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The Wardrobe’s Best Dressed: How to Start a Coven by Deirdre Danklin


This selection, chosen by guest editor Kenli Doss, is from How to Start a Coven by Deirdre Danklin (Variant Lit 2022).

content warning for sexual assault


Dream Sequence

In my dream life, I walk up a moss-covered spiral
staircase to the top of an opalescent tower. I'm a
princess in my dream life, there's a white owl with a flat
face perched on my shoulder who coos cliches in my
ear. Shoot for the moon, the owl says, even if you miss
you'll land among the stars. In my real life, there are
glow-in-the-dark stars attached to my ceiling fan and
a spider stuck weaving a web between the glass of my
bedroom window and its screen. I go to school, and I'm
not a princess. I have a dog that my family found skinny,
starving, tied to a tree. Nothing flies. In my dream life, I
catch my teeth in a bloody pile in my hands, and that's
how I know something is coming to invade my kingdom.
I'm not a princess but a king. So, I wear a crown made
of bloody teeth and ride a white owl to the battlefield.
There, I fight the falling debris of exploded stars. I win.
In my real life, I grow up. I wear a school uniform that
makes me look like Lucy from Peanuts. I make a few
good friends, but we grow apart. In my dream life, they
call me the toothless king, a destroyer and creator. There
is peace in the gardens of my kingdom, and pink roses
with blue eyeballs at their centers unfold and make the
world smell like freshly cracked pistachios. In my real
life, I go to a small college in Pennsylvania and every
single one of my new friends gets drunk and wakes
up with a boy's fingers inside them, or a boy's body on
top of them. Twice, I carry a smaller girl home while
she cries. In my dream life, a gray mist creeps over my
kingdom. I grow a mouth full of baby teeth that scream
when it rains. I banish slippery-smiled people from my
kingdom, the ones who throw parties and tell me I'm
pretty. I tell them to wrap their belongings onto their
backs, tie them up with a linen sack, and leave, go, be
gone. I sit alone in my opalescent tower and the gray
mist shuts all of the flower eyes. In my real life, I get a
grant from the French department to study abroad. I eat
lavender-flavored gelato and watch jugglers on unicycles
maneuver ancient alleyways. I'm old enough to drink in
the south of France, so my new friends and I buy cheap
wine that tastes like vinegar and dance sur le pont
d'Avignon. In my dream life, the mist trembles a little,
and I can see flashes of color behind it. The remaining
inhabitants of my kingdom, the talking animals and
plant poets, say there is a possibility that the gray days
may be lifting. They talk about me, shut up in my tower,
like an ancient evil. My white owl tries to preen me, but I
don't have any feathers. In my real life, I go to
Myrtle Beach and I lose track of a friend at a party. In the
morning, I get a call from the local jail. They lead her out
in shackles and an orange jumpsuit. A boy ripped her
clothes off on the beach and she ran away naked and the
cops threw her in jail for being indecent. In my dream
life, the lightning comes. It irradiates the mist and kills
the green grass and turns the toads reciting Shakespeare
to stone. The lightning strikes the tower over and over
again, and all of my baby teeth scream. In my real life,
I meet the man I'll marry at a party, I move to Berlin,
I move back, I get married, I work long hard jobs that
don't require me to use my brain. I get called sweetie and
sunshine and bitch by various bosses and people who
call the office on the phone. In my dream life, the earth
is scorched, but all of my screaming baby teeth have
fallen out. I add them to my crown, which drips with
blood. There are words banging on the doors of my opal
tower, begging admittance to my abandoned kingdom,
so I let them in. Vowels who aren't afraid of me, but sing
loud low tunes of mourning and love. Consonants that
chuckle and skip all around me. I smile a gummy smile.
In my real life, my husband and I move from the worst
apartment in the world to a better apartment, and I get
into grad school. My boss gives me a nice purse as a
parting gift. Our new apartment is overrun with mice,
so we adopt a cat. In my dream life, the vowels and
consonants weave themselves together in a pattern that
becomes people. Characters, they tell me, and I will write
about them. I feel a new set of teeth, big and strong, like
a horse's teeth, grow in. I smile a fat white smile and
order the revived toads to fetch me a pen. We float up
to the top of my ancient tower until our heads brush up
against the bioluminescent mushrooms that sprout from
the roof, glowing pink and green and blue. I write my
name on the toads' skin and they shiver with happiness.
In my real life, my cat purrs, my husband makes me
pancakes, and there is sunshine coming through our bay
window in the mornings. In grad school, my professors
tell me not to write about dreams.

Deirdre Danklin holds an MFA from Johns Hopkins University. Danklin’s novella, Catastrophe, won the 2021 Clay Reynolds Novella Prize and was published by Texas Review Press. Danklin’s nonfiction has been published in The Ploughshares Bog and CRAFT, among other places. Currently, Danklin is an adjunct professor of writing, and she writes editorial letters for Fractured Lit, The Masters Review, and Uncharted Mag. She won a 2022 independent artist grant from the Maryland State Arts Council. She lives in Baltimore with her husband and two cats.


Kenli Doss holds a BA in English and a BA in Theatre-Performance from Jacksonville State University. She is a freelance writer and actress based out of Alabama, and she spends her free time painting scenes from nature or writing poetry for her mom. Ken’s works appear in Something Else (a JSU literary arts journal), Bonemilk II by Gutslut Press, Snowflake Magazine, The Shakespeare Project’s Romeo and Juliet Study Guide and A Midsummer Night’s Dream Study Guide, and The White Cresset Arts Journal.

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