The Wardrobe’s Best Dressed: Lisa Cheby’s “Love Lessons from Buffy the Vampire Slayer”

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Love Lesson #24 from Buffy the Vampire Slayer

all this world’s an open

grave

as love is

open for fallage in by

my unchosen one:

I am God’s promise,

but what of your promise of love?

We toil against gravity all day.

I do not want to wait
to fall
in line

I claw out of the gravity
of your promise

and engrave my own
in earth:     do not surrender

to gravity:

though you lie open

as a grave

sooner or later
that excuse

just stops
working

promises Xander
descended from the Greek
to defend men

who have not fallen in

place: alias: love

is my gravity

keeps me gravely moving graveward
to the hellmouthy gravity of my unreality

(and by grave I mean you)

(and by unreality I mean :

I am the open one
waiting for someone
unwilling to fall.)

This selection comes from Lisa Cheby’s Love Lessons from Buffy the Vampire Slayer, available from Dancing Girl Press. Purchase your copy here!

Lisa Cheby is a writer and a librarian in a public high school in Los Angeles, CA. She earned an MFA from Antioch, is an MLIS candidate at San Jose State University, and is the poetry editor for Annotation Nation.   Her poems and reviews have appeared in various journals including The Rumpus, Eclipse, The Mom Egg, The Citron Review, Two Hawks Quarterly, Tidal Basin Review and A cappella Zoo and in the anthologies Drawn to Marvel: Poems from the Comic Book and The Burden of Light: Poems on Illness and Loss. Her first book, Love Lessons from Buffy the Vampire Slayer, is available from Dancing Girl Press.

Darren C. Demaree is the author of three poetry collections, As We Refer to Our Bodies (2013, 8th House), Temporary Champions (2014, Main Street Rag), and Not For Art For Prayer (2015, 8th House). He is the recipient of three Pushcart Prize nominations and a Best of the Net nomination. He is also a founding editor of Ovenbird Poetry and AltOhio. He is currently living in Columbus, Ohio with his wife and children.

The Wardrobe’s Best Dressed: Lisa Cheby’s “Love Lessons from Buffy the Vampire Slayer”

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Love Lesson # 2014 from Buffy the Vampire Slayer

This message is not for me:

“Just thinking of you and hope
things will go smoother
for you and love
you.”

A slayer with family and friends wasn’t in the brochure:

“sorry, off by one digit,
please delete me”

Without a slayer, you are just pretty much watching

And without a spinster and Halloween cats,
the matchmakers are pretty much on

a rant, no room for logic:

on New Year’s Eve
someone’s mother called me

by mistake

I remembered my mother
is dead

when there was no one to make me tea
or bury me in the crypt of his body

“You can’t keep trying to make everything work
               with one big gesture

or by publishing a book of poems to distract from this: “

“Thanks,

but who is this?

Tragedy?

I am no longer in love
                                  with you.”                                      You no longer turn me on

this old mattress —

all I need:
an unbudger of support                                       I’m five by five

and know the soul is not

all about moonbeams and penny whistles: it’s about self-
                                                                                                                        loathing.

But someone I don’t know loves me.                                 I have a text that says so.

This selection comes from Lisa Cheby’s Love Lessons from Buffy the Vampire Slayer, available from Dancing Girl Press. Purchase your copy here!

Lisa Cheby is a writer and a librarian in a public high school in Los Angeles, CA. She earned an MFA from Antioch, is an MLIS candidate at San Jose State University, and is the poetry editor for Annotation Nation.   Her poems and reviews have appeared in various journals including The Rumpus, Eclipse, The Mom Egg, The Citron Review, Two Hawks Quarterly, Tidal Basin Review and A cappella Zoo and in the anthologies Drawn to Marvel: Poems from the Comic Book and The Burden of Light: Poems on Illness and Loss. Her first book, Love Lessons from Buffy the Vampire Slayer, is available from Dancing Girl Press.

