This feature, chosen by Guest Editor EMDASH, is an excerpt from All Water Has Perfect Memory by Nada Samih-Rotondo (Jaded Ibis Press 2023).
LEARNING TO SWIM
The water, All of the time
Tayali, Binti the waters whisper. Come,my daughter. I teach my children to respect the water; never fear it. One moment, you might be jumping waves in a comfortable
rhythm and in the next, a fierce wave could drag you under, take you off guard. “Don’t fear hitting the bottom,” I tell them. “It gives you something to propel from.”
…
Yalla, Tayali, Yafa’s waters call. I feel her urgent tugging in the tides of my body, my limbs inching toward the shore like a magnet. Soon, I tell her. I’ll be back soon.
Nada (she/her) is a multi-genre Palestinian writer, educator, and mother deeply attuned to her adopted land’s stories. A refugee English language learner, Nada grew up deeply impacted by family separation and state violence both in Palestine and on Narragansett land or so called Rhode Island. As a working class caretaker, Nada aims to create innovative, anti-imperialist works of literature that play at the intersections of the more than human world, expands imaginations, illuminates connections between land and body, and inspires joyful resistance. Her writing has appeared in Masters Review, Gulf Stream Literary Magazine, and others. All Water Has Perfect Memory, a multigenerational hybrid memoir, is her first book.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is an excerpt from All Water Has Perfect Memory by Nada Samih-Rotondo (Jaded Ibis Press 2023).
NEW WORLD
Johnston, Rhode Island 2001
My fullname is Nada TayserMohamed-SamihJaber, I wanted to scream. Howmany white peoplehavea name like that? Later, I attended that professor’s office hours to hand in the final assignment. “Oh, I wanted to tell you,” she said excitedly, “I teach this same class at Providence College, and a group of students there said the same thing as you. They are from Egypt. I guess you’re not white after all,” she concluded, beaming with the arrogance of discovering land long settled.
Nada (she/her) is a multi-genre Palestinian writer, educator, and mother deeply attuned to her adopted land’s stories. A refugee English language learner, Nada grew up deeply impacted by family separation and state violence both in Palestine and on Narragansett land or so called Rhode Island. As a working class caretaker, Nada aims to create innovative, anti-imperialist works of literature that play at the intersections of the more than human world, expands imaginations, illuminates connections between land and body, and inspires joyful resistance. Her writing has appeared in Masters Review, Gulf Stream Literary Magazine, and others. All Water Has Perfect Memory, a multigenerational hybrid memoir, is her first book.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is an excerpt from All Water Has Perfect Memory by Nada Samih-Rotondo (Jaded Ibis Press 2023).
COLORATURA
Johnston, Rhode Island 2002
Some of us need to parent ourselves, I’d often tell myself. I fixed my face into the picture of perfect composure, and pretended I didn’t know what I was capable of. A good actress.
Nada (she/her) is a multi-genre Palestinian writer, educator, and mother deeply attuned to her adopted land’s stories. A refugee English language learner, Nada grew up deeply impacted by family separation and state violence both in Palestine and on Narragansett land or so called Rhode Island. As a working class caretaker, Nada aims to create innovative, anti-imperialist works of literature that play at the intersections of the more than human world, expands imaginations, illuminates connections between land and body, and inspires joyful resistance. Her writing has appeared in Masters Review, Gulf Stream Literary Magazine, and others. All Water Has Perfect Memory, a multigenerational hybrid memoir, is her first book.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is an excerpt from All Water Has Perfect Memory by Nada Samih-Rotondo (Jaded Ibis Press 2023).
SILENT PERIOD
Rhode Island, 1990
My body is drawn to bodies of water. I was born in Kuwait City, minutes from the shores of the Persian Gulf. For six summers I waded in the waters of the Persian Gulf, the same waters my grandfather fished after leaving Palestine to settle in Kuwait. He had a boat he would take out in the morning with his brothers, returning in the evening with piles of slip- pery fish. My grandmother gutted, cleaned, dressed, and fried or roasted this gift from the sea for the family. My mother and her siblings were born and raised along those shores, but were never granted Kuwaiti citizenship: a coveted prize rarely awarded to descendants of the Palestinian diaspora. Nevertheless, Kuwait was home to my family, as it was to 400,000 other Palestinians. At age six I ended up in the United States, specifically in Rhode Island, aptly nicknamed the Ocean State. I’ve spent the last thirty years inhaling the salty Atlantic, the tips of my fingers pruned, my curly hair matted and waterlogged. I grew up wide-eyed and feral, stomping along muddy riverbanks barely recovered from industrial ravage. But it was always the Mediterranean—the turquoise shores of Yafa—that my blood ebbed toward.
