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The Wardrobe’s Best Dressed: Self-Talk by Esinam Bediako


This selection, chosen by Guest Editor Romy Ewing, is from Self-Talk by Esinam Bediako (Porkbelly Press 2025).

Content Warning: racism or racialized violence

Black Hard Palate

Once  upon  a  time, you  had so  much  pigment  in  your  skin,
darkness pooling in your elbows, your knuckles, and especially
your knees. You looked, some kid quipped, like you’d fallen on
your  knees in the blackest dirt on  the  rainiest  day. Chocolate
knees.  Shit  knees. These  kids were  black,  like you,  but  they
were  the  right  kind, and you, wrong. They’re  just  kids  being
kids, your  teacher  said, like  you  weren’t  a kid,  too,  like  you
should shoulder their cruelty, like you  had to wait for them  to
grow out of it.


Later, when  you  were older but  still young,  you  yawned  too
wide  in  science, and  your  lab partner  gasped.  Eww, he said,
what is that? It  looks  like those  pictures of  skin  cancer  from
our  textbook. At home, in the mirror, you spotted a splotch on
the roof of your mouth, like a prune had flattened itself against
your   hard   palate.  Your    mother,   a   nurse  who   has    seen
everything,   had    never  seen   this.   Your    doctor    called   it
hyperpigmentation,    excess   pigment   that  would  likely fade
along with the darkness on  the  skin of  your  joints. Not  fade,
really. Spread. You’d grow more skin, and the blackness would
have someplace to go.  How long,  you asked, how soon, but all
the doctor said was that you would grow out of it.


Esinam Bediako (she/her) is a Ghanaian American writer from Detroit. She is the author of the Ann Petry Award-winning novel, Blood on the Brain (Red Hen Press, 2024), as well as the essay/poetry chapbook, Self-Talk (Porkbelly Press, 2025). You can find some of her recent work in Porter House Review, Cathexis Northwest Press, Great River Review, North American Review, and Southern Humanities Review. Esi lives in Claremont, CA with her family.

Romy Rhoads Ewing (she/her) writes from Sacramento, CA, where she was born and raised.  Her work has appeared in HAD, Oyez Review, Rejection Letters, Bullshit Lit, Major 7th Magazine, and more. Her poetry chapbook please stay was published in 2024 by Bottlecap Press. Her hybrid zine, someday [everybody but] us will laugh about all of this, was briefly physically distributed at the 3rd Annual Hallow-Zine Fest and is available digitally. She also edits poetry and nonfiction for JAKE and runs the archival site SACRAMENTO DIRTBAG ARCHIVES. She can be found at romyrhoadsewing.xyz


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