This feature, chosen by Guest Editor Ezra Fox, is from The Weather Inside by Stevie Edwards (University of Arkansas Press 2026).
Childless
A stranger’s pregnant belly plops over elastic-waisted jeans, and a wish kicks its legs inside me. I wish it
would sit still. Forest fires blaze through Quebec, orange smoke obscuring the sky
of the mid-Atlantic, ushering in the new normal: Tyger Tyger, burning bright,
burning brush and rushing through subdivisions, making ash out of loved lives.
Is delivering a child into the smoldering of the Anthropocene an act of selfishness
or hope? Still, I want to feel my breasts milk-heavy, like little wine bags.
When I hold my friend’s tender newborn, I pretend she is my own—
journey out of her nursery into the secret life where I am a mother, where the little spittle
on my shoulder is my daughter’s spittle, and therefore made lovely. Her tiny fists
yank my loose hair and pull me back into the room where I coo
and cuddle her as her big eyes search my face, saying nothing of the coming dark.
Dr. Stevie Edwards (she/they) is an Assistant Professor at Clemson University and Poetry Editor of The South Carolina Review. Stevie’s poems have appeared in Poetry, American Poetry Review, TriQuarterly, The Southern Review, and elsewhere. She is the author of Quiet Armor (Northwestern University Press, 2023), Sadness Workshop (Button Poetry, 2018), Humanly (Small Doggies Press, 2015), and Good Grief (Write Bloody Publishing, 2012). Her next book, The Weather Inside, is forthcoming from the University of Arkansas Press in Spring 2026 as part of the Miller Williams Poetry Series edited by Patricia Smith. She holds a PhD from the University of North Texas and an MFA from Cornell University. Originally a Michigander, she now lives in South Carolina with her spouse and a small herd of rescue pitbulls. She is on the Editorial Board at SAFTA.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.
This feature, chosen by Guest Editor Ezra Fox, is from The Weather Inside by Stevie Edwards (University of Arkansas Press 2026).
The Other Woman
Rotten stem of a girl. Snakes for brains. I once was a siren wrapped in garbage. No,
I was the garbage. I made a game out of ruining: if I let a spaghetti strap slip off
my shoulder, swirled my tongue around a glass’s salted rim, and unhinged the jaw
of my want, I could swallow entire lives, how a woman pinned all her happiness in the soft
heaven of her love’s beard. I enjoyed hurting the women I didn’t know, enjoyed knowing
my pile of flesh and grunts could snatch the attention of men away from the women
who called them home. Like the woman who called and called while the phone went
to voicemail, while I conjured shivers up and down her beloved’s muscled calves. I was good
at slithering and bad at sitting still. I’m sorry. I didn’t understand loving yet, didn’t know love could be bread
and blood, sugar and sky. Now I wait for the other woman to arrive and make a snack out of my joy.
I am waiting for her to chew my sinew, to clean my bones bare and teach me despair.
Dr. Stevie Edwards (she/they) is an Assistant Professor at Clemson University and Poetry Editor of The South Carolina Review. Stevie’s poems have appeared in Poetry, American Poetry Review, TriQuarterly, The Southern Review, and elsewhere. She is the author of Quiet Armor (Northwestern University Press, 2023), Sadness Workshop (Button Poetry, 2018), Humanly (Small Doggies Press, 2015), and Good Grief (Write Bloody Publishing, 2012). Her next book, The Weather Inside, is forthcoming from the University of Arkansas Press in Spring 2026 as part of the Miller Williams Poetry Series edited by Patricia Smith. She holds a PhD from the University of North Texas and an MFA from Cornell University. Originally a Michigander, she now lives in South Carolina with her spouse and a small herd of rescue pitbulls. She is on the Editorial Board at SAFTA.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.
This feature, chosen by Guest Editor Ezra Fox, is from The Weather Inside by Stevie Edwards (University of Arkansas Press 2026).