Nada (she/her) is a multi-genre Palestinian writer, educator, and mother deeply attuned to her adopted land’s stories. A refugee English language learner, Nada grew up deeply impacted by family separation and state violence both in Palestine and on Narragansett land or so called Rhode Island. As a working class caretaker, Nada aims to create innovative, anti-imperialist works of literature that play at the intersections of the more than human world, expands imaginations, illuminates connections between land and body, and inspires joyful resistance. Her writing has appeared in Masters Review, Gulf Stream Literary Magazine, and others. All Water Has Perfect Memory, a multigenerational hybrid memoir, is her first book.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is an excerpt from All Water Has Perfect Memory by Nada Samih-Rotondo (Jaded Ibis Press 2023).
MERCY
Yafa, Palestine 1920
Til-yat-ruh-he is an Arabic phrase meaning “my soul rose up,” describing an experience so troubling that your soul almost leaves your body. I’ve heard my mother say til-yat-ruh-he when referencing something being strenuous, painful, or even boring if she was being ironic. I also heard her describe her experience of birthing me this way.
Nada (she/her) is a multi-genre Palestinian writer, educator, and mother deeply attuned to her adopted land’s stories. A refugee English language learner, Nada grew up deeply impacted by family separation and state violence both in Palestine and on Narragansett land or so called Rhode Island. As a working class caretaker, Nada aims to create innovative, anti-imperialist works of literature that play at the intersections of the more than human world, expands imaginations, illuminates connections between land and body, and inspires joyful resistance. Her writing has appeared in Masters Review, Gulf Stream Literary Magazine, and others. All Water Has Perfect Memory, a multigenerational hybrid memoir, is her first book.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is from The Night Is What It Eats by Danielle Hanson (Codhill Press 2026).
St Barnabas in the Afterlife
Heaven is just a storage locker for ghosts with no one to haunt. I spend my days wringing out the laundry of my flesh, airing it like a braid of garlic from the ceiling. My martyrdom requires upkeep—patching and darning, and always the slipping of the parts of me that haven’t yet let go.
Danielle Hanson (she/her) is author of The Night Is What It Eats (Elixir Press Prize), Fraying Edge of Sky (Codhill Press Poetry Prize), and Ambushing Water (Finalist, Georgia Author of the Year), and editor of the poetry anthology Objects in This Mirror (Press 53) and a book of literary criticism. She is Marketing Director for Sundress Publications, inaugural Poet Laureate of Costa Mesa, California, and Writer-in-Residence at UC Irvine.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is from The Night Is What It Eats by Danielle Hanson (Codhill Press 2026).
Seed
Everything starts with a seed; this poem, for example. I watered and watched them every day at first—not able to tell the carrots from the weeds until the second leaves unfold.
When we got it from the dog’s mouth, it was small, eyes closed, unmoving on the floor but not dead, not yet. The dog was gentle with the creature she dug out from under the dresser. What was it, this outsider? Was it mouse, or squirrel, or rat?
The second leaves are frilled and bright green, small, delicate. You must thin them, give them room, kill some to save the others. You try to pick the strongest of the wisps, and trim the others with scissors, one by one.
Visitors is what the Bible calls angels. In Sodom they were vulnerable. Their host offers his children to the crowd, to do with what they please. Kill some to save the others.
Soon after we pry the dog’s mouth, after we gently place the infant in a bag, after we crush the skull with our heel, weeks later, we see a mother squirrel carrying a folded baby over half her size in her mouth. The child clings to her. We watch this mother teaching this one that’s left to gather leaves from broccoli, fold them, bunch them into cheeks to carry to safety.
