature at University of California. She is from Queens, NY.
Nicole Shawan Junior (Smith College BA, Pace University MST, Temple University JD) is a storyteller who was born & bred in the bass-heavy beat & scratch of Brooklyn, where the Bed-Stuy cool of beautiful inner-city life barely survived the crippling caused by crack cocaine. She is a black, queer and hood-born Womanxst. Nicole puts pen-to-paper to capture the journeys of around-the-block black girls. Nicole’s writing has appeared in For Harriet, Rigorous Magazine and The Feminist Wire. Her work has been supported by The Hurston/Wright Foundation, African Voices and the Black Film & TV Collective, to name a few. She’s currently completing Cracked Concrete, a coming of age memoir, and Block Girls, a play. A filmmaker, Nicole directed and co-produced the documentary short Boundless: A Celebration of Black Women and co-produced the YouTube web series This. That. & the Third. Nicole is currently bringing her short film, To Touch A Moth, to production. When off set, Nicole is also the creator of Roots. Wounds. Words. Writing Workshop. Check her out at 
Jane Wong’s poems can be found in Best American Poetry 2015, POETRY, American Poetry Review, Third Coast, AGNI, and others. A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships from the U.S. Fulbright Program, the Fine Arts Work Center, Hedgebrook, Artist Trust, and Bread Loaf. She is the author of Overpour (Action Books, 2016) and is an Assistant Professor of Creative Writing at Western Washington University.
This year’s winner is Lisa Kwong for the poem “Searching for Wonton Soup.”
