This selection, chosen by guest editor Valyntina Grenier, is from VOLO by Nathalie Handal (Diode Editions 2021).
Téssera
I
The Walls Have Not Fallen
for Bethlehem 1948
from New York via London 2020
[ 1 ]
I look at the way this silence
moves the streets,
the way we leave ourselves
in others,
the way our shadows
come back for more solitude,
the way death holds
death hostage
even when it begs
to walk down the lonesome road.
Maybe we need
to empty our souls
to find those
thinking of us
in memories we forgot,
maybe we will see
darkness healing
as ships land on pale shores,
or maybe we will fall into the sea,
forgetting that love
is a longer voyage
than life.
Nathalie Handal was raised in Latin America, France and the Middle East, and educated in the United States, United Kingdom and Asia. Her recent poetry books include Life in A Country Album, the flash collection The Republics, the critically acclaimed Poet in Andalucía, and Love and Strange Horses. She is the author of eight plays, editor of two anthologies, and her flash essays and creative nonfiction have appeared in Vanity Fair, Guernica Magazine, The Guardian, The New York Times, The Nation, The Irish Times, among others. Handal is the recipient of awards from the PEN Foundation, the Lannan Foundation, Centro Andaluz de las Letras, Fondazione di Venezia, among others. She is Associate Professor of Practice in Literature & Creative Writing at New York University–AD, and writes the literary travel column ‘The City and the Writer’ for Words without Borders magazine.
Valyntina Grenier is a multi-genre eco artist living with her wife in Tucson, AZ. She works with paint, ink, Neon, encaustic medium, recycled or repurposed materials and words. She is the author of Honeymoon Shoes and the chapbooks, Fever Dream/ Take Heart and In Our Now. You’ll find her work in, Beyond Queer Words, Genre: Urban Arts, Impermanent Earth, Lana Turner, The Journal, Querencia, and The Wardrobe. Find her at valyntinagrenier.com or Insta @valyntinagrenier.
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