
This selection, chosen by guest editor Sarah Clark, is from Tortillera by Caridad Moro-Gronlier, released by Texas A&M University Press in 2021.
For My Lover, Returning to Her Husband
After Anne Sexton
He is all there. Disney promises, fairy tales, a cameo carved out of soap. He has always been there. Buff and bench-pressed, primped, posed, safe under glass. I was an indulgence. Cashmere draped across your thighs, brownie binge after years of salad, sweet cling peaches in February. His piece fits your puzzle, a perfect match. You see to the girls, the dog, the job, the mop, he writes checks that buy the best, orders the chaos you call your life, marked by a Swiss watch that minds minutes, but not children he seeded— round and female, your body filled with life he put there, cocky as God. I give you back. I give you permission— for the lava inside him, spewing on your thighs, for the coward in him, the drinker, the liar, the teller of secrets who wanted to watch, for the pale scar on his nose, for the prize that is his face, for his strong man’s arms and seven white shirts, for the vasectomy, for the caretaker in you who will consider compromise when he burrows beneath you and tugs on the brown ribbons of your hair to tie you up, tie you to him, captive.

Caridad Moro-Gronlier is the author of Tortillera (TRP 2021), winner of The TRP Southern Poetry Breakthrough Series and the chapbook Visionware (FLP 2009). She is a Contributing Editor for Grabbed: Poets and Writers Respond to Sexual Assault (Beacon Press, 2020) and Associate Editor for SWWIM Every Day, an online daily poetry journal.

Sarah Clark is a mad crip genderfuck two-spirit enrolled Nanticoke editor, writer, and cultural consultant. They are Editor-in-Chief and Poetry Editor at ANMLY, Editor-in-Chief at ALOCASIA: a journal of queer plant-based writing, Co-Editor of The Queer Movement Anthology (Seagull Books, 2024) and the Bettering American Poetry series, and a current Board member and Assistant Editor at Sundress Publications. They have edited folios for publications including the GLITTERBRAIN folio and a folio on Indigenous & Decolonial Futures & Futurisms at ANMLY. Sarah freelances, and has worked with a number of literary and arts publications and organizations, including the Best of the Net anthology, contemptorary, Curious Specimens, #PoetsResist at Glass Poetry, Apogee Journal, Blackbird, the Paris Review, and elsewhere.
