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The Wardrobe’s Best Dressed: Moon as Salted Lemon by Clayre Benzadón


This selection, chosen by guest editor nat raum, is from Moon as Salted Lemon by Clayre Benzadón (Driftwood Press, 2025).

Ser la Leche

Gutpunch as soon as the soap-sour aroma touches the two front
teeth, buoys creamy, full-bodied, at the roof of the mouth,
gurgle-clogs the throat with foam.

O sea, mala leche. Si tomas leche así, del carton, y sabe podrida:
mala suerte, sabes?

As in, I am the milk, like I am the shit, sick, in liquid form—
take me as I am.

Cuando te doy una leche, it’s a gesture towards sweetness, sis,
I’m thinking of the juxtaposition of the phrase “don’t cry over
spilled milk”, and how the tongue is naturally more sensitive
to dulce (de leche) when things are hotter (like me, when I
want to be).

I’m thinking more of the spilling as useful, a tactic, pouring a
glass of it over your head: here, have this milk, drink it, bit(ch) of
milk magic (like Milk Bar®, or the makeup company).

Sometimes, the sourness begins to froth when mom or dad tells
me, “estás de mala leche hoy”, or especially when remember-
ing the taste of the off-white liquid protein substitute they
used to make me gulp down—I’d hold my nose every time I
had to ingest a tablespoon of artificial lemon, a toxic I’d almost
puke back into the amber bottle—

For dad, the most important part of a child’s growth involved
strong bones: his reminder, proteína! sounded like the got milk?
campaign, but to advertise Cola Cao Chocolate Drink Mix in-
stead; worst would have been to have a son who ended up en-
clenque, weak, feeble, lanky…

I lap up what I can get, I guess; see, I am the milk because the body
inhabits what it’s most averse to. Milk is the food of the gods, the
first human diet, yet galactosemia means something else: galactose
+ blood, or the accumulation of galactose in my blood, the inability
to properly metabolize sugar into the galactic—in this way I un-
shapen, travel all the way down to the gut, then eventually collect
in the liver.

Sí, soy la leche. Maybe I’m milking it, but my instincts tell me I’ve
been that lost boy on the milk carton for so long, people finally
know who I am: except I’m not the proud son, I don’t have the
muscle for it. Sometimes it meant I was the schoolkid without a
proper birthday party (I couldn’t have my cake, and I couldn’t eat
it either).

               Women tend to have smaller, thinner bones than men.

I’m trying to metabolize this fact. I’m churning it. No matter what
form the milk surfaces as, maybe all I’m reaching for, wading to-
wards, is to reach kin above the milk skin, to form into nata, a del-
icacy soft to taste, melt-in-the-mouth digestible.

What it really boils down to is this:

more than I try to skim
/ the girl out myself,

more than anything,

                               I’m the (m)ilk
                               / of my mother.


Clayre Benzadón (she / they) is a queer (bi /pan) Sephardic-Ashkenazi poet, educator, and activist. Her chapbook, “Liminal Zenith”, was published by SurVision Books in 2019. Her manuscript “Moon as Salted Lemon” was recently named an honorable mention for Miami Book Fair’s 2025 Emerging Writer’s Fellowship. She has been published in places including Jet Fuel Review, Libre, and SWWIM.


nat raum (b. 1996) is a queer disabled artist, writer, and editor based on unceded Piscataway and Susquehannock land in Baltimore. They hold an MFA from the University of Baltimore and a BFA from the Maryland Institute College of Art. Past and upcoming publishers of their work include Poet Lore, beestung, Baltimore Beat, Split Lip Magazine, BRUISER, and others. Find them online at natraum.com.

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