Darren C. Demaree is the author of three poetry collections, As We Refer to Our Bodies (2013, 8th House), Temporary Champions (2014, Main Street Rag), and Not For Art For Prayer (2015, 8th House). He is the recipient of three Pushcart Prize nominations and a Best of the Net nomination. He is also a founding editor of Ovenbird Poetry and AltOhio. He is currently living in Columbus, Ohio with his wife and children.

The Wardrobe’s Best Dressed: Lisa Cheby’s “Love Lessons from Buffy the Vampire Slayer”

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Love Lesson #42 from Buffy the Vampire Slayer

How can water break?
Ask the cracks and potholes in the boneyard.

In the tub my body sinks to the bottom,
filled with water weight.

No matter how many tears are shed
or how much of myself I pour on you,
the memory of your saliva takes up more
than 78% of me.

Stop this Pitypalooza
At least he has a reflection

like the willows, which weep raindrops
that cannot fall, like my body of water

suspended in this body of water where I find
no reflection, just the hot baptism of my skin.

They’ll never know how hard it is to be the one
who isn’t chosen.

In another time and place, I could be a waterfall
to which, through the mist of clouds broken
by the sun, people pilgrimage to cleanse
their unstakeable selves, the self that cannot remain

in one form

like coffee beans, they hope the rush of my water
will brew them out of their shells, transform them into the essence

of something

drinkable, visible, lovable.

This selection comes from Lisa Cheby’s Love Lessons from Buffy the Vampire Slayer, available from Dancing Girl Press. Purchase your copy here!

Lisa Cheby is a writer and a librarian in a public high school in Los Angeles, CA. She earned an MFA from Antioch, is an MLIS candidate at San Jose State University, and is the poetry editor for Annotation Nation.   Her poems and reviews have appeared in various journals including The Rumpus, Eclipse, The Mom Egg, The Citron Review, Two Hawks Quarterly, Tidal Basin Review and A cappella Zoo and in the anthologies Drawn to Marvel: Poems from the Comic Book and The Burden of Light: Poems on Illness and Loss. Her first book, Love Lessons from Buffy the Vampire Slayer, is available from Dancing Girl Press.

Darren C. Demaree is the author of three poetry collections, As We Refer to Our Bodies (2013, 8th House), Temporary Champions (2014, Main Street Rag), and Not For Art For Prayer (2015, 8th House). He is the recipient of three Pushcart Prize nominations and a Best of the Net nomination. He is also a founding editor of Ovenbird Poetry and AltOhio. He is currently living in Columbus, Ohio with his wife and children.

The Wardrobe’s Best Dressed: Lisa Cheby’s “Love Lessons from Buffy the Vampire Slayer”

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Love Lesson #319 from Buffy the Vampire Slayer

If girls unnoticed
can become invisible
assassins

and cheerleaders can take down
the competition with flames

if an angel of death can fall
             in love

and if dreams aren’t prophesies

then I will believe
a werewolf you are not

                                           (Do you know why you’re alive?)

though you only once in a supermoon
make love and sleep-talk to me.

This selection comes from Lisa Cheby’s Love Lessons from Buffy the Vampire Slayer, available from Dancing Girl Press. Purchase your copy here!

Lisa Cheby is a writer and a librarian in a public high school in Los Angeles, CA. She earned an MFA from Antioch, is an MLIS candidate at San Jose State University, and is the poetry editor for Annotation Nation.   Her poems and reviews have appeared in various journals including The Rumpus, Eclipse, The Mom Egg, The Citron Review, Two Hawks Quarterly, Tidal Basin Review and A cappella Zoo and in the anthologies Drawn to Marvel: Poems from the Comic Book and The Burden of Light: Poems on Illness and Loss. Her first book, Love Lessons from Buffy the Vampire Slayer, is available from Dancing Girl Press.

Darren C. Demaree is the author of three poetry collections, As We Refer to Our Bodies (2013, 8th House), Temporary Champions (2014, Main Street Rag), and Not For Art For Prayer (2015, 8th House). He is the recipient of three Pushcart Prize nominations and a Best of the Net nomination. He is also a founding editor of Ovenbird Poetry and AltOhio. He is currently living in Columbus, Ohio with his wife and children.

