Cuneiform
Again, I take your name into my mouth, the syllables disintegrating
into something like sweetness.
See? Water into wine. Again,
I take your name into my mouth and swallow.
Because I wanted
my arms around you.
Because saying I loved you as a man
instead of a boy
might make us more real.
Because every love song is an elegy
for itself, and we have learned to speak
the way thirst does—our mouths filling with longing
to forget
our bodies.
The body dreaming of bursting
into flames. Gold spilling
out of the award-winning man on fire.
It shouldn’t have been this hard to be holy,
and we know the flesh around the tailbone
was how we learnt to lie.
Turn off the light and see what blankets us.
Turn on the light and see how we hold onto all that black.
Outside—the sky as both dawn and dusk. Clouds
cover and uncover the Sun.
Outside a lit match, flickering. As if constantly waking
from a nightmare.
Darkness surrounding the blinking eye.
Tell me this: a match is always a match, even as it burns out
for good—but is it enough
to be nothing but the shape of our bodies?
Is it enough to be within and without?
Maybe we call it longing because we define ourselves through
distance.
I’m half the world away. I’m at the edge
of this parsec tearing holes in nebulas
knowing you’ll meet my eyes
when we’re dead. I’m right next to you,
finding every way to leave
the world between us.
My body behind yours,
your neck drenched with late afternoon,
I reach for you and pull away all at once.
My arms forever
at your shoulders,
wanting.
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