Rogue
In second grade, Kendra, the storybook blonde girl from the manicured subdivision
who took singing lessons, said to me, quiet and cruel, in the closet with cubbies
we kept backpacks and coats in, that I was weird. Her eyes squinted when she said it,
like she was trying to pinpoint the exact freckle or tremor or Kmart crewneck that contained
my weirdness. Jenny with the light brown pixie said I stared out the window
too much. And my teacher told my mother I never spoke in class, wouldn’t volunteer
to read aloud, though I could read. And they were all correct about me,
I feared, as I spent recesses playing make-believe with myself, Frankenstein’s
monster roaming the playground, searching for my promised companion. Some days
I was plagued by diseases the babysitter told me she wanted to cure—Dimondale Elementary’s
first Ebola victim transversing the monkey bars at record speed, blood dripping from my eyes.
Saturday mornings I would wake early and start the coffee for my comatose parents,
curl up on the couch next to my big brother, who I suspected was weird, too, and escape
into cartoons. My favorite was X-Men because the mutants got to be heroes
for their weirdness. My hero was Rogue, who was untouchable.
If you touched her skin, she absorbed your life force. I never liked it
when grown-ups hugged me. I knew it was dangerous to get too close,
that it was best to keep your gloves on if you didn’t want anyone to get hurt.
Dr. Stevie Edwards (she/they) is an Assistant Professor at Clemson University and Poetry Editor of The South Carolina Review. Stevie’s poems have appeared in Poetry, American Poetry Review, TriQuarterly, The Southern Review, and elsewhere. She is the author of Quiet Armor (Northwestern University Press, 2023), Sadness Workshop (Button Poetry, 2018), Humanly (Small Doggies Press, 2015), and Good Grief (Write Bloody Publishing, 2012). Her next book, The Weather Inside, is forthcoming from the University of Arkansas Press in Spring 2026 as part of the Miller Williams Poetry Series edited by Patricia Smith. She holds a PhD from the University of North Texas and an MFA from Cornell University. Originally a Michigander, she now lives in South Carolina with her spouse and a small herd of rescue pitbulls. She is on the Editorial Board at SAFTA.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.
This feature, chosen by Guest Editor Ezra Fox, is from The Fault by Marcela Sulak (Black Lawrence Press 2024).
TO LISTEN ONE MUST LOVE SEEDS.
To listen one must love seeds. Or, to love, one must listen to seeds. I forget. This morning on the bridge across the ancient mills,
the cart driver collecting the garbage stopped to count the courting cattle egrets. He was crooning their vital statistics to his shadowed assistant.
The egrets were fluffing their feathers, and editing the stats. To listen to this morning is to love seeds. To pull the pole beans, pop
the casings, line the pockets. Every day I gaze upon the scales of the anona, fruited away in the canopy of my orchard, and every day
the anona grow plumper, taking their time, un-anxious to please me. The oranges in their nets don’t orange. They are enjoying their green phase.
The seed banks of the world change places—the one in Syria moves to Iraq. The one in Norway begins to lend out seeds and then to collect.
There are gun banks buried underground—one in Texas—these are called caches. When you dig guns up they grow and grow. To love bodies, one must scratch holes
and listen to seeds. These. This morning picking beans, my shoe slipped into a pocket of air. It was a cache of vole. To love voles one must hunger,
muster hunger, desire darker ways of seeing, seed the dark, and must love ceding.
Marcela Sulak (she/her) has authored five poetry collections, most recently, The Fault, and the National Jewish Book Awards Finalist, City of Skypapers (Black Lawrence Press, 2021). Her six translations of poetry collections from Czech, French, and Hebrew, have been recognized by PEN and the National Endowment for the Arts. She is managing editor of The Ilanot Review, and she directs the Shaindy Rudoff Graduate Program in Creative Writing.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.
This feature, chosen by Guest Editor Ezra Fox, is from The Fault by Marcela Sulak (Black Lawrence Press 2024).
THE SPIDER
Yesterday I cried until there was no yogurt left until all my mother’s cabbages rolled out of the hallway closet, until the river crouched into a green pool and blinked, I cried until the too much order signaled its disorder until a box filled with little bars of soap appeared until the spider finished rolling up its white package of meat in the garden until the neighbor’s barbecue pits were loaded up onto the back of the truck and the children popped up like mushrooms though clearly there had been no rain.