The Wardrobe’s Best Dressed: Lisa Cheby’s “Love Lessons from Buffy the Vampire Slayer”

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Love Lesson #7 from Buffy the Vampire Slayer

The body is an honest animal.
But whose should I believe,

                                yours or mine?

                                                            Want a taste?

The pleasure of eating becomes a sin
when someone fears

                               they’re just sinners,
                               or you are sin:

what marinade of tears and love and joy
          did your thighs and heart, liver and wings
                               wade through
                                        to get to me?

                   What pool has steeped the body of you
                               so that the body of me
                                            craves you inside?

Why can I not want the simple completeness
          of beans and rice or the clarity
                          of chicken soup, the fullness

of sag paneer at Bollywood
         or the comfort of paprikas
                         from my mother’s pot?

And how does evil taste?                             A little bit chalky.

Why can we not be as easy as licks
        of pistachio ice cream churned
                         from rosewater and milk?

This selection comes from Lisa Cheby’s Love Lessons from Buffy the Vampire Slayer, available from Dancing Girl Press. Purchase your copy here!

Lisa Cheby is a writer and a librarian in a public high school in Los Angeles, CA. She earned an MFA from Antioch, is an MLIS candidate at San Jose State University, and is the poetry editor for Annotation Nation.   Her poems and reviews have appeared in various journals including The Rumpus, Eclipse, The Mom Egg, The Citron Review, Two Hawks Quarterly, Tidal Basin Review and A cappella Zoo and in the anthologies Drawn to Marvel: Poems from the Comic Book and The Burden of Light: Poems on Illness and Loss. Her first book, Love Lessons from Buffy the Vampire Slayer, is available from Dancing Girl Press.

Darren C. Demaree is the author of three poetry collections, As We Refer to Our Bodies (2013, 8th House), Temporary Champions (2014, Main Street Rag), and Not For Art For Prayer (2015, 8th House). He is the recipient of three Pushcart Prize nominations and a Best of the Net nomination. He is also a founding editor of Ovenbird Poetry and AltOhio. He is currently living in Columbus, Ohio with his wife and children.

The Wardrobe’s Best Dressed: Sarah A. Chavez’s “All Day, Talking”

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Dear Carole, For hours, it’s been burning

a hole in my gut, the shame
of never saying thank you
twelve years ago for that fucking pizza
you bought with SSI back pay.
It tasted so good: the grease,
the sweet of the tomato sauce,
the salt from the olives prickling
my tongue – I could actually taste it.
They don’t say on those Cymbalta commercials
depression takes away taste.
Sleep, yeah, sex drive, focus, but not taste.
I never told you
how for those months, alone
in my one-bedroom apartment I tried
to eat just about anything,
but it was all so thick and waxen . . .
one night, ravenous and wretched
I tried to eat an entire loaf of bread.
Cross-legged on the kitchen floor
the light from the street lamp cast ghastly
shadows against the apartment blinds
while I took slice after slice
of Wonder Bread from the Hostess overstock
warehouse on Weldon Street and bit
into each one wanting desperately
for the next to taste
like summer,
like 1998,
like the smell of patchouli
in your room, like rain water,
like mud-stained carpet, like midnights
on the front porch,
like lying to our mothers and never getting caught.
Slice after slice – mutilated, the impression
of my teeth embossed on each one’s cottony
flesh – lay scattered
on the linoleum. I couldn’t bring myself
to swallow even the smallest
bite. Just kept spitting
slobbery hunks onto my naked lap,
into my tangled hair, until
I laid down, the floor clammy and smooth
like the palms of your hands.

 

This selection comes from Sarah Chavez’s chapbook All Day, Talking, available from Dancing Girl press. Purchase your copy here!