It’s becoming colder at night. We shut our children’s windows to keep out the cold, to protect. Only some of us are made to see the Spring.
Danielle Hanson (she/her) is author of The Night Is What It Eats (Elixir Press Prize), Fraying Edge of Sky (Codhill Press Poetry Prize), and Ambushing Water (Finalist, Georgia Author of the Year), and editor of the poetry anthology Objects in This Mirror (Press 53) and a book of literary criticism. She is Marketing Director for Sundress Publications, inaugural Poet Laureate of Costa Mesa, California, and Writer-in-Residence at UC Irvine.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is from The Night Is What It Eats by Danielle Hanson (Codhill Press 2026).
Aphorisms for Lips
One lip is the reflection of the other.
Two lips are a rose.
Lips attack in pairs. He should never have approached them.
Lips are tongue-tamers.
Lips try to learn from the teeth how to bite.
Lips spread like honey across her face.
He studied her lips but forgot how to read.
Two lips eloped.
Lips ran to the ears with the news.
Two feral lips peeked out from the beard.
A lip is a trap for pray.
He went to the very lip of her lip and fell in.
Lips cushioned his fall.
Danielle Hanson (she/her) is author of The Night Is What It Eats (Elixir Press Prize), Fraying Edge of Sky (Codhill Press Poetry Prize), and Ambushing Water (Finalist, Georgia Author of the Year), and editor of the poetry anthology Objects in This Mirror (Press 53) and a book of literary criticism. She is Marketing Director for Sundress Publications, inaugural Poet Laureate of Costa Mesa, California, and Writer-in-Residence at UC Irvine.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is from The Night Is What It Eats by Danielle Hanson (Codhill Press 2026).
Thunder
Sometimes night wakes up in the middle of day.
The memory of warm breath on ear’s spiral. Like a voice whispering thunder,
and then thunder. Electricity hovering like a kite
casting a shadow, slice of night blown circling.
Danielle Hanson (she/her) is author of The Night Is What It Eats (Elixir Press Prize), Fraying Edge of Sky (Codhill Press Poetry Prize), and Ambushing Water (Finalist, Georgia Author of the Year), and editor of the poetry anthology Objects in This Mirror (Press 53) and a book of literary criticism. She is Marketing Director for Sundress Publications, inaugural Poet Laureate of Costa Mesa, California, and Writer-in-Residence at UC Irvine.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.
This feature, chosen by Guest Editor EMDASH, is from The Night Is What It Eats by Danielle Hanson (Codhill Press 2026).
Aphorisms for the Eyes
An eye is a jellyfish caught from the see.
A glass eye is like a fake accent.
An eye is the most fragile thing you can’t drop.
A goddess decorating a tree with eyes.
The eyes will always have it.
A tear is the fruit of the eye.
How does one look for a lost eye?
An eye is a target.
There are two eyes in I.
The lashes are the gates of the eyes.
Not only cloudy eyes produce rain.
He was sentenced to a thousand eyelashes.
He asked for a thousand more.
Danielle Hanson (she/her) is author of The Night Is What It Eats (Elixir Press Prize), Fraying Edge of Sky (Codhill Press Poetry Prize), and Ambushing Water (Finalist, Georgia Author of the Year), and editor of the poetry anthology Objects in This Mirror (Press 53) and a book of literary criticism. She is Marketing Director for Sundress Publications, inaugural Poet Laureate of Costa Mesa, California, and Writer-in-Residence at UC Irvine.
Photo Credit: Juan Camillo Garza
EMDASH a.k.a Emily Lu Gao (高璐璐) (she/they) is a poet-who-also-writes-fiction, educator, and daughter of Chinese immigrants. She writes to heal, grow, and decolonize. They’ve received support from LAMBDA, McCormack Writing Center, Sundress Publications, Bread Loaf Environmental Writers Conference, The Chinese American Museum of LA, Jersey City Arts Council and more. She has learned as much from community organizing and open mics as she did from her Rutgers-Newark MFA in Poetry. They’re published in Poetry Northwest, ANMLY, Alocasia, Underblong and elsewhere. She proudly hosted, produced, and curated The Word Bookstore Open Mic for two years.