Marcela Sulak (she/her) has authored five poetry collections, most recently, The Fault, and the National Jewish Book Awards Finalist, City of Skypapers (Black Lawrence Press, 2021). Her six translations of poetry collections from Czech, French, and Hebrew, have been recognized by PEN and the National Endowment for the Arts. She is managing editor of The Ilanot Review, and she directs the Shaindy Rudoff Graduate Program in Creative Writing.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.
This feature, chosen by Guest Editor Ezra Fox, is from The Fault by Marcela Sulak (Black Lawrence Press 2024).
NAMING THE ANIMALS
Shopping on Friday F tells his wife about the animals. There is a mouse that’s made a nest in the sea chest where he keeps the rum. And a rat that is chewing the feet of the furniture. He forgets its name. It is a rat or a mouse, he feels very certain, and there is a roach in the bathroom. Well, it isn’t in the bathroom, it is at the foot of his wardrobe, but his wardrobe is near the bathroom. If he sees it again, he will spray. There are gecko stars upon the screen but those are just their feet, not really stars, and guinea pigs in the garden, but we knew that before. On Sunday F enters the bathroom, poison bottle in hand. But the only thing in the bathroom is his wife, who looks up from the mirror. On her finger- tip is a long thin whisker, or possibly a hair.
Marcela Sulak (she/her) has authored five poetry collections, most recently, The Fault, and the National Jewish Book Awards Finalist, City of Skypapers (Black Lawrence Press, 2021). Her six translations of poetry collections from Czech, French, and Hebrew, have been recognized by PEN and the National Endowment for the Arts. She is managing editor of The Ilanot Review, and she directs the Shaindy Rudoff Graduate Program in Creative Writing.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.
This feature, chosen by Guest Editor Ezra Fox, is from The Fault by Marcela Sulak (Black Lawrence Press 2024).
GRANTED
You, said the wife to the husband, are taking me for granted. What, answered the husband, would you prefer to be taken for? In the husband’s pocket were a wine opener, a business card, and a piece of lint. I should like very much to be taken, replied the wife, after combing through the lemons, for an impertinence. The husband looked at the wife. The husband took off his sunglasses to better see her pupils. No, no, said the wife. Now you are taking me for an aperture, and that is what got us into this dark place to begin with. To illustrate, she listed all the times that she, as an aperture, had had to illustrate. I did not realize, answered the husband, that an aperture was so dutiful. The husband walked twenty paces and sat down. He began carefully to persuade some waves into a harbor. Then he directed them to lap. Here, said the husband hopefully, is an incipient setting for an impertinence.
Marcela Sulak (she/her) has authored five poetry collections, most recently, The Fault, and the National Jewish Book Awards Finalist, City of Skypapers (Black Lawrence Press, 2021). Her six translations of poetry collections from Czech, French, and Hebrew, have been recognized by PEN and the National Endowment for the Arts. She is managing editor of The Ilanot Review, and she directs the Shaindy Rudoff Graduate Program in Creative Writing.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.
This feature, chosen by Guest Editor Ezra Fox, is from The Fault by Marcela Sulak (Black Lawrence Press 2024).
SEED BANK
My parents could hardly get through breakfast without mentioning sex. As in, I told you I had a cold last night, but you insisted,
in lieu of bless you after my father sneezed. We never invited any school friends over. To love is to learn new habits, with holes in them,
for a vole or a mole, they too hunger, for a seed or surprise— for example, an aboriginal grass with exceptional nutritional value sold in hip
restaurants in capital cities at night, which is how I discover decades later the weeds in my garden were chicory. Meanwhile,
my father and brother discuss planting organic —you can make a killing if you pitch it right and if the insects, weeds, drought, and rain
don’t mess up a crop. Life isn’t a hobby, after all. To love is to discern which fields will become habitual, which words will turn over,
which pauses will yield sturdy seed banks, which silences will reduce the water content by 1% and which will reduce the temperature
in the room 10°F, for, taken together, this will double the seed lifespan. Which trees, for example, can be grafted
in such a way as to yield oranges, grapefruit, lemons, and pomelos, all from a single trunk. And which pecan trees can survive a watering
by the progeny with a gasoline can—he said he was only trying to help, though, knowing him, he was also trying for sparks, and for sparking
the pollinating flies, for love, it is so flighty a thing.