Sarah A. Chavez, a mestiza born and raised in the California Central Valley, is the author of the chapbook, All Day, Talking published by Dancing Girl Press (2014).  She holds a PhD in English with a focus in poetry and Ethnic Studies from the University of Nebraska – Lincoln. Her work can be found or is forthcoming in Luna Luna Magazine, So to Speak: Feminist Journal of Language and Art, among others. Her manuscript, This, Like So Much, was an Honorable Mention for the 2013 Quercus Review Press Poetry Book Contest. A selection from her chapbook manuscript All Day, Talking won the Susan Atefat Peckham Fellowship in 2013. She is a proud member of the Macondo Writers Workshop.

Jennifer Jackson Berry is the author of the chapbooks When I Was a Girl (Sundress Publications) and Nothing But Candy (Liquid Paper Press). Recent poems have appeared or are forthcoming in Booth, The Emerson Review, Harpur Palate, Moon City Review, Stirring, and Whiskey Island, among others. She lives in Pittsburgh, Pennsylvania.

The Wardrobe’s Best Dressed: Sarah A. Chavez’s “All Day, Talking”

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Dear Carole, Yesterday it cracked

right down the middle, my red
and black swirl stone ring.
I know what you’re thinking,
but I didn’t do it on purpose.
I love that ring.

 

This selection comes from Sarah Chavez’s chapbook All Day, Talking, available from Dancing Girl press. Purchase your copy here!

Sarah A. Chavez, a mestiza born and raised in the California Central Valley, is the author of the chapbook, All Day, Talking published by Dancing Girl Press (2014).  She holds a PhD in English with a focus in poetry and Ethnic Studies from the University of Nebraska – Lincoln. Her work can be found or is forthcoming in Luna Luna Magazine, So to Speak: Feminist Journal of Language and Art, among others. Her manuscript, This, Like So Much, was an Honorable Mention for the 2013 Quercus Review Press Poetry Book Contest. A selection from her chapbook manuscript All Day, Talking won the Susan Atefat Peckham Fellowship in 2013. She is a proud member of the Macondo Writers Workshop.

Jennifer Jackson Berry is the author of the chapbooks When I Was a Girl (Sundress Publications) and Nothing But Candy (Liquid Paper Press). Recent poems have appeared or are forthcoming in Booth, The Emerson Review, Harpur Palate, Moon City Review, Stirring, and Whiskey Island, among others. She lives in Pittsburgh, Pennsylvania.

The Wardrobe’s Best Dressed: Sarah A. Chavez’s “All Day, Talking”

sarah-a-chavez

Dear Carole, There are bugs everywhere

Mobs of tight black bodies,
their imperceptible wings
flapping through the screens
of the south-facing windows.
It’s disgusting how the live
and dead bug bodies mingle
together on the sill, the floor,
moving and multiplying no
matter how often I take the
broom and Dustbuster to them.
I know what you would tell me:
Close the goddamn windows
already. But the sun is shining
in that friendly, far-flung
way that only happens in fall.
There’s a breeze that flits
through those wings. I guess
that was always the difference
between us – what we were
willing to sacrifice for comfort.

 

This selection comes from Sarah Chavez’s chapbook All Day, Talking, available from Dancing Girl press. Purchase your copy here!

Sarah A. Chavez, a mestiza born and raised in the California Central Valley, is the author of the chapbook, All Day, Talking published by Dancing Girl Press (2014).  She holds a PhD in English with a focus in poetry and Ethnic Studies from the University of Nebraska – Lincoln. Her work can be found or is forthcoming in Luna Luna Magazine, So to Speak: Feminist Journal of Language and Art, among others. Her manuscript, This, Like So Much, was an Honorable Mention for the 2013 Quercus Review Press Poetry Book Contest. A selection from her chapbook manuscript All Day, Talking won the Susan Atefat Peckham Fellowship in 2013. She is a proud member of the Macondo Writers Workshop.

