
Knoxville, TN— The Sundress Academy for the Arts is excited to present “Strange Ways the World Might Be,” a workshop led by Becca Hannigan on March 13th, 2024, from 6:00-7:30PM ET. This event will be held over Zoom. Participants can access the event at tiny.utk.edu/sundress (password: safta).
You’ve likely heard of magical realism, but what about realism that’s simply strange? In this workshop, we will consider how fiction and nonfiction can—quite simply—“describe strange ways the world might be,” as one critic defines fiction by Samanta Schweblin. One way to do this—which we will practice—is to strip objects and social norms from their context, to examine and experience them phenomenally.
Together, will question assumptions and unpack cultural baggage, using “widowed images” and surprising narratives. Along with Schweblin, we will draw inspiration from such writers as Franz Kafka, Lesley Nnekah Arimah, and Martha Gelhorn, looking at the history of absurdism (with nihilistic roots) and the contemporary absurd, which (I argue) is the opposite of nihilistic. The class will be generative, with ample writing prompts, discussion, and time to share. Together, we will blur genres, producing and admiring prose that you might call surrealism, absurdism, or just plain weird.
While there is no fee to participate in this workshop, those who are able and appreciative may make donations directly to Becca Hannigan via Venmo @beccahannigan.
Becca Hannigan is a fiction writer based in Denver, Colorado. They earned a BA in environmental science at Sewanee, the University of the South. In May 2023, they graduated with an MFA from the University of North Carolina Wilmington, where they taught undergraduate students and worked as fiction editor for Ecotone. Along with teaching, she has led workshops in various settings, as an intern for the Brink Literacy Project and staff at the Sewanee Young Writers’ Conference. Her work has been published in Story Quarterly, the Rumpus, 303 Magazine, Juked, and elsewhere.
This event is brought to you in part by grants provided by the Witter Bynner Foundation for Poetry and the Tennessee Arts Commission.
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