Marcela Sulak (she/her) has authored five poetry collections, most recently, The Fault, and the National Jewish Book Awards Finalist, City of Skypapers (Black Lawrence Press, 2021). Her six translations of poetry collections from Czech, French, and Hebrew, have been recognized by PEN and the National Endowment for the Arts. She is managing editor of The Ilanot Review, and she directs the Shaindy Rudoff Graduate Program in Creative Writing.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.
This feature, chosen by Guest Editor Ezra Fox, is from transfinity by Joey Gould (Lambhouse Books 2026).
compactifications of infinite series
sometimes forever turns up inside us small as a heartbeat steady forever
has a bunch of forevers in between its ordinals kinda like stone lions
guard a driveway + each big forever like art has small forevers
paintings of fruit or ponds with a wee island + reeds compactifications everywhere
little tiny cute modular infinities e.g. the smell of a new tennis ball
+ daddy issues like my ghosting daddy who piously davens to each letter
of the seventy-two letters in The Name the six hundred and twelve laws
numbers scholars say are immutable until they mute them + they should
for god’s sake when a life’s at risk but what is my child to the infinite
asks daddy god doesn’t respond god has already responded
god has made flowers that are capable of jackhammering rock slow + soft
a productivity nightmare this forever of a flower like learning to love a child
Joey Gould (they/them), who served as Sundress Academy for the Arts Spring 2024 Writer in Residence, wrote transfinity (2026, Lambhouse), The Acute Avian Heart (2019, Lily Poetry Review) & Penitent > Arbiter (2022, Lily Poetry Review). Their recent work appears in Meow Meow Pow Pow, Memezine, and Defunkt Magazine’s Surreal Confessional Anthology.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.
This feature, chosen by Guest Editor Ezra Fox, is from transfinity by Joey Gould (Lambhouse Books 2026).
gematria
What lovely theory: math as a madman, dancing nancy. Pythagoras had a cult about it but like modern math, ascetic.
So many people hate math or simply aren’t very precise so their sums would be spooky, their maths full of moons
over a harvest threshing. o it’s a superstish, babe, we’d say nowadays. But go back to dark, when our fore-fore-fores made
the first number, a spell to count the days until rain. People mapped the fucking stars. You’re so new + spoiled. They mapped the stars!
Whoever figured that out deserved the attention. There was a line out the door, people waiting for someone
to reassure their safe harvest. If the star-person kissed them it was the talk of the town. Did the kabbalist see numbers
in your eyes, + which?
Joey Gould (they/them), who served as Sundress Academy for the Arts Spring 2024 Writer in Residence, wrote transfinity (2026, Lambhouse), The Acute Avian Heart (2019, Lily Poetry Review) & Penitent > Arbiter (2022, Lily Poetry Review). Their recent work appears in Meow Meow Pow Pow, Memezine, and Defunkt Magazine’s Surreal Confessional Anthology.
Photo Credit: Sarah Deragon
Ezra Fox (they/he) is a Best of the Net nominee who lives and writes in San Francisco, CA and holds an MFA from Indiana University. A Breadloaf, Tin House, and Lambda Literary Fellow, and recipient of the Lili Elbe Memorial Scholarship, which recognizes transgender writers of exceptional promise, their work appears or is forthcoming in TriQuarterly, The Pinch, Fourteen Hills, Interim, and elsewhere. Additionally, they won the 2025 West Trade Review Poetry Prize, and currently serve as assistant judge of the Tom Howard/Margaret Reid Poetry Contest. Apart from writing, Ezra maintains a daily practice of reconnecting with their inner child: roller-skating, playing drums, and enjoying animated films and theme parks. In quieter moments, they can be found sharing cups of tea and sweet treats with their beloveds. Learn more about Ezra at ezrafox.net or on Instagram @ezraxfox.