Jennifer Jackson Berry is the author of the chapbooks When I Was a Girl (Sundress Publications) and Nothing But Candy (Liquid Paper Press). Recent poems have appeared or are forthcoming in Booth, The Emerson Review, Harpur Palate, Moon City Review, Stirring, and Whiskey Island, among others. She lives in Pittsburgh, Pennsylvania.

The Wardrobe’s Best Dressed: Sarah A. Chavez’s “All Day, Talking”

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Dear Carole, The dentist is about to pull

my wisdom teeth and I stayed up all night
drinking to dumb my brain enough
to drag my happy-ass across town at 8 a.m.
and into this frightening chair next to the gizmos
and loud whirly drills, the smell of latex
pressed against my nose, the latex dust
getting caught in the back of my throat.
I can already feel the dentist’s sadistic hands
pushing farther and farther into my mouth,
and there’s so much pressure and he’s so far in
I think he’s going to stand up with my tongue torn off
in his rubber-laden hand like an anthropologist,
like fucking Indiana Jones finding some third world
country’s indigenous treasure.

I want to yell at him: Don’t you know better
than to take from people who have nothing
but these relics, these baubles?

But he’s got my still slab of a tongue in his hand
and the noise that comes from the back
of my throat is just choking, as if a person
could even choke on absence.

 

This selection comes from Sarah Chavez’s chapbook All Day, Talking, available from Dancing Girl press. Purchase your copy here!

Sarah A. Chavez, a mestiza born and raised in the California Central Valley, is the author of the chapbook, All Day, Talking published by Dancing Girl Press (2014).  She holds a PhD in English with a focus in poetry and Ethnic Studies from the University of Nebraska – Lincoln. Her work can be found or is forthcoming in Luna Luna Magazine, So to Speak: Feminist Journal of Language and Art, among others. Her manuscript, This, Like So Much, was an Honorable Mention for the 2013 Quercus Review Press Poetry Book Contest. A selection from her chapbook manuscript All Day, Talking won the Susan Atefat Peckham Fellowship in 2013. She is a proud member of the Macondo Writers Workshop.

Jennifer Jackson Berry is the author of the chapbooks When I Was a Girl (Sundress Publications) and Nothing But Candy (Liquid Paper Press). Recent poems have appeared or are forthcoming in Booth, The Emerson Review, Harpur Palate, Moon City Review, Stirring, and Whiskey Island, among others. She lives in Pittsburgh, Pennsylvania.

The Wardrobe’s Best Dressed: Sarah A. Chavez’s “All Day, Talking”

sarah-a-chavez

Dear Carole, It’s Dia de los Muertos

I propped
your picture
next to a package
of Hostess mini
chocolate donuts
from the 7-11
off of Dakota
and Marks,
(the one
where they never
carded us)
and lit a black candle.
If your ghost
doesn’t eat
those little sugar bombs
by the time I get home
from the late shift
tonight, they’re mine.

 

This selection comes from Sarah Chavez’s chapbook All Day, Talking, available from Dancing Girl press. Purchase your copy here!

Sarah A. Chavez, a mestiza born and raised in the California Central Valley, is the author of the chapbook, All Day, Talking published by Dancing Girl Press (2014).  She holds a PhD in English with a focus in poetry and Ethnic Studies from the University of Nebraska – Lincoln. Her work can be found or is forthcoming in Luna Luna Magazine, So to Speak: Feminist Journal of Language and Art, among others. Her manuscript, This, Like So Much, was an Honorable Mention for the 2013 Quercus Review Press Poetry Book Contest. A selection from her chapbook manuscript All Day, Talking won the Susan Atefat Peckham Fellowship in 2013. She is a proud member of the Macondo Writers Workshop.

Jennifer Jackson Berry is the author of the chapbooks When I Was a Girl (Sundress Publications) and Nothing But Candy (Liquid Paper Press). Recent poems have appeared or are forthcoming in Booth, The Emerson Review, Harpur Palate, Moon City Review, Stirring, and Whiskey Island, among others. She lives in Pittsburgh, Pennsylvania.