pointlessness what good is a whale without his pod
we wonder
& we all care about cliff hangers if the film opens with a shot
of a climber dangling from a precipice
we don’t want the stranger to fail or come to harm
we want to shout something loud and trite like
hang on in there buddy
& we are primed for the colour red because it might spell somebody’s blood
we are programmed to draw close to each other at night
around whatever passes for a fire to share whatever passes for a story
whilst each of us breathes through eight hundred trees’ worth of oxygen
which is why when we pray we pray mostly to wood
Laura Theis writes poetry, songs, and fiction in her second language. She received a Distinction from Oxford University’s MSt in Creative Writing. Her work appears in journals such as Poetry, Oxford Poetry, Mslexia, Magma, Rattle, and Strange Horizons, and has been widely anthologized by Candlestick Press, Broken Sleep Books, Pan Macmillan, and Aesthetica, amongst many others. Her Elgin-Award-nominated debut how to extricate yourself, an Oxford Poetry Library Book-of-the-Month, won the Brian Dempsey Memorial Prize. Her collection A Spotter’s Guide To Invisible Things won the Live Canon Collection Prize and received the Arthur Welton Award from the Society of Authors.
JJ Rowan is a queer nonbinary poet and dancer whose writing and movement practices have developed largely out of collaborative approaches and the pursuit of deep connection. They are looking for the places where the written line and the lines of the moving body intersect, where genre blurs and remixes and reboots, and where style and role reach maximum fluidity and deeper capacity. Their chapbook, a simple verb, is available from Bloof Books. You can follow their handwriting and movement projects on